Fairhope's Anniversary


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Women of Fair Hope


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During the depression of the 1890s, a young Iowa newspaperman, indignant over the excesses of the Gilded Age, led a group of midwesterners to the eastern shore of Mobile Bay, where they established a model community based on the utopian ideals of Henry George. In Women of Fair Hope, Paul M. Gaston follows the dreams and achievements of three extraordinary women—an early feminist reformer, an educator, and a freed slave—whose individual desires to create a fairer, more equitable society led them to play important roles in the life of that community.




The 117th Review Anniversary Edition


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"The item was issued in 1944 to recount the first year of the 117th US Navy Construction Battalion, from training to joining the 2nd Construction Brigade in the Pacific. The 117 th spent much of their tour on Saipan during the war. Loaded with articles and photos, company by company photos, rosters of officers and enlisted men, sports teams, visiting USO performers and more"--




Fairhope in the Roaring Twenties


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The 1920s roared into the quiet bay-front utopian village of Fairhope in roadsters and riverboats carrying free thinkers, nudists, bootleg whiskey, Socialists, progressives, and some of the leading counter-culture authors and artists of the century. Founded in 1894 as a model cooperative colony, Fairhope had a name before it was a place because its settlers believed their unique venture would have a "fair hope" of success. Its cornerstone was the law of equal freedom for all. During the Jazz Age, flappers and wealthy visitors from metropolitan centers of Chicago and New York abounded during the post-war boom. They flocked to the beautiful resort spot on Mobile Bay, an entertainment center with dance and yacht clubs and a waterfront casino. The town's individualistic roots also attracted famous idealists, intellectuals, and social critics of the day, as well as mavericks, Communists, and some just plain kooks.







Fairhope, 1894–1954


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"On November 15, 1894, a small group of men and women met on a bleak stretch of bay shore near Mobile, Alabama, to establish a colony. It was a decidedly Utopian undertaking in a period characterized by many similar social experiments and ideal communities, most of them failures. This group, which gathered at 'Stapleton's Pasture' to found Fairhope, hoped to demonstrate the benefits of the single tax as a means of curing social and economic evils. They hoped to make a practical test of the doctrines of Henry George. Today, the wealth of parks, downtown developments, public and private schools, a library, modern infrastructure, and attractive commercial and residential sections all attest to Fairhope's unique position among many other older communities in the same region. Its residents represent a diverse array of interests and talents, and as a haven for many artists, writers, and musicians, it embodies a strong regard for individualism and a higher tolerance for nonconformists than many communities of its size. Paul E. and Blanche R. Alyea's study of Fairhope, first published in 1954, is the history of this unique and improbable community, and the single-tax social experiment that gave rise to it. A new introduction by the historian and long-time Fairhope resident Tennant McWilliams provides invaluable context and entertaining anecdotes concerning not only Fairhope's founding, but the lives of the Alyeas, the couple who thought to first set down this history, and for abiding relevance and value of their study for today's visitors and residents"--




Land and Freedom


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Land and Freedom


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Murder at the Arts and Crafts Festival


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It’s late March in Fairhope, Alabama, and artists from around the country are flocking to the bayside town’s Arts & Crafts Festival. The annual tradition has something for everyone, only this year, the main attraction is murder . . . Cleo Mack’s life has been a whirlwind since she inadvertely became the executive director of Harbor Village, a retirement community bustling with energetic seniors. Juggling apartment sales, quirky residents, and a fast-moving romance is tricky business. But on-the-job stress develops a new meaning when Twinkle Thaw, a portrait artist known to ruffle a few feathers, arrives unannounced for the weekend’s festival and drops dead hours later—mysteriously poisoned . . . Twinkle’s bizarre death doesn’t seem like an accident. Not with a sketchy newcomer slinking around town and a gallery of suspects who may have wanted her out of the picture for good. As Cleo brushes with the truth, she soon finds that solving the crime could mean connecting the dots between a decades-old art heist and an unpredictable killer who refuses to color inside the lines . . .




The Dot


Book Description

Features an audio read-along! With a simple, witty story and free-spirited illustrations, Peter H. Reynolds entices even the stubbornly uncreative among us to make a mark -- and follow where it takes us. Her teacher smiled. "Just make a mark and see where it takes you." Art class is over, but Vashti is sitting glued to her chair in front of a blank piece of paper. The words of her teacher are a gentle invitation to express herself. But Vashti can’t draw - she’s no artist. To prove her point, Vashti jabs at a blank sheet of paper to make an unremarkable and angry mark. "There!" she says. That one little dot marks the beginning of Vashti’s journey of surprise and self-discovery. That special moment is the core of Peter H. Reynolds’s delicate fable about the creative spirit in all of us.