Fifty of the World's Best Apartments


Book Description

Is apartment living the way of the future? According to some, it's the only way to live. For most apartment-dwellers, beautiful views, functional floor plans, low maintenance and convenient, inner-city locations far outweigh the attributes of the traditional quarter-acre suburban block. This book presents, through text, superb floor photographs and floor plans, 50 of the best apartments from around the world. Focusing on fabulous interiors, this book is a digest of the myriad ways to fit out spaces that often begin as concrete shells, but are transformed, through the talents of the best interior architects and designers, into luxurious penthouses, funky lofts, hip apartments, sleek batchelor pads and sumptuous family homes. An inspiring sourcebook for all lovers of beautiful interiors.




Luxury Apartment Houses of Manhattan


Book Description

Lavishly illustrated volume provides detailed mini-histories of the Gramercy, Ansonia, Hotel des Artistes, Joseph Pulitzer's palatial residence, and many other luxurious lodgings. 175 illustrations — many from private sources — depict interiors and exteriors. Introduction. Index.




A Pocketful of Apartments


Book Description

If apartment living is the way of the future, then this compact book demonstrates just why this can be so desirable. This compact book shows that apartment-dwellers can have the best of everything.







Library of the World's Best Literature, Ancient and Modern - Volume II (Illustrated Edition) (Dodo Press)


Book Description

Charles Dudley Warner (1829-1900) was an American essayist and novelist. He worked with a surveying party in Missouri; studied law at the University of Pennsylvania; practiced in Chicago; was assistant editor (1860) and editor (1861-1867) of The Hartford Press, and after The Press was merged into The Hartford Courant, was co-editor with Joseph R Hawley; in 1884 he joined the editorial staff of Harper's Magazine, for which he conducted The Editors Drawer until 1892, when he took charge of The Editor's Study. He travelled widely, lectured frequently, and was actively interested in prison reform, city park supervision, and other movements for the public good. He was the first president of the National Institute of Arts and Letters. He first attracted attention by the reflective sketches entitled My Summer in a Garden (1870). Amongst his other works are Saunterings (1872), Backlog Studies (1873), Being a Boy (1878), In the Wilderness (1878), Captain John Smith (1881), Washington Irving (1881), A Little Journey in the World (1889), As We Were Saying (1891) and That Fortune (1899).







The Dakota


Book Description

The Dakota is arguably the best-known residential address in the world, home to dozens of New York City's most famous artists, