Federman's Fictions


Book Description

This collection of essays offers an authoritative examination and appraisal of the French-American novelist Raymond Federman's many contributions to humanities scholarship, including Holocaust studies, Beckett studies, translation studies, experimental fiction, postmodernism, and autobiography. Although known primarily as a novelist, Federman (1928–2009) is also the author of numerous books of poetry, essays, translations, and criticism. After emigrating to the United States in 1942 and receiving a Ph.D. in comparative literature at UCLA in 1957, he held professorships in the University at Buffalo's departments of French and English from 1964 to 1999. Together with Steve Katz and Ronald Sukenick, he was one of the original founders of the Fiction Collective, a nonprofit publishing house dedicated to avant garde, experimental prose. Far too many accounts treat Federman as merely a member of a small group of writers who pioneered "metafictional" or "postmodern" American literature. Federman's Fiction will introduce (or, for some, reintroduce) to the broader scholarly community a creative and daring thinker whose work is significant not just to considerations of the development of innovative fiction, but to a number of other distinct disciplines and emerging critical discourses.




Critifiction


Book Description

This book examines how, beginning in the 1960s up to the present, a new type of fiction was created in America, but also in Europe and Latin America, in response to the cultural, social, and political turmoil of the time. The author has coined the term “Surfiction” for this New Fiction. Written in an informal, provocative style, by an internationally known practitioner, these essays examine the cultural, social, and political conditions that forced serious writers to reflect (often within the work itself) on the act of writing fiction in the modern world. The entire book can be read as a manifesto for the present and future of the new fiction. This book is the first in the SUNY series in Postmodern Culture, edited by Joseph Natoli.




My Body in Nine Parts


Book Description

Fiction. Jewish studies. For decades, Raymond Federman has been dazzling readers with his unique brand of "surfiction"--throwing zany words all over the page and inserting himself into every fiction, often through such zany alter egos as Moinous and Namredef. Now comes the greatest self-reverential work of all as Federman spins all manner of tales of various parts of his own body, recounting his childhood in France, adult life in the U.S., Jewish heritage, and career as a writer, with no effort made to distinguish between fact and fiction, memory and imagination. Previously published in France as Mon corps en neuf parties, Federman's masterpiece is now available for the first time in English, with augmented translation by the author and accompanied by ten photographs by Steve Murez.




To Whom it May Concern


Book Description

This book consists of a set of letters from an unidentified writer to an unidentified recipient. In the letters, a writer sets forth his plans for a book about two children who were separated from their families during a war. He plans to invent a narration that will fully reveal their experiences during that war, experiences that are at the base of their reality, and the memory of which will also retrieve them from their present, supernumerary lives. The two children, it develops, escaped the roundups of Jews in a city much like Paris during World War II. The book contains the story of their ambiguous survival, which may or may not be that of the author. Now, fifty years later, the two have re-established contact and plan a reunion in Israel. In the last scene of the book two figures, their features obscured by the long shadows of evening, lean toward one another as they speak from the confidence of their hearts. Also there, listening, is the writer of the letters that form the book. The novel ends mysteriously, and so continues to vibrate in our imagination. To Whom it May Concern will join that short list of books we treasure most deeply, those few statements that remind us of who we are, and of what we are capable.




Shhh


Book Description

Fiction. Jewish Studies. "Shhh, murmured my mother. And the first thirteen years of my life vanished into the darkness of that third floor closet." On a July morning in 1942, Raymond Federman's childhood ended, as his parents and two sisters were arrested by collaborationist French police and sent to their deaths at Auschwitz, with Raymond alone evading capture. In SHHH, his final novel, Federman reconstructs this childhood out of fragments, speculations, and doubtful recollections--the stories of a lost life, enmeshed with a history that can never be forgotten. "Federman is inarguably one of the most significant vanguard writers of the second half of the twentieth century and first years of the twenty-first"--Lance Olsen.




Surfiction


Book Description




Take it Or Leave it


Book Description

The amorous adventures of a young Frenchman who has been drafted into the U. S. Army and is being shipped overseas to fight in Korea.




Return to Manure


Book Description

In 1942, after hiding to escape the Nazis, our narrator (named, simply, Federman) finds his way to Vichy France. Unwanted by his relatives, he is forced to spend the remainder of the war as an unpaid laborer. For three wordless years on the farm, this thirteen-year-old is assailed by suffering, death, sex, and the back-breaking labor of shoveling manure. Sixty years later, in the United States, Federman--the author? the narrator? both?--wrestles with nostalgia and bitterness. He finally returns to the farm with his wife, but once the journey is complete he no longer knows why he has made it, nor what he expected to find. Through the merger of fact and fiction, storytelling and reality, memoir and imagination, Return to Manure extends and enhances Raymond Federman's brilliant ability to side-step narration's limits and impossibilities.




Aunt Rachel's Fur


Book Description

Federman's story is woven of fragments, branching out over a lifetime. His narrative spirals into a temporal abyss as he rummages in old memories marked with cabbages, plump breasts and the Final Solution. Aunt Rachel's Fur is aswirl with the narrative innovations that distinguish Federman as a leading experimental surfictioneer."--BOOK JACKET.




The Voice in the Closet


Book Description

Fiction. In occupied France, an adolescent boy, pushed into a closet as his family is taken by Nazi soldiers, accidentally escapes the death camps. As an adult, "Federman," at once the novelist himself and a literary character, wonders what it means to re-tell this experience, if it can be re-told, or if the reduction of one's story or life to a single moment isn't the greatest of all horrors. Since its initial publication in 1979, THE VOICE IN THE CLOSEThas been hailed as one of the great experiments of prose ficiton: a single sentence, concrete recit of wrenching emotional impact. The new bilingual edition of the text features French and English versions newly revised by the author, with an introduction by Gerard Bucher and an end note by Theodore Pelton.