Feeling Mediated


Book Description

New technologies, whether text message or telegraph, inevitably raise questions about emotion. New forms of communication bring with them both fear and hope, on one hand allowing us deeper emotional connections and the ability to forge global communities, while on the other prompting anxieties about isolation and over-stimulation.a Feeling Mediated ainvestigates the larger context of such concerns, considering both how media technologies intersect with our emotional lives and how our ideas about these intersections influence how we think about and experience emotion and technology themselves. Drawing on extensive archival research, Brenton J. Malin explores the historical roots of much of our recent understanding of mediated feelings, showing how earlier ideas about the telegraph, phonograph, radio, motion pictures, and other once-new technologies continue to inform our contemporary thinking. With insightful analysis, a Feeling Mediated aexplores a series of fascinating arguments about technology and emotion that became especially heated during the early 20th century.These debates, which carried forward and transformed earlier discussions of technology and emotion, culminated in a set of ideas that became institutionalized in the structures of American media production, advertising, social research, and policy, leaving a lasting impact on our everyday lives."




Feeling Mediated


Book Description

New technologies, whether text message or telegraph, inevitably raise questions about emotion. New forms of communication bring with them both fear and hope, on one hand allowing us deeper emotional connections and the ability to forge global communities, while on the other prompting anxieties about isolation and over-stimulation. Feeling Mediated investigates the larger context of such concerns, considering both how media technologies intersect with our emotional lives and how our ideas about these intersections influence how we think about and experience emotion and technology themselves. Drawing on extensive archival research, Brenton J. Malin explores the historical roots of much of our recent understanding of mediated feelings, showing how earlier ideas about the telegraph, phonograph, radio, motion pictures, and other once-new technologies continue to inform our contemporary thinking. With insightful analysis, Feeling Mediated explores a series of fascinating arguments about technology and emotion that became especially heated during the early 20th century. These debates, which carried forward and transformed earlier discussions of technology and emotion, culminated in a set of ideas that became institutionalized in the structures of American media production, advertising, social research, and policy, leaving a lasting impact on our everyday lives.




Mediated Emotions of Migration


Book Description

This book unpacks how emotions and affect are key conceptual lenses for understanding contemporary processes and discourses around migration. Drawing on empirical research, grassroots projects with migrants and refugees, and mediated stories of migration and asylum-seeking from the Global North, the book sheds light on the affects of empathy, aspiration and belonging to reveal how they can be harnessed as public emotions of positive collective change. In the face of increasing precariousness and the wake of intersecting global crises, Khorana calls for uncovering the potential of these affects in order to build new forms of care and solidarities across differences.




The Audible Past


Book Description

Table of contents




Feeling Present in the Physical World and in Computer-Mediated Environments


Book Description

This concise volume presents for the first time a coherent and detailed account of why we experience feelings of being present in the physical world and in computer-mediated environments, why we often don't, and why it matters - for design, psychotherapy, tool use and social creativity amongst other practical applications.




Mediated Learning Experience (MLE)


Book Description




The Living Mind


Book Description

As enthusiasm for computational models of the mind has waned and the revolution in neuroscience has progressed, attention in philosophy and cognitive science has shifted toward more biological approaches. The Living Mind establishes that mind cannot be immaterial or reduced to mechanistic or cybernetic processes, but must instead possess a subjectivity embodied in an animal organism. On this basis, the work proceeds to show why mind involves a pre-conscious psyche, a non-discursive consciousness and self-consciousness, and an intelligence overcoming the opposition of consciousness. In so doing, The Living Mind provides a detailed account of the psyche and consciousness, paving the way for conceiving the psychological enabling conditions of rational theory and practice.




Theorizing Emotions


Book Description

Preface: notes on the sociology of emotions in Europe / Jochen Kleres --Introduction: an emotions lens on the world / Arlie Russell Hochschild -- Consciousness, emotions, and science / Jack Barbalet -- Extreme feelings and feelings at extremes / Helmut Kuzmics -- Hearts or wombs? A cultural critique of radical feminist critiques of love / Eva Illouz and Eitan Wilf -- Mediatizing traumas in the risk society: a sociology of emotions approach / Nicolas Demertzis -- The civilizing of emotions: formalization and informalization / Cas Wouters -- What makes us modern(s)? The place of emotions in contemporary society / Patrick Becker -- Shame and conformity: the deference-emotion system / Thomas J. Scheff -- The "neurosociology" of emotion? Progress, problems and prospects / Simon J. Williams -- Refugee solidarity: between national shame and global outrage / James Goodman -- Just being there: buddies and the emotionality of volunteerism / Jochen Kleres -- Mediated parasocial emotions and community: how media may strengthen or weaken social communities / Katrin Doveling.




A Psychology of User Experience


Book Description

As mainstream psychology was never intended for the HCI practitioner, this second edition of A Psychology of User Experience takes the opportunity to create a new chapter specifically written for practitioners, that is, UX-oriented psychology rather than the all-too familiar everyday variety. For example, we discuss our two modes of cognition (fast / slow or controlled / automatic); we underline the importance of familiarity; and how and why we check our phones every few seconds day or night. We also establish the ‘context for user experience’ noting that just about everyone uses a cell phone and very many own a smartphone too and have done so for years (so, how did they learn to use them?). User experience reflects the current vogue for “designing for experience” within HCI which we recognise as something we feel rather than have reasoned about. In the real world, our feelings tell us how we are doing but with UX, they tell us how we feel about using digital technology. Topics are introduced to UX which maybe unfamiliar such as virtual experiences and virtual emotions and the affect associated with the uncontrolled use of digital technology. A Psychology of User Experience stands as a companion text to the author’s HCI Redux text which discusses the contemporary treatment of cognition in human-computer interaction.




Cybermedia


Book Description

We're experiencing a time when digital technologies and advances in artificial intelligence, robotics, and big data are redefining what it means to be human. How do these advancements affect contemporary media and music? This collection traces how media, with a focus on sound and image, engages with these new technologies. It bridges the gap between science and the humanities by pairing humanists' close readings of contemporary media with scientists' discussions of the science and math that inform them. This text includes contributions by established and emerging scholars performing across-the-aisle research on new technologies, exploring topics such as facial and gait recognition; EEG and audiovisual materials; surveillance; and sound and images in relation to questions of sexual identity, race, ethnicity, disability, and class and includes examples from a range of films and TV shows including Blade Runner, Black Mirror, Mr. Robot, Morgan, Ex Machina, and Westworld. Through a variety of critical, theoretical, proprioceptive, and speculative lenses, the collection facilitates interdisciplinary thinking and collaboration and provides readers with ways of responding to these new technologies.