Book Description
This work includes summaries and excerpts from the works of C.P.E. Bach, Bartok, Beethoven, Brahms, Hummel and Debussy.
Author : Reginald R. Gerig
Publisher :
Page : 0 pages
File Size : 42,36 MB
Release : 1990
Category : Pianists
ISBN : 9780883312124
This work includes summaries and excerpts from the works of C.P.E. Bach, Bartok, Beethoven, Brahms, Hummel and Debussy.
Author : Reginald R. Gerig
Publisher : Robert B. Luce
Page : 644 pages
File Size : 10,92 MB
Release : 1974
Category : Music
ISBN :
Examines various pianists and discusses their piano playing techniques.
Author : Seymour Fink
Publisher : Hal Leonard Corporation
Page : 196 pages
File Size : 46,31 MB
Release : 1992
Category : Music
ISBN : 9780931340468
(Amadeus). This holistic approach to the keyboard, based on a sound understanding of the relationship between physical function and musical purpose, is an invaluable resource for pianists and teachers. Professor Fink explains his ideas and demonstrates his innovative developmental exercises that set the pianist free to express the most profound musical ideas. HARDCOVER.
Author : Franz Liszt
Publisher : Alfred Music
Page : 227 pages
File Size : 13,94 MB
Release : 2005-05-03
Category : Music
ISBN : 1457443317
This edition is comprised of 86 different technical exercises composed by Liszt during 1868 to 1880. Liszt intended these highly challenging exercises to build greater performance skills in virtuoso pianists. The complete series consists of twelve volumes, each one dealing with a different pianistic problem. This edition has been compiled from the original set to present the exercises in a reasonable length without harming the essence and effectiveness of the original work.
Author : C. L. Hanon
Publisher : Lulu.com
Page : 285 pages
File Size : 32,40 MB
Release : 2010-10-11
Category : Performing Arts
ISBN : 1446182088
283 pages/240 exercises. The Virtuoso Pianist (Le Piano Virtuose) by Charles-Louis Hanon, is a compilation of sixty exercises meant to train the pianist in speed, precision, agility, and strength of all of the fingers and flexibility in the wrists. First published in Boulogne, in 1873, The Virtuoso Pianist is Hanon's most well-known work, and is still widely used by piano instructors and pupils. The first part, consisting of exercises 1 - 20, is labeled "preparatory exercises." These are also the most famous exercises.
Author : Edna Mae Burnam
Publisher : Hal Leonard Corporation
Page : 53 pages
File Size : 13,97 MB
Release : 2005-10-01
Category : Music
ISBN : 1495023699
(Willis). The Dozen a Day books are universally recognized as one of the most remarkable technique series on the market for all ages! Each book in this series contains short warm-up exercises to be played at the beginning of each practice session, providing excellent day-to-day training for the student.
Author : James Francis Cooke
Publisher :
Page : 484 pages
File Size : 19,80 MB
Release : 1917
Category : Pianists
ISBN :
Author : Harold C. Schonberg
Publisher : Simon and Schuster
Page : 532 pages
File Size : 21,90 MB
Release : 1987
Category : Biography & Autobiography
ISBN : 0671638378
Surveys the careers and personalities of the great pianists from Clementi and Mozart to the present day.
Author : Charles Louis Hanon
Publisher :
Page : 0 pages
File Size : 35,29 MB
Release : 1900
Category : Piano music
ISBN :
Author : George Kochevitsky
Publisher : Alfred Music
Page : 82 pages
File Size : 35,51 MB
Release : 1995-11-16
Category : Music
ISBN : 1457400332
So many of the great pianists and teachers have come out of Poland and Russia (Rubinstein, Anton as well as Arthur, Leschetizky, Paderewski, the Lhevinnes, Gilels, Richter, and others), yet we know little about their methods of learning and teaching. George Kochevitsky in The Art of Piano Playing supplies some important sources of information previously unavailable in the United States. From these sources, tempered by this own thinking, Kochevitsky formulated a scientific approach that can solve most problems of piano playing and teaching. George Kochevitsky graduated in 1930 from Leningrad Conservatory and did post-graduate work at Moscow Conservatory. After coming to the U.S., he taught privately in New York City, gave a number of lectures, and wrote for various music periodicals.