Femme Fatale-ish


Book Description

My name is Blue—insert a mood-related joke here—and I’m a femme fatale in training. My goal is to join the CIA. Unfortunately, I have a tiny issue with birds, and the closest I’ve come to my dream is working for a government agency that’s disturbingly up-to-speed on everyone’s sexts, rants in private Facebook groups, and secret family chocolate-chip cookie recipes. I know I’m a spy cliché, that agent who works at a desk but craves fieldwork. However, I have a plan: I’m going to infiltrate the secretive Hot Poker Club, where I’ve spotted a mysterious, sexy stranger who I’m convinced is a Russian spy. And once I'm in? All I have to do is seduce the presumed spy without falling for him, so I can expose his true identity and prove my femme fatale bona fides to the CIA. I never lose concentration at work, so that'll be an absolute breeze for me. Oh, and did I mention he's sexy? I’m doing it for my country, not my ovaries, I pinky swear. WARNING: Now that you’ve finished reading this, your device will self-destruct in five seconds. NOTE: This is a standalone, raunchy, slow-burn romantic comedy featuring a quirky, spy-movie-obsessed heroine, a scorching hot maybe-Russian, several terrifying tales about birds, and lots of text debates about the relative cuteness of animals. If any of the above is not your cup of tea, run far, far away. Otherwise, buckle up for a laugh-out-loud, feel-good ride.




Iron Man: Femmes Fatales


Book Description

When the anti-terror organization S.H.I.E.L.D. asks for his help in battling the forces of HYDRA, millionaire industrialist Tony Stark, a.k.a. Iron Man, falls victim to the schemes of two women who discover his fatal flaw.




Fatale


Book Description

A New York Review Books Original Whether you call her a coldhearted grifter or the soul of modern capitalism, there’s no question that Aimée is a killer and a more than professional one. Now she’s set her eyes on a backwater burg—where, while posing as an innocent (albeit drop-dead gorgeous) newcomer to town, she means to sniff out old grudges and engineer new opportunities, deftly playing different people and different interests against each other the better, as always, to make a killing. But then something snaps: the master manipulator falls prey to a pure and wayward passion. Aimée has become the avenging angel of her own nihilism, exacting the destruction of a whole society of destroyers. An unholy original, Jean-Patrick Manchette transformed the modern detective novel into a weapon of gleeful satire and anarchic fun. In Fatale he mixes equal measures of farce, mayhem, and madness to prepare a rare literary cocktail that packs a devastating punch.




Soft-Shed Kisses


Book Description

The femme fatale appears with unceasing regularity in the texts of major poets of the nineteenth century. She symbolises an intractable mystery, a refusal to be defined and a fierce attempt to exist outside the established gender system. Soft-Shed Kisses: Re-visioning the Femme Fatale in English Poetry of the 19th Century interrogates the construction and use of the fatal woman motif in the poetry of canonical male writers of the times, both Romantic and Victorian. Subsequent chapters investigate a variety of poems by John Keats, Percy Bysshe Shelley, Alfred Tennyson, Dante Gabriel Rossetti and Charles Algernon Swinburne in which the femme fatale surfaces as the most important character. Close-readings of poetry are enriched by an examination of the same motif in visual art, set against the vivid cultural background of the Victorian era.




Femme Fatale


Book Description

Irene Adler is the only woman ever to have outwitted Sherlock Holmes... and the one who has come closest to stealing his heart. She has competed (and sometimes cooperated) with the famous fictional detective over six popular and acclaimed novels, featuring her daring investigations across the Continent. All along, the beautiful and brilliant American diva-turned-detective has managed to conceal her background and history, even from her dashing barrister husband, Godfrey Norton, and her devoted companion and biographer, English spinster Nell Huxleigh. But she has had some help along the way to do this, from such unlikely sources as the Baron de Rothschild, Sarah Bernhardt, and Bram Stoker, as well as the soon-to-be-infamous Nellie Bly, a daring American journalist who helped Irene hunt Jack the Ripper. Now Nellie has wired Irene some astounding news, news that will shake her world: Irene's mother is the target of an assassin. Irene's past is shrouded in secrecy, and at first she is unwilling to divulge anything that would link her to America. But a series of bizarre killings in New York City draws her reluctantly back to her native country, where she must race with a murderer to find her mother, a woman of mystery who may turn out to be the most notorious woman of the nineteenth century. As Irene forges a trail into her own hidden past, Nellie Bly draws another ace investigator across the Atlantic to join in the hunt for a serial killer, the last man on earth Irene Adler wants to discover anything about her shocking past... Sherlock Holmes. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.




