Fairbairn's Crests Of The Leading Families In Great Britain And Ireland And Their Kindred In Other Lands


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.







Fairbairn's Crests of the Leading Families in Great Britain and Ireland and Their Kindred in Other Lands (Classic Reprint)


Book Description

Excerpt from Fairbairn's Crests of the Leading Families in Great Britain and Ireland and Their Kindred in Other Lands They addressed the imagination by a more direct channel and in a more striking manner than words; while at one glance they re called the most important events in the History of persons. Families and nations. Their immediate relations to war and to the honorable distinctions arising from it, connected them with the deeds and manners of former times. Exhibited on the shields and vestments of warriors, they also adorned the most splendid apparel of peace; and were often transferred to more durable materials, to perpetuate the memory of those who bore them. They formed the chief orna ments in the palaces of the great, were chosen by artists of various professions to embellish their respective works. Were set up in courts of judicature, and impressed on the public money. Thus, to the utmost extent of their application, did Armorial Bearings become the symbolical language of Europe. It was not until the time of the Crusades that the Crest or cognizance was generally adopted. Originally the crest was an ornament chie y worn by Kings, Knights, and warriors. It was made either of feathers, wood, leather. Or metal, and secured by the wreath, a parti - colored fastening, consisting of the principal metal and color of the shield entwined. At first these badges were placed on the summit of the helmet, to render them more plainly visible; or on the arm; but in later times were transferred to the shield or armor. The crest served to distinguish the bearers in battle, and as a mark for their followers or supporters. Being no longer thus borne, the art of the painter, sculptor, or engraver must be had recourse to, gracefully and peacefully to represent on the precious metals. On wood, canvas. Stone. Paper, or other material, what was more rudely and terribly displayed in the times of the past. Armorial Bearings may be, and frequently are, rendered with a view to general effect. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."




Fairbairn's Crests of the Leading Families in Great Britain and Ireland and Their Kindred in Other Lands


Book Description

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.




Welsh Armorial Porcelain


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Armorial porcelains comprised the output of most European ceramics factories in the 18th and 19th Centuries in response to the large quantity of armorial porcelain services that were being imported from China bearing the coats of arms and crests of aristocratic families. Whereas these armorial services have been identified and covered for most porcelain manufactories the information relevant to their production by the two relatively short-lived Nantgarw and Swansea China Works has not been addressed as a theme until now. As an integral component of the holistic forensic appraisal of porcelain, a functional and decorative artwork manifestly part of our cultural heritage and its ongoing preservation , the recording and identification of such artefacts is material for the future establishment of a database of factory production . The Nantgarw and Swansea factories only operated for a limited period in the second decade of the 19th Century and their porcelains were much appreciated for their high quality and desirability by Georgian households. Today, examples are to be found in many museums and ceramics collections and continue to excite the interest of specialists and the general public . This text provides the first comprehensive assessment of armorial porcelains from these two factories and the methodology and procedure for the identification of unknown armorial bearings and crests is illustrated; individual bearings are discussed in detail and existing incorrect assignments in the literature are re-appraised. The difficulties in attribution of armorial heraldic achievements that are only minimally depicted are considered and directions for further studies using historical documentation are invoked. This book therefore fills a currently existing gap in the ceramics literature of the 19th Century.




Armorial Porcelain


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The Art of the English Trade Gun in North America


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Symbolic ornamentation inspired by ancient Greek and Roman art is a long-standing Western tradition. The author explores the designs of 18th century English gunsmiths who engraved classical ornamental patterns on firearms gifted or traded to American Indians. A system of allegory is found that symbolized the Americas of the New World in general, and that enshrined the American Indian peoples as "noble savages." The same allegorical context was drawn upon for symbols of national liberty in the early American republic. Inadvertently, many of the symbolic designs used on the trade guns strongly resonated with several Native American spiritual traditions.