Fat Man Blues


Book Description

"Hobo John" is an English blues enthusiast on a pilgrimage to present-day Mississippi. One night in Clarksdale he meets the mysterious Fat Man, who offers him the chance to see the real blues of the 1930s. Unable to refuse, Hobo John embarks on a journey through the afterlife in the company of Travellin' Man, an old blues guitarist who shows him the sights, sounds and everyday life in the Mississippi Delta. Along the way, the Englishman discovers the harsh realities behind his romantic notion of the music he loves and the true price of the deal that he has made.




Fat Man Blues


Book Description




Fat White Vampire Blues


Book Description

He’s undead, overweight, and can’t get a date Vampire, nosferatu, creature of the night—whatever you call him—Jules Duchon has lived (so to speak) in New Orleans far longer than there have been drunk coeds on Bourbon Street. Weighing in at a whopping four hundred and fifty pounds, swelled up on the sweet, rich blood of people who consume the fattiest diet in the world, Jules is thankful he can’t see his reflection in a mirror. When he turns into a bat, he can’t get his big ol’ butt off the ground. What’s worse, after more than a century of being undead, he’s watched his neighborhood truly go to hell—and now, a new vampire is looking to drive him out altogether. See, Jules had always been an equal opportunity kind of vampire. And while he would admit that the blood of a black woman is sweeter than the blood of a white man, Jules never drank more than his fair share of either. Enter Malice X . Young, cocky, and black, Malice warns Jules that his days of feasting on sisters and brothers are over. He tells Jules he’d better confine himself to white victims—or else face the consequences. And then, just to prove he isn’t kidding, Malice burns Jules’s house to the ground. With the help of Maureen, the morbidly obese, stripper-vampire who made him, and Doodlebug, an undead cross-dresser who (literally) flies in from the coast—Jules must find a way to contend with the hurdles that life throws at him . . . without getting a stake through the heart. It’s enough to give a man the blues.




Darker Blues


Book Description

2 compact disc one is compilation of all fat possum artist. the other compact disc is of r.l. burnside




Encyclopedia of the Blues


Book Description

This comprehensive two-volume set brings together all aspects of the blues from performers and musical styles to record labels and cultural issues, including regional evolution and history. Organized in an accessible A-to-Z format, the Encyclopedia of the Blues is an essential reference resource for information on this unique American music genre. For a full list of entries, contributors, and more, visit the Encyclopedia of the Blues website.




The Blues Encyclopedia


Book Description

The Blues Encyclopedia is the first full-length authoritative Encyclopedia on the Blues as a musical form. While other books have collected biographies of blues performers, none have taken a scholarly approach. A to Z in format, this Encyclopedia covers not only the performers, but also musical styles, regions, record labels and cultural aspects of the blues, including race and gender issues. Special attention is paid to discographies and bibliographies.




No Stranger to Tears


Book Description

"Here are the stories of a world-class surgeon who has been on the frontlines of medicine for over fifty years. In a candid, moving, and often funny memoir from behind the surgeon's mask, he recounts episodes in a life that stretches from his roots on the Lower East Side of New York City to the glittering international worlds of science and the arts." "A family tragedy touched off the young Cahan's desire to be a doctor. He studied at Harvard, expanded his experience in the Air Corps during World War II, and ultimately joined the renowned Memorial Sloan-Kettering Cancer Center. While his training introduced him to medicine's underworld of anti-Semitism, he emerged from it with a strong will to succeed and with an obsession to conquer cancer, which he calls the "ancient, guile-ridden, unsentimental" disease. In addition to developing innovations in surgical techniques, he detected a connection between exposure to radiation and cancer that led him to become a lifelong sleuth in the mysterious realm of carcinogens - and the tobacco industry's fiercest enemy." "Always, however, at the heart of his work are his patients. He movingly describes the intense and delicate doctor-patient relationship, which, although often too full of heartbreaks, frustrations, and failed dreams, is also marked by triumphs that testify to the curative power of sustained optimism and hope." "Dr. Cahan writes engagingly of the people in his life. Married first to the daughter of the legendary stage star Gertrude Lawrence, and now to Grace Mirabella, publication director of the magazine that bears her name, Dr. Cahan has counted among his friends and/or patients such well-known personalities as Alan Jay Lerner, Leonard Bernstein, Anthony Eden, Mario Lanza, Yul Brynner, Babe Paley, Melvyn Douglas, Hubert Humphrey, and Babe Ruth." "This book is also the story of Dr. Cahan's two sons: Chris, who chose a different career as a television producer, and Anthony, who followed in his father's footsteps but created an identity all his own." "The education of more than one surgeon is told here, drawing the reader into the operating room, the lab, the thinking, the politics, and especially the heart of medicine."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




