Farewell Britain’s Television Queen


Book Description

Focusing purely on Queen Elizabeth II's relationship with television, this book shows how she was ahead of the game in helping to change the face of British television from the outset of her reign in 1953 when she let the cameras into Westminster Abbey. The Queen embraced television at a time when Winston Churchill and her government advisors recommended that she should keep them out - on the grounds that the cameras would destroy her royal mystique - right through the 1950s which was Britain's television decade (for reasons that are not generally understood today), when Britain became the first nation in the world to have public service television. In 1969 the Queen opened the doors to the cameras once again for the invention of Britain's first family-reality-TV, fly-on-the-wall programme, showing how she and her husband the Duke of Edinburgh and their children, Charles and Anne, went about their daily lives, thereby giving the seal of royal approval to reality-TV, ahead of the first programmes in the United States and the UK that followed in her wake. Queen Elizabeth II can accurately be described as a television queen, the first monarch to understand and embrace television and, in particular reality-TV, which is why she was light years ahead of other royals and her government ministers. Television became her rites of passage and, not until she ran into bad and stormy weather with Princess Diana in the 1980s and 1990s, did she have any image problems with television. Queen Elizabeth II remains the most televised and visualised person in the world.




Farewell Britain's Television Queen


Book Description

Focusing purely on Queen Elizabeth II's relationship with television, this book shows how she was ahead of the game in helping to change the face of British television from the outset of her reign in 1953 when she let the cameras into Westminster Abbey. The Queen embraced television at a time when Winston Churchill and her government advisors recommended that she should keep them out - on the grounds that the cameras would destroy her royal mystique - right through the 1950s which was Britain's television decade (for reasons that are not generally understood today), when Britain became the first nation in the world to have public service television. In 1969 the Queen opened the doors to the cameras once again for the invention of Britain's first family-reality-TV, fly-on-the-wall programme, showing how she and her husband the Duke of Edinburgh and their children, Charles and Anne, went about their daily lives, thereby giving the seal of royal approval to reality-TV, ahead of the first programmes in the United States and the UK that followed in her wake. Queen Elizabeth II can accurately be described as a television queen, the first monarch to understand and embrace television and, in particular reality-TV, which is why she was light years ahead of other royals and her government ministers. Television became her rites of passage and, not until she ran into bad and stormy weather with Princess Diana in the 1980s and 1990s, did she have any image problems with television. Queen Elizabeth II remains the most televised and visualised person in the world.




Britain's Television Queen


Book Description

Focusing purely on Queen Elizabeth II's relationship with television, this book shows how she was ahead of the game in helping to change the face of British television from the outset of her reign in 1953 when she let the cameras into Westminster Abbey. The Queen embraced television at a time when Winston Churchill and her government advisors recommended that she should keep them out - on the grounds that the cameras would destroy her royal mystique - right through the 1950s which was Britain s television decade (for reasons that are not generally understood today), when Britain became the first nation in the world to have public service television. In 1969 the Queen opened the doors to the cameras once again for the invention of Britains first family-reality-TV, fly-on-the-wall programme, showing how she and her husband the Duke of Edinburgh and their children, Charles and Anne, went about their daily lives, thereby giving the seal of royal approval to reality-TV, ahead of the first programmes in the United States and the UK that followed in her wake. Queen Elizabeth II can accurately be described as a television queen, the first monarch to understand and embrace television and, in particular reality-TV, which is why she was light years ahead of other royals and her government ministers. Television was for her a right of passage and, not until she ran into bad and stormy weather with Princess Diana in the 1980s and 1990s, did she have any image problems with television. These problems no longer remain today, evidently, as once again the television arrangements are in full swing for her Diamond Jubilee celebrations this June. Queen Elizabeth II remains the most televised and visualised person in the world.







