Fantasies from Opera for Violin and Piano


Book Description

Four fantasies, each with separate violin part: Carmen Fantasy, Fantasia on Themes from Gounod's Faust, Fantasie from Mozart's The Magic Flute, and Fantasie Brillante on the March and the Romance from Rossini's Otello.




Selections from Final Fantasy


Book Description

(Piano Solo Selections). A dozen favorites from the hit video game series in piano solo notation, including: Aeris's Theme * Eyes on Me * Melodies of Life * The Prelude * The Promise * Theme of Love * Tifa's Theme * Zanarkand * and more.




Chopin-Schaum, Bk 2


Book Description

Frederic Chopin (1810-1849) composed his great music under abstract titles such as: Preludes, Mazurkas, Berceuses, and Waltzes. Modern education advocates graphic descriptive captions that tell incidents: that is why Mr. Schaum has substituted historically interesting titles for the abstract terms. The original titles are always in parentheses. This wealth of true biographical information adds musical appreciation to these authentic Chopin excerpts.This newly engraved edition will be welcomed by teachers and students.




Piano fantasy


Book Description




Sonatas, Rondos, Fantasies and Other Works for Solo Piano


Book Description

A favored student and comrade of Mozart, and Haydn's successor as music director to the Esterhazy court, Johann Nepomuk Hummel (1778 1827) was considered in his lifetime to be one of Europe's greatest composers and pianists. For his craftsmanship and sense of 18th-century style, Hummel was thought to be a true representative of his age, an "elder statesman of Viennese Classicism" ("Grove"). His compositions for solo piano reflect his essential qualities of classical grace, melodic elegance, and brilliant virtuosity fully evident in this compilation of 15 of Hummel's most important keyboard works: Rondo, Op. 11; Sonata in E-flat Major, Op. 13; Fantasie, Op. 18; Rondo-Fantasie, Op. 19; Sonata in F Minor, Op. 20; Caprice, Op. 49; "La Bella Caprissiosa" (Polonaise), Op. 55; Variations, Op. 57; 24 Preludes, Op. 67; Sonata in F-sharp Minor, Op, 81; Sonata in D Major, Op. 106; "La Contemplazione," Op. 107, No. 3; Rondo all'Ungherese, Op. 107, No. 6; Rondo Brillante, Op. 109; "La Galante" (Rondeau Brillant), Op. 120. Now pianists and music lovers can enjoy a treasury of Hummel's most representative piano music in this attractive, durable, and inexpensive edition, reproduced from authoritative Universal-Edition scores, edited by Charles de Beroit."




Christmas Duet Fantasies


Book Description

Robert D. Vandall's four duet fantasies on classic carols have now been compiled into one spectacular collection. These extended fantasies incorporate exhilarating rhythms and unexpected harmonic changes, making them fantastic performance vehicles for early intermediate to late intermediate pianists. Careful balancing of the primo and secondo parts gives both performers a chance to shine. Titles: * Carol of the Bells * Deck the Hall * Jingle Bells * Joy to the World




Masks and Shadows


Book Description

"A richly-researched historical fantasy set in a real eighteenth-century Hungarian palace mingles taut political intrigue with a unique romance starring a castrato hero and a widowed noblewoman across rigid class lines"--




Big Book of Beginner's Piano Classics


Book Description

Eighty-three popular piano classics arranged for the beginning student are accompanied by a short history of each piece and advice on playing each arrangement.5NjBwBT







Fantasies of Improvisation


Book Description

The first history of keyboard improvisation in European music in the postclassical and romantic periods, Fantasies of Improvisation: Free Playing in Nineteenth-Century Music documents practices of improvisation on the piano and the organ, with a particular emphasis on free fantasies and other forms of free playing. Case studies of performers such as Abbé Vogler, J. N. Hummel, Ignaz Moscheles, Robert Schumann, Carl Loewe, and Franz Liszt describe in detail the motives, intentions, and musical styles of the nineteenth century's leading improvisers. Grounded in primary sources, the book further discusses the reception and valuation of improvisational performances by colleagues, audiences, and critics, which prompted many keyboardists to stop improvising. Author Dana Gooley argues that amidst the decline of improvisational practices in the first half of the nineteenth century there emerged a strong and influential "idea" of improvisation as an ideal or perfect performance. This idea, spawned and nourished by romanticism, preserved the aesthetic, social, and ethical values associated with improvisation, calling into question the supposed triumph of the "work."