Fashion Theory Volume 14 Issue 4


Book Description

Fashion Theory takes as its starting point a definition of 'fashion' as the cultural construction of the embodied identity. It provides an international and interdisciplinary forum for the analysis of cultural phenomena ranging from foot binding to fashion advertising. All articles have solid theoretical underpinnings and are based on original research. Fashion Theory is covered by the following abstracting/indexing services: Abstracts in Anthropology; AOI Anthropological Index Online; ARTbibliographies Modern; British Humanities Index; DAAI Design and Applied Arts Index; IBR International Bibliography of Book Reviews of Scholarly Literature in the Humanities and Social Sciences; IBSS International Bibliography of the Social Sciences; IBZ International Bibliography of Periodical Literature on the Humanities and Social Sciences; ISI Arts and Humanities Citation Index; Scopus; Sociological Abstracts




Fashion Theory Volume 14 Issue 2


Book Description

Fashion Theory takes as its starting point a definition of "fashion" as the cultural construction of the embodied identity. It provides an international and interdisciplinary forum for the analysis of cultural phenomena ranging from foot binding to fashion advertising. All articles have solid theoretical underpinnings and are based on original research.




Fashion Theory Volume 14 Issue 1


Book Description

Fashion Theory takes as its starting point a definition of "fashion" as the cultural construction of the embodied identity. It provides an international and interdisciplinary forum for the analysis of cultural phenomena ranging from foot binding to fashion advertising. All articles have solid theoretical underpinnings and are based on original research.




Fashion Theory: Volume 1, Issue 4


Book Description

Special Issue on hair Robin D.G. Kelley: 'Nap Time: Historicizing the Afro' Lung-kee Sun: 'The Politics of the Hair and the Issue of the Bob in Modern China' Steven Zdatny: 'The Boyish Look and the Liberated Woman: The Politics and Aesthetics of Women's Hairstyles' Maxine Craig: 'The Decline and Fall of the Conk: Or, How to Read a Process' Helen Sheumaker: '"This Lock You See": Nineteenth-Century Hair Work as the Commodified Self'




Fashion Theory Volume 10 Issue 4


Book Description

Fashion Theory takes as its starting point a definition of "fashion" as the cultural construction of the embodied identity. It provides an international and interdisciplinary forum for the analysis of cultural phenomena ranging from foot binding to fashion advertising. All articles have solid theoretical underpinnings and are based on original research.




Fashion Theory: Volume 2, Issue 4


Book Description

Special issue on methodology Christopher Breward: Cultures, Identities, Histories Aileen Ribeiro: Re-Fashioning Art: Some Visual Approaches to the Study of History of Dress Valerie Steele: A Museum of Fashion is More Than a Clothes-Bag Lou Taylor: Doing the Laundry?: A Reassessment of Object-based Dress History Carol Tulloch: "Out of Many, One People": The Relativity of Dress, Race and Ethnicity to Jamaica, 1880-1907 John Styles: Dress in History: Reflections on a Contested Terrain




Fashion Theory


Book Description

Fashion Theory takes as its starting point a definition of 'fashion' as the cultural construction of the embodied identity. It provides an international and interdisciplinary forum for the analysis of cultural phenomena ranging from foot binding to fashion advertising. All articles have solid theoretical underpinnings and are based on original research. Fashion Theory is covered by the following abstracting/indexing services: Abstracts in Anthropology; AOI Anthropological Index Online; ARTbibliographies Modern; British Humanities Index; DAAI Design and Applied Arts Index; IBR International Bibliography of Book Reviews of Scholarly Literature in the Humanities and Social Sciences; IBSS International Bibliography of the Social Sciences; IBZ International Bibliography of Periodical Literature on the Humanities and Social Sciences; ISI Arts and Humanities Citation Index; Scopus; Sociological Abstracts




Fashion Theory Volume 11 Issue 4


Book Description

Fashion Theory takes as its starting point a definition of 'fashion' as the cultural construction of the embodied identity. It provides an international and interdisciplinary forum for the analysis of cultural phenomena ranging from foot binding to fashion advertising. All articles have solid theoretical underpinnings and are based on original research.




Fashion Theory Volume 12 Issue 4


Book Description

Ecofashion brings together new perspectives for the field of fashion studies, asking a compelling set of research questions related to consumption practices and sustainability at a time of environmental crisis. The volume begins with a discussion of keywords used by theorists and the industry to address ecologically oriented fashion practices, including the rationale behind the usage of "ecofashion." Articles address natural looks that emerged in the 1960s, the rise of "green as the new black" at the beginning of the twenty-first century, recycling and the appeal of "slow fashion," and the science that informs the making of environmentally conscious garments. Other articles show how these concepts are linked to mass-market trends underway in the globalized political economy, offering especially important connections for scholars who seek to bridge fashion theory to issues of concern in environmental and global studies. Indexed by the IBSS (International Bibliography of Social Sciences); the DAAI (Design and Applied Arts Index); ARTbibliographies Modern; Abstracts in Anthropology; the Anthropological Index Online (AIO) of the Royal Anthropological Institute of Great Britain and Ireland; Sociological abstracts; ISI Web of Science/Arts & Humanities Citation Index and ISI Current Contents Connect/Arts & Humanities (THOMSON); K.G. Saur Verlag's IBR (International Bibliography of Book Reviews of Scholarly Literature and Social Sciences) and K.G. Verlag's IBZ (International Bibliography of Periodical Literature on Humanities and Social Sciences).




Cultural Passions


Book Description

Elizabeth Wilson is one of our most radical cultural critics. In "Cultural Passions" she transcends the division between 'high' and 'low' culture, exploring the emotional commitment people bring to the books, performances, objects and rituals in which they find meaning and challenging an enduring suspicion of the pleasure of the aesthetic. Ranging from Marcel Proust to tarot readings, from urban planning to interiors, Elizabeth Wilson investigates an underlying Puritanism in critical commentary on matters as wide ranging as Roger Federer and C S Lewis, Surrealism and fashion and the relationship of religion to fan culture. She questions why pleasure appears suspect, even as consumer society incites it and turns life into entertainment. She questions why there is such fear of elitism when at the same time the fans of mass culture are held in contempt. Subverting conventional views, her oblique point of view provides startling insights on both familiar and marginal cultural experiences.