Fancy Goods ; Open All Night


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Ezra Pound and the Visual Arts


Book Description

Gathers all the poet's art criticism from various sources, as well as his articles explaining the new approach of vortography, the English avantgarde movement.




Ezra Pound and Music


Book Description

Included here are all of Pound's concert reviews and statements; the biweekly columns written under the pen name William Atheling for The New Age in London; articles from other periodicals; the complete text of the 1924 landmark volume Antheil and the Treatise on Harmony; extracts from books and letters, and the poet's additional writings on the subject of music. The pieces are organized chronologically, with illuminating commentary, thorough footnotes, and an index. Three appendixes complete this comprehensive volume; an analysis of Pound's theories of "absolute rhythm" and "Great Bass;" a glossary of important musical personalities mentioned in the text and the composer George Antheil's 1924 appreciation, "Why a Poet Quit the Muses."




Selected Cantos of Ezra Pound


Book Description

This selection from the Cantos was made by Ezra Pound himself in 1965. It is intended to "indicate main elements" in the long poem -- his personal epic -- with which he was engaged for more than fifty years. His choice includes, of course, a number of the Cantos most admired by critics and anthologists, such as Canto XIII ("Kung [Confucius] walked by the dynastic temple..."), Canto XLV ("With usura hath no man a house of good stone...") and the passage from The Pisan Cantos (LXXXI) beginning "What thou lovest well remains / the rest is dross," and so the book is an ideal introduction for newcomers to the great work. But it has, too, particular interest for the already initiated reader and the specialist, in its revelation, through Pound's own selection of "main elements," of the relative importance which he himself placed on various motifs as they figure in the architecture of the whole poem. Book jacket.




Gaudier-Brzeska


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Open All Night


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A Lovely Sunday for Creve Coeur


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In this masterful play, Tennessee Williams explores the meaning of loneliness and the need for human connection through the lens of four women and the designs and desires they harbor--for themselves and for each other.




One Arm and Other Stories


Book Description

Here are the eleven remarkable stories of Tennessee Williams's first volume of short fiction, originally published in 1948 and reissued as a paperbook in response to an increasingly insistent public demand. It was this book which established Williams as a short story writer of the same stature and interest he had shown as a dramatist. Each story has qualities that make it memorable. In "One Arm" we live through his last hours and memories with a 'rough trade" ex-prizefighter who is awaiting execution for murder. "The Field of Blue Children" explores some of the strange ways of the human heart in love, "Portrait of a Girl in Glass" is a luminous and nostalgic recollection of characters who figure in "The Glass Menagerie," while "Desire and the Black Masseur" is an excursion into the logic of the macabre. "The Yellow Bird," well known through the author's recorded reading of it, which tells of a minister's daughter who found a particularly violent but satisfactory way of expiating a load of inherited puritan guilt, may well become part of American mythology.




The German Lesson


Book Description

"The German Lesson marks a double triumph--a book of rare depth and brilliance, to begin with, presented in an English version that succeeds against improbable odds in conveying the full power of the original." --Ernst Pawel, New York Times Book Review




Soulstorm


Book Description

The twenty-none stories in Soulstorm were originally published in two separate volumes in 1974--A Via Crucis do Corpo (The Stations of the Body) and Onde Estivestes de Noite (Where You Were at Night)--and are now combined and sensitively translated into English by Alexis Levitan.