The Art of the Blues


Book Description

This stunning book charts the rich history of the blues, through the dazzling array of posters, album covers, and advertisements that have shaped its identity over the past hundred years. The blues have been one of the most ubiquitous but diverse elements of American popular music at large, and the visual art associated with this unique sound has been just as varied and dynamic. There is no better guide to this fascinating graphical world than Bill Dahl—a longtime music journalist and historian who has written liner notes for countless reissues of classic blues, soul, R&B, and rock albums. With his deep knowledge and incisive commentary—complementing more than three hundred and fifty lavishly reproduced images—the history of the blues comes musically and visually to life. What will astonish readers who thumb through these pages is the amazing range of ways that the blues have been represented—whether via album covers, posters, flyers, 78 rpm labels, advertising, or other promotional materials. We see the blues as it was first visually captured in the highly colorful sheet music covers of the early twentieth century. We see striking and hard-to-find label designs from labels big (Columbia) and small (Rhumboogie). We see William Alexander’s humorous artwork on postwar Miltone Records; the cherished ephemera of concert and movie posters; and Chess Records’ iconic early albums designed by Don Bronstein, which would set a new standard for modern album cover design. What these images collectively portray is the evolution of a distinctively American art form. And they do so in the richest way imaginable. The result is a sumptuous book, a visual treasury as alive in spirit as the music it so vibrantly captures.




Dead Man's Blues


Book Description

Chicago, 1928. In the stifling summer heat, three disturbing events take place: A clique of city leaders is poisoned in a fancy hotel; a white gangster is found mutilated in an alleyway in the Blackbelt; and a famous heiress vanishes without a trace. Pinkerton detectives Michael Talbot and Ida Davis are hired to find the missing heiress by the girl’s troubled mother. But it soon proves harder than expected to find a face that is known across the city, and Ida must elicit the help of her friend, Louis Armstrong. While the police take little interest in the Blackbelt murder, Jacob Russo—crime scene photographer—can’t get the dead man’s image out of his head, leading him to embark on his own investigation. And Dante Sanfelippo—rum-runner and fixer—is back in Chicago on the orders of Al Capone, who suspects there’s a traitor in the ranks and wants Dante to investigate. But Dante is struggling with his own problems, as he is forced to return to the city he thought he’d never see again . . .




The Blues: A Very Short Introduction


Book Description

Praised as "suave, soulful, ebullient" (Tom Waits) and "a meticulous researcher, a graceful writer, and a committed contrarian" (New York Times Book Review), Elijah Wald is one of the leading popular music critics of his generation. In The Blues, Wald surveys a genre at the heart of American culture. It is not an easy thing to pin down. As Howlin' Wolf once described it, "When you ain't got no money and can't pay your house rent and can't buy you no food, you've damn sure got the blues." It has been defined by lyrical structure, or as a progression of chords, or as a set of practices reflecting West African "tonal and rhythmic approaches," using a five-note "blues scale." Wald sees blues less as a style than as a broad musical tradition within a constantly evolving pop culture. He traces its roots in work and praise songs, and shows how it was transformed by such professional performers as W. C. Handy, who first popularized the blues a century ago. He follows its evolution from Ma Rainey and Bessie Smith through Bob Dylan and Jimi Hendrix; identifies the impact of rural field recordings of Blind Lemon Jefferson, Charley Patton and others; explores the role of blues in the development of both country music and jazz; and looks at the popular rhythm and blues trends of the 1940s and 1950s, from the uptown West Coast style of T-Bone Walker to the "down home" Chicago sound of Muddy Waters. Wald brings the story up to the present, touching on the effects of blues on American poetry, and its connection to modern styles such as rap. As with all of Oxford's Very Short Introductions, The Blues tells you--with insight, clarity, and wit--everything you need to know to understand this quintessentially American musical genre.