The Story of British Propaganda Film


Book Description

'All art is propaganda,' wrote George Orwell, 'but not all propaganda is art.' Moving from World War I to the 'War on Terror' and beyond, The Story of British Propaganda Film shows how the emergence of film as a global media phenomenon reshaped practices of propaganda, while new practices of propaganda in turn reshaped the use of the moving image. It explores classic examples of cinematic propaganda such as The Battle of the Somme (1916), Listen to Britain (1942) and Animal Farm (1954) alongside little-known newsreels, 'telemagazines' and digital media initiatives, in the process challenging our understanding of propaganda itself, and its many diverse manifestations. Richly illustrated with unique material from the BFI National Archive, the book shows how central propaganda is to the development of British film, and how it has filtered our understanding of modern British history, from narratives of decolonisation to the celebration of pop culture and the meanings of the postwar consensus. In a contemporary moment so preoccupied with misinformation, malinformation and disinformation, Scott Anthony explains why the response to the ubiquity of the propaganda film has often turned out to be the production of ever more propaganda.




Frasier


Book Description

After America’s most pompous barhound left the Cheer’s gang in Boston, he returned to Seattle and found himself surrounded by an equally colorful cast of friends and family alike. For eleven seasons, radio psychiatrist Frasier Crane contended with his blue-collar ex-cop father Martin, English caretaker Daphne, coworker Roz, and his younger brother Niles. Looking at the world through Frasier’s aristocratic, witty lens, the show explored themes of love, loss, friendship, and what it might mean to live a full life. Both fans and critics loved Frasier, and the show’s 37 primetime Emmy wins are the most ever for a comedy series. In Frasier: A Cultural History, Joseph J. Darowski and Kate Darowski offer an engaging analysis of the long-running, award-winning show, offering insights into both the onscreen stories as well as the efforts behind the scenes to shape this modern classic. This volume examines the series as a whole, but also focuses on the show’s key characters, including Eddie, the canine. Close looks at set design, class issues, and gender roles are also provided, along with opinionated reviews of all 264 episodes, highlighting the peaks and dips in quality across more than a decade of television. Despite the show’s focus on an elitist intellectual—and his equally snooty brother—Frasier often embraced farce on a level previously unseen in American sitcoms, a mix of comedic elements that endeared it to viewers around the world. Frasier: A Cultural History will appeal to the show’s many fans as well as to scholar of media, television, and popular culture.




The Monarchy


Book Description

Just in time for the 50th anniversary of Queen Elizabeth's accession to the throne: a candid history of an extraordinary woman and her family, taking readers behind the scenes to some of history's most unforgettable moments. Two 8-page photo inserts.










The Windsor Knot


Book Description

“Sheer entertainment… Bennett infuses wit and an arch sensibility into her prose… This is not mere froth, it is pure confection.” – New York Times Book Review “[A] pitch-perfect murder mystery… If The Crown were crossed with Miss Marple…, the result would probably be something like this charming whodunnit.” – Ruth Ware, author of One by One The bestselling first book in a highly original and delightfully clever crime series in which Queen Elizabeth II secretly solves crimes while carrying out her royal duties. It is the early spring of 2016 and Queen Elizabeth is at Windsor Castle in advance of her 90th birthday celebrations. But the preparations are interrupted by the shocking and untimely death of a guest in one of the Castle bedrooms. The scene leads some to think the young Russian pianist strangled himself, yet a badly tied knot leads MI5 to suspect foul play. When they begin to question the Household’s most loyal servants, Her Majesty knows they’re looking in the wrong place. For the Queen has been living an extraordinary double life ever since her teenage years as “Lilibet.” Away from the public eye and unbeknownst to her closest friends and advisers, she has the most brilliant skill for solving crimes. With help from her Assistant Private Secretary, Rozie Oshodi, a British Nigerian officer recently appointed to the Royal Horse Artillery, the Queen discreetly begins making inquiries. As she carries out her royal duties with her usual aplomb, no one in the Royal Household, the government, or the public knows that the resolute Elizabeth won’t hesitate to use her keen eye, quick mind, and steady nerve to bring a murderer to justice. SJ Bennett captures Queen Elizabeth’s voice with skill, nuance, wit, and genuine charm in this imaginative and engaging mystery that portrays Her Majesty as she’s rarely seen: kind yet worldly, decisive, shrewd, and, most important, a superb judge of character.