Royally Tricked


Book Description

A daredevil prince wants to pay me mega-bucks to train him to hold his breath underwater for ten minutes? Sign me up. Except I’m a magician, not a stunt consultant. My record-beating dive without air was a trick. Of course, I can’t tell that to my client, the royally hot Anatolio Cezaroff, a.k.a. Tigger. Not if I want to be able to pay my rent. Also, I’m not exactly comfortable around germs. All germs, including those lurking on uber-attractive men. So falling for my gorgeous client is out of the question, and I fully intend to keep my distance. That is, until he offers to train me in bed. NOTE: This is a standalone, raunchy, slow-burn romantic comedy featuring a movie-obsessed, germaphobic heroine who's dying to be a famous magician, a scorching hot Ruskovian prince who loves to live on the edge, and two oversized dogs who may or may not have caused said prince's wardrobe malfunction. If any of the above is not your cup of tea, run far, far away. Otherwise, buckle in for a laugh-out-loud, feel-good ride.




Hard Byte


Book Description

It is a truth universally acknowledged that a single man in possession of facial hair must be in want of a shave. And tidying. And a fake date. My name is Holly Hyman. I love order and prime numbers—and I’m in trouble. The company I work for is pivoting, and not in a way I like. Our new management? Alex Chortsky, a gorgeous, scruffy Russian devil. Our new direction? VR entertainment of the spicy kind. Maybe I wouldn’t mind it so much if my life’s work wasn’t meant for children. Or if I hadn’t accidentally hooked up with a VR version of my wickedly handsome boss. The only way to save my dream project is to make a Faustian bargain. For one night, I pretend to be Alex Chortsky’s girlfriend. What could possibly go wrong? NOTE: This is a standalone, raunchy, slow-burn romantic comedy featuring a quirky, nerdy Anglophile heroine, a scorching hot Russian hero, and an unruly, oversized puppy. If any of the above is not your cup of tea, run away now. Otherwise, buckle in for a laugh-out-loud, feel-good ride.




Merry Murderers


Book Description

This book explores the different trends and the various changes in the representational history of femmes fatales within twentieth century American culture. While providing precedents, discussing the Western cultural history of this iconic female figure, as well as presenting the cultural and theoretical debates surrounding ‘her,’ the major focus lies in Maurine Dallas Watkins’s story entitled Chicago and how its diachronic and transmedial revivals contributed to this debate and what kind of an interpretation it provided of the lethal woman. Through a cultural, historical, literary and cinematic excavation this book argues that the story of Chicago produces a unique kind of deathly woman figure: the farcical femme fatale by combining the traditionally tragic aspects with comic modes of discourse and (re)presentation. In addition to the theorization of the femme fatale within Western culture, the discussion of the comic as well as various comic genres and comic strategies of representation, Mikhail Bakhtin’s theory of the carnival and the carnivalesque is discussed in great detail – with an emphasis on scapegoating – as well as Judith Butler’s concept of gender performativity and Joan Riviere’s womanly masquerade in order to understand how the farcical femmes fatales of Chicago manage to get away with their sins and crimes. Additionally, the Vice of sixteenth century drama as well as the figure of the homme fatale are also taken under scrutiny since it is argued that, in the various versions of Chicago, we encounter farcical femmes fatales who are the minions of a modern(ized) Vice figure, and all their comic-grotesque performances and masquerades take place in the heterotopic space of the carnival. While also examining their historical and cultural contexts, the different versions of Chicago are investigated one by one starting from the original Chicago Tribune articles and ending in the 2002 film adaptation. This book reveals what strategies can be employed to justify the modification of the traditionally tragic scenario of the femme fatale. It is a scholarly work that is informative, thorough as well as entertaining.




Femme Fatale


Book Description

A selection of Maupassant's brilliant, glittering stories set in the Parisian beau monde and Normandy countryside. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Guy de Maupassant (1850-1893). Maupassant's works available in Penguin Classics are A Parisian Affair and Other Stories, Bel-Ami and Pierre and Jean.




The Femme Fatale


Book Description

Ostensibly the villain, but also a model of female power, poise, and intelligence, the femme fatale embodies Hollywood’s contradictory attitudes toward ambitious women. But how has the figure of the femme fatale evolved over time, and to what extent have these changes reflected shifting cultural attitudes toward female independence and sexuality? This book offers readers a concise look at over a century of femmes fatales on both the silver screen and the TV screen. Starting with ethnically exoticized silent film vamps like Theda Bara and Pola Negri, it examines classic film noir femmes fatales like Barbara Stanwyck in Double Indemnity, as well as postmodern revisions of the archetype in films like Basic Instinct and Memento. Finally, it explores how contemporary film and television creators like Fleabag and Killing Eve’s Phoebe Waller-Bridge have appropriated the femme fatale in sympathetic and surprising ways. Analyzing not only the films themselves, but also studio press kits and reviews, The Femme Fatale considers how discourses about the pleasures and dangers of female performance are projected onto the figure of the femme fatale. Ultimately, it is a celebration of how “bad girl” roles have provided some of Hollywood’s most talented actresses opportunities to fully express their on-screen charisma.