Falling Through the Gap


Book Description




Falling Through the Net


Book Description

Provides data on the level of access by Americans to telephones, computers, and the Internet.




The Gaps


Book Description

Based on true events, this compelling YA novel by award-winning Melbourne author Leanne Hall examines grief and guilt in the aftermath of a community tragedy




Falling Through the Gaps


Book Description

What is the risk reward path really like for Australian performance artists? Williams says things are worse. Studies show that among professional artists and crews, the level of mental ill health, suicidal ideation and suicide is nearly nine times that of the general population. In a stark reflection on the history of performers' practice, Williams shows how government and industry services, in determining purely monetary rationalism, have unwittingly discriminated against those with individual specialised skills who work irregular hours in hard conditions at low pay because it is their vocation. Williams calls for more flexibility in public services, whole of life planning and self-awareness in early training; and sees opportunities, particularly in social capital housing. Without a home to come home to, he says, our artists today 'are in terrible danger of falling through the gaps'.




Lost at School


Book Description

Counsels parents and educators on how to best safeguard the interests of children with behavioral, emotional, and social challenges, in a guide that identifies the misunderstandings and practices that are contributing to a growing number of student failures.




Falling Through Dance and Life


Book Description

This is a book about falling as a means of reconfiguring our relationship with living and dying. Dancer, choreographer, educator and therapist Emilyn Claid draws inspiration from her personal and professional experiences to explore alternative approaches to being present in the world. Contemporary movement based performers ground their practices in understanding the interplay of gravity and the body. Somatic intentional falling provides them a creative resource for developing both self and environmental support. The physical, metaphorical and psychological impact of these practices informs the theories and perspectives presented in this book. As falling can be dangerous and painful, encouraging people to do so willingly might be considered a provocative premise. Western culture generally resists falling because it provokes fear and represents failure. Out of this tension a paradox emerges: falling, we are both powerless subjects and agents of change, a dynamic distinction that enlivens discussions throughout the writing. Emilyn engages with different dance genres, live performance and therapeutic interactions to form her ideas and interlaces her arguments with issues of gender and race. She describes how surrender to gravity can transform our perceptions and facilitate ways of being that are relational and life enhancing. Woven throughout, autobiographical, poetic, philosophical, descriptive and theoretical voices combine to question the fixation of Western culture on uprightness and supremacy. A simple act of falling builds momentum through eclectic discussions, uncovering connections to shame, laughter, trauma, ageing and the thrill of release.




The New Model of Love


Book Description

Throughout history, weve been conditioned by society, media, education, and family to believe we need love to be happy. In The New Model of Love, author Charles Lim Wu examines and challenges this tightly held and deep-seated belief. He shows how love has evolved throughout the years and discusses the importance of realizing and accepting these changes to positively move forward. Wu looks at and redefines love. He explores the origins of the old model of love and tells how it no longer serves us to remain within its confines. The New Model of Love discusses how it can be daunting to confront the old model, but once that fear is conquered, youll be free to love as youve never loved before. Once you accept the new model, youll find freedom in love and liberation from the shackles of needing love from others. Youll stop seeking love and start creating it for yourself. Using his personal experiences and discoveries as a backdrop, Wu offers an opportunity to experience abundant joy and happiness in all your relationships, with the goal of naturally and freely experiencing infinite love.







Uncurating Sound


Book Description

Uncurating Sound performs, across five chapters, a deliberation between art, politics, knowledge and normativity. It foregrounds the perfidy of norms and engages in the curatorial as a colonial knowledge project, whose economy of exploitation draws a straight line from Enlightenment's desire for objectivity, through sugar, cotton and tobacco, via lives lost and money made to the violence of contemporary art. It takes from curation the notion of care and thinks it through purposeful inefficiency as resistance: going sideways and another way. Thus it moves curation through the double negative of not not to “uncuration”: untethering knowledge from the expectations of reference and a canonical frame, and reconsidering art as political not in its message or aim, but by the way it confronts the institution. Looking at Kara Walker's work, the book invites the performance of the curatorial via indivisible connections and processes. Reading Kathy Acker and Adrian Piper it speculates on how the body brings us to knowledge beyond the ordinary. Playing Kate Carr and Ellen Fullman it re-examines Modernism's colonial ideology, and materialises the vibrational presence of a plural sense. Listening to Marguerite Humeau and Manon de Boer it avoids theory but agitates a direct knowing from voice and hands, and feet and ears that disorder hegemonic knowledge strands in favour of local, tacit, feminist and contingent knowledges that demand like Zanele Muholi's photographs, an ethical engagement with the work/world.