Fictions of Conversion


Book Description

The fraught history of England's Long Reformation is a convoluted if familiar story: in the space of twenty-five years, England changed religious identity three times. In 1534 England broke from the papacy with the Act of Supremacy that made Henry VIII head of the church; nineteen years later the act was overturned by his daughter Mary, only to be reinstated at the ascension of her half-sister Elizabeth. Buffeted by political and confessional cross-currents, the English discovered that conversion was by no means a finite, discrete process. In Fictions of Conversion, Jeffrey S. Shoulson argues that the vagaries of religious conversion were more readily negotiated when they were projected onto an alien identity—one of which the potential for transformation offered both promise and peril but which could be kept distinct from the emerging identity of Englishness: the Jew. Early modern Englishmen and -women would have recognized an uncannily familiar religious chameleon in the figure of the Jewish converso, whose economic, social, and political circumstances required religious conversion, conformity, or counterfeiting. Shoulson explores this distinctly English interest in the Jews who had been exiled from their midst nearly three hundred years earlier, contending that while Jews held out the tantalizing possibility of redemption through conversion, the trajectory of falling in and out of divine favor could be seen to anticipate the more recent trajectory of England's uncertain path of reformation. In translations such as the King James Bible and Chapman's Homer, dramas by Marlowe, Shakespeare, and Jonson, and poetry by Donne, Vaughan, and Milton, conversion appears as a cypher for and catalyst of other transformations—translation, alchemy, and the suspect religious enthusiasm of the convert—that preoccupy early modern English cultures of change.




Jews and Their Roman Rivals


Book Description

How encounters with the Roman Empire compelled the Jews of antiquity to rethink their conceptions of Israel and the Torah Throughout their history, Jews have lived under a succession of imperial powers, from Assyria and Babylonia to Persia and the Hellenistic kingdoms. Jews and Their Roman Rivals shows how the Roman Empire posed a unique challenge to Jewish thinkers such as Philo, Josephus, and the Palestinian rabbis, who both resisted and internalized Roman standards and imperial ideology. Katell Berthelot traces how, long before the empire became Christian, Jews came to perceive Israel and Rome as rivals competing for supremacy. Both considered their laws to be the most perfect ever written, and both believed they were a most pious people who had been entrusted with a divine mission to bring order and peace to the world. Berthelot argues that the rabbinic identification of Rome with Esau, Israel's twin brother, reflected this sense of rivalry. She discusses how this challenge transformed ancient Jewish ideas about military power and the use of force, law and jurisdiction, and membership in the people of Israel. Berthelot argues that Jewish thinkers imitated the Romans in some cases and proposed competing models in others. Shedding new light on Jewish thought in antiquity, Jews and Their Roman Rivals reveals how Jewish encounters with pagan Rome gave rise to crucial evolutions in the ways Jews conceptualized the Torah and conversion to Judaism.




The Conversion of Herman the Jew


Book Description

Sometime toward the middle of the twelfth century, it is supposed, an otherwise obscure figure, born a Jew in Cologne and later ordained as a priest in Cappenberg in Westphalia, wrote a Latin account of his conversion to Christianity. Known as the Opusculum, this book purportedly by "Herman, the former Jew" may well be the first autobiography to be written in the West after the Confessions of Saint Augustine. It may also be something else entirely. In The Conversion of Herman the Jew the eminent French historian Jean-Claude Schmitt examines this singular text and the ways in which it has divided its readers. Where some have seen it as an authentic conversion narrative, others have asked whether it is not a complete fabrication forged by Christian clerics. For Schmitt the question is poorly posed. The work is at once true and fictional, and the search for its lone author—whether converted Jew or not—fruitless. Herman may well have existed and contributed to the writing of his life, but the Opusculum is a collective work, perhaps framed to meet a specific institutional agenda. With agility and erudition, Schmitt examines the text to explore its meaning within the society and culture of its period and its participation in both a Christian and Jewish imaginary. What can it tell us about autobiography and subjectivity, about the function of dreams and the legitimacy of religious images, about individual and collective conversion, and about names and identities? In The Conversion of Herman the Jew Schmitt masterfully seizes upon the debates surrounding the Opusculum (the text of which is newly translated for this volume) to ponder more fundamentally the ways in which historians think and write.




Converting Fiction


Book Description

This study examines the many ways in which seventeenth-century Spanish authors manipulated the expected outcomes of secular literature to create religiously motivated endings prompted by some kind of conversion. In the late sixteenth century, the prevalent technique was to transform the secular material entirely, a lo divino. After 1598, however, writers developed the ingenious procedure of ostensibly following a secular account of events but subverting it by inserting an unanticipated religious ending. The specific kinds of conversion at closure examined here are the appropriation of earlier genres; conversion of non-Christian literary types; personal conversion of the native Spaniard through the Catholic ritual of confession, penitence, and absolution; conversion of the nation's historical material; and conversion of the very landscape upon which Christians walk in their pilgrimage through life.




Gothic forms of feminine fictions


Book Description

Gothic forms of feminine fictions is a study of the powers of the Gothic in late twentieth-century fiction and film. Susanne Becker argues that the Gothic, two hundred years after it emerged, exhibits renewed vitality in our media age with its obsession for stimulation and excitement.




Legal Fictions in Private Law


Book Description

Offers an algorithmic solution to the problem of legal fictions: enter a fiction and find the answer.




Gay Conversion Practices in Memoir, Film and Fiction


Book Description

For over half a century, organizations and individuals promoting ex-gay, conversion and/ or reparative therapy have pushed the tenet that a person may be able to, and should, alter their sexual orientation. Their so-called treatments or therapies have taken various forms over the decades, ranging from medical (including psychiatric or psychological) rehabilitation approaches, to counselling, and religious healing. Gay Conversion Practices in Memoir, Film and Fiction provides an in-depth exploration of the disturbing phenomenon of gay conversion 'therapy' and its fictional and autobiographical representations across a broad range of films and books such as But I'm a Cheerleader! (1999), This is What Love in Action Looks Like (2011) and Boy Erased (2018). In doing so, the volume emphasizes the powerful role the arts and media play in communicating stories around conversion practices. Approaching the timely and urgent subject from an interdisciplinary perspective, contributors utilize film theory, queer theory, literary theory, mental health and social movement theory to discuss the medicalization and pathologizing of queer people, the power of institutions ranging from church, psychiatry and family (sometimes in alliance), and the real and fictional voices of survivors.




The Complete Idiot's Guide to Writing Christian Fiction


Book Description

They say there's nothing new under the sun, and the Christian fiction industry certainly didn't spring full blown with the advent of the Left Behindseries in 1996. Remember Christyby Catherine Marshall? Published in 1967, its inspiration was the life of Marshall's mother - and the Christy Award, presented annually since 1999 to recognize novelists and novels in several categories of Christian fiction, was named after it. What makes Christian fiction? There are several givens, despite the subgenres- the Christian worldview must be woven throughout both the book's plot and its character development. But must it put proselytizing before telling a good story? How much sex - if any! - is okay in a Christian romance? Is it all right to approach edgy subjects in a Christian mystery? Is it possible to seamlessly integrate a Christian message in a crackling good yarn? In The Complete Idiot's Guide to Writing Christian FictionRon Benrey - himself the author of successful Christian fiction - offers readers chapter and verse of writing Christian women's, romance, thrillers and mysteries, warfare, historical, biblical, speculative, and young adult fiction that deliver strong, inspirational messages and sell!




Essays on Religion in G. Eliot's Early Fiction


Book Description

This series of essays explores the relationship between religion and literature in George Eliot’s early fiction. With a particular focus on Scenes of Clerical Life, Adam Bede, and The Mill on the Floss, this title complements the author’s previous publication, George Eliot’s Spiritual Quest in Silas Marner (2012).




The Fiction of Autobiography


Book Description

Writing autobiography is a complicated, often fraught activity for both writer and reader. We can find many recent examples of the way such writing calls into question the author's truthfulness or their authority to present as definitive their 'version' of a particular event or portion of their lives. Drawing upon a wide range of late twentieth and early twenty-first-century autobiographical writing, The Fiction of Autobiography examines key aspects of autobiography from the interrelated perspectives of author, reader, critic and scholar, to reconsider how we view this form of writing, and its relationship to the way we understand and construct identity. Maftei considers recent cases and texts such as Didion's The Year of Magical Thinking and Frey's A Million Little Pieces alongside older texts such as Proust's In Search of Lost Time ̧ Nabokov's Speak, Memory and Stein's The Autobiography of Alice B. Toklas. In part, this is to emphasise that key issues reappear and arise over decades and centuries, and that texts distanced by time can speak to each other thoughtfully and poignantly.