Faulkner’s Reception of Apuleius’ The Golden Ass in The Reivers


Book Description

Faulkner's final novel, The Reivers, has been gently dismissed by scholars and critics as no more than its subtitle claims, A Reminiscence. Although the new millennium has seen a new appreciation for Faulkner's later novels, The Reivers is still perceived as a slightly fictionalized comic memoir romanticizing the early life of the author in the pre-civil rights American South. This volume takes this dismissal of The Reivers to task for failing to appreciate its employment of the Apuleian narrative of life-altering metamorphosis to offer, as his literary farewell, hope for humanity's self-redemption. Vernon L. Provencal studies the reception of The Golden Ass in The Reivers as comic novels of moral katabasis (wilful descent into the lawless underworld) and providential anabasis (societal and spiritual redemption). As the independent basis of the reception study, The Reivers receives its first ever detailed reading, while The Golden Ass is read anew from the teleological perspective offered by the (undervalued) prophecy that in the end the comic hero would become the book itself.







Anne Carson: Antiquity


Book Description

From her seminal Eros the Bittersweet (1986) to her experimental Float (2016), Bakkhai (2017) and Norma Jeane Baker of Troy (2019), Anne Carson's engagement with antiquity has been deeply influential to generations of readers, both inside and outside of academia. One reason for her success is the versatile scope of her classically-oriented oeuvre, which she rethinks across multiple media and categories. Yet an equally significant reason is her profile as a classicist. In this role, Carson unfailingly refuses to conform to the established conventions and situated practices of her discipline, in favour of a mode of reading classical literature that allows for interpretative and creative freedom. From a multi-praxis, cross-disciplinary perspective, the volume explores the erudite indiscipline of Carson's classicism as it emerges in her poetry, translations, essays, and visual artistry. It argues that her classicism is irreducible to a single vision, and that it is best approached as integral to the protean character of her artistic thought. Anne Carson/Antiquity collects twenty essays by poets, translators, artists, practitioners and scholars. It offers the first collective study of the author's classicism, while drawing attention to one of the most avant-garde, multifaceted readings of the classical past.




Themes in Greek Society and Culture


Book Description

The most engaging, accessible, and rich overview of the ancient Greeks' institutions, structures, activities, and cultural outputs from the Bronze Age to the Hellenistic period.Covering the Bronze Age, as well as the Archaic, Classical, and early Hellenistic periods, Themes in Greek Society and Culture introduces students to central aspects of ancient Greek society. The updated second edition brings together 20 expert contributors who explore the institutions, structures,activities, and cultural output that formed the experience of living in ancient Greece.




Eros & Psyche


Book Description




Sophist Kings


Book Description

Sophist Kings: Persians as Other sets forth a reading of Herodotus' Histories that highlights the consistency with which the Persians are depicted as sophists and Persian culture is infused with a sophistic ideology. The Persians as the Greek 'other' have a crucial role throughout Herodotus' Histories, but their characterisation is far divorced from historical reality. Instead, from their first appearance at the beginning of the Histories, Herodotus presents the Persians as adept in the argumentation of Greek sophists active in mid-5th century Athens. Moreover, Herodotus' construct of the Sophist King, in whom political reason serves human ambition, is used to explain the Achaemenid model of kingship whose rule is grounded in a theological knowledge of cosmic order and of divine justice as the political good. This original and in-depth study explores how the ideology which Herodotus ascribes to the Persians comes directly from fifth-century sophists whose arguments served to justify Athenian imperialism. The volume connects the ideological conflict between panhellenism and imperialism in Herodotus' contemporary Greece to his representation of the past conflict between Greek freedom and Persian imperialism. Detecting a universal paradigm, Sophist Kings argues that Herodotus was suggesting the Athenians should regard their own empire as a betrayal of the common cause by which they led the Greeks to victory in the Persian wars.




The Reivers


Book Description

One of Faulkner's comic masterpieces, The Reivers is a picaresque that tells of three unlikely car thieves from rural Mississippi. Eleven-year-old Lucius Priest is persuaded by Boon Hogganbeck, one of his family's retainers, to steal his grandfather's car and make a trip to Memphis. The Priests' black coachman, Ned McCaslin, stows away, and the three of them are off on a heroic odyssey, for which they are all ill-equipped, that ends at Miss Reba's bordello in Memphis. From there a series of wild misadventures ensues--involving horse smuggling, trainmen, sheriffs' deputies, and jail.




Philosophy and the Ancient Novel


Book Description

The papers assembled in this volume explore a relatively new area in scholarship on the ancient novel: the relationship between an ostensibly non-philosophical genre and philosophy. This approach opens up several original themes for further research and debate. Platonising fiction was popular in the Second Sophistic and it took a variety of forms, ranging from the intertextual to the allegorical, and discussions of the origins of the novel-genre in antiquity have centred on the role of Socratic dialogue in general and Plato’s dialogues in particular as important precursors. The papers in this collection cover a variety of genres, ranging from the Greek and Roman novels to utopian narratives and fictional biographies, and seek by diverse methods to detect philosophical resonances in these texts.




Screening Love and War in Troy: Fall of a City


Book Description

This is the first volume of essays published on the television series Troy: Fall of a City (BBC One and Netflix, 2018). Covering a wide range of engaging topics, such as gender, race and politics, international scholars in the fields of classics, history and film studies discuss how the story of Troy has been recreated on screen to suit the expectations of modern audiences. The series is commended for the thought-provoking way it handles important issues arising from the Trojan War narrative that continue to impact our society today. With discussions centered on epic narrative, cast and character, as well as tragic resonances, the contributors tackle gender roles by exploring the innovative ways in which mythological female figures such as Helen, Aphrodite and the Amazons are depicted in the series. An examination is also made into the concept of the hero and how the series challenges conventional representations of masculinity. We encounter a significant investigation of race focusing on the controversial casting of Achilles, Patroclus, Zeus and other series characters with Black actors. Several essays deal with the moral and ethical complexities surrounding warfare, power and politics. The significance of costume and production design are also explored throughout the volume.




Orientalism and the Reception of Powerful Women from the Ancient World


Book Description

Why is Cleopatra, a descendent of Alexander the Great, a Ptolemy from a Greek–Macedonian family, in popular imagination an Oriental woman? True, she assumed some aspects of pharaonic imagery in order to rule Egypt, but her Orientalism mostly derives from ancient (Roman) and modern stereotypes: both the Orient and the idea of a woman in power are signs, in the Western tradition, of 'otherness' – and in this sense they can easily overlap and interchange. This volume investigates how ancient women, and particularly powerful women, such as queens and empresses, have been re-imagined in Western (and not only Western) arts; highlights how this re-imagination and re-visualization is, more often than not, the product of Orientalist stereotypes – even when dealing with women who had nothing to do with Eastern regions; and compares these images with examples of Eastern gaze on the same women. Through the chapters in this volume, readers will discover the similarities and differences in the ways in which women in power were and still are described and decried by their opponents.