Fictional Transfigurations of Jesus


Book Description

Many novels revolve round the figure of Jesus. Some of the finest of them are defined by Ziolkowski as fictional transfigurations of Jesus. They share a modern hero patterned on Jesus the culture-hero, whose life consisted of the motifs of the last supper, lonely agony, betrayal, trial, and crucifixion. The aesthetic challenge of adapting this most familiar story for their generation has attracted an unusual number of great writers, among them Papini, Kazantzakis, Hesse, Mann, Greene, Faulkner, and Gore Vidal. The form began with the new image of a humanized Jesus which developed in the 19th century. The interest in religious paranoia and hysteria at the turn of the century instantly expanded its potentialities as novelists began to explore the theme of christomania. This was followed by studies of Jesus as a mythic figure and then Marxist-oriented portraits of Comrade Jesus. Finally the form became inverted into parody in the Fifth Gospels in which not Jesus, but Judas, is the central figure.







The Routledge Companion to Twenty-First Century Literary Fiction


Book Description

The study of contemporary fiction is a fascinating yet challenging one. Contemporary fiction has immediate relevance to popular culture, the news, scholarly organizations, and education – where it is found on the syllabus in schools and universities – but it also offers challenges. What is ‘contemporary’? How do we track cultural shifts and changes? The Routledge Companion to Twenty-First Century Literary Fiction takes on this challenge, mapping key literary trends from the year 2000 onwards, as the landscape of our century continues to take shape around us. A significant and central intervention into contemporary literature, this Companion offers essential coverage of writers who have risen to prominence since then, such as Hari Kunzru, Jennifer Egan, David Mitchell, Jonathan Lethem, Ali Smith, A. L. Kennedy, Hilary Mantel, Marilynne Robinson, and Colson Whitehead. Thirty-eight essays by leading and emerging international scholars cover topics such as: • Identity, including race, sexuality, class, and religion in the twenty-first century; • The impact of technology, terrorism, activism, and the global economy on the modern world and modern literature; • The form and format of twenty-first century literary fiction, including analysis of established genres such as the pastoral, graphic novels, and comedic writing, and how these have been adapted in recent years. Accessible to experts, students, and general readers, The Routledge Companion to Twenty-First Century Literary Fiction provides a map of the critical issues central to the discipline, as well as uncovering new perspectives and new directions for the development of the field. It is essential reading for anyone interested in the past, present, and future of contemporary literature.




Religion in Film


Book Description

This multiauthor book concentrates on themes and images of religion in film. It features analysis of some of the most important directors in the twentieth century, includiing Coppola, Chaplin, Hitchcock, and Truffaut, among others.







Myth and Ideology in Contemporary Brazilian Fiction


Book Description

Analyzing the thematic and formal characteristics of six contemporary Brazilian novels, this study explores the use of myth and its ideological implications. The writers examined are Maria Alice Barroso, Clarice Lispector, Jorge Amado, Carlos Heitor Cony, Adonias Filho, and Autran Dourado.




Jesus in the Victorian Novel


Book Description

This book tells the story of how nineteenth-century writers turned to the realist novel in order to reimagine Jesus during a century where traditional religious faith appeared increasingly untenable. Re-workings of the canonical Gospels and other projects to demythologize the story of Jesus are frequently treated as projects aiming to secularize and even discredit traditional Christian faith. The novels of Charles Kingsley, George Eliot, Eliza Lynn Linton, and Mary Augusta Ward, however, demonstrate that the work of bringing the Christian tradition of prophet, priest, and king into conversation with a rapidly changing world can at times be a form of authentic faith-even a faith that remains rooted in the Bible and historic Christianity, while simultaneously creating a space that allows traditional understandings of Jesus' identity to evolve.




Novel Theology


Book Description

Literature and theology constantly (de)construct each other. Suggesting that this (de)constructive assignment is one that cannot but be "in process itself," Middleton returns to it throughout his study.".




The Poetics of Otherness and Transition in Naomi Alderman’s Fiction


Book Description

This is the first book on Naomi Alderman’s literary production, and highlights the writer’s transcultural recasting of British and Jewish traditions. The four novels analysed here prove to be relevant, not only from a literary viewpoint, but also from the fields of ethics, spirituality and politics. The analysis thus focuses on issues such as alterity and respect towards the other in a globalized context. As such, the book will be of interest to literary critics, researchers, and students in the fields of literature, ethics, and social and cultural studies. The reader will find in the text a comprehensive approach to a young writer who undoubtedly deserves attention given her interrogation of varied and socially relevant topics, including gender and sexual orientation in the early twenty-first century, the rewriting of the Sacred Scriptures, and the discourse of feminist posthuman dystopias.




The Gospel According to the Novelist


Book Description

Why have so many prominent literary authors-from Philip Pullman and José Saramago to Michèle Roberts and Colm Tóibím-recently rewritten the canonical story of Jesus Christ? What does that say about our supposedly secular age? In this insightful study, Magdalena Maczynska defines and examines the genre of scriptural metafiction: novels that not only transform religious texts but also draw attention to these transformations. In addition to providing rich examples and close readings, Maczynska positions literary studies within interdisciplinary debates about religion and secularity. Her book demonstrates a surprising turn of events: even as contemporary novelists deconstruct the traditional categories of “secular” and “sacred” writing, they open up new spaces for scripture in contemporary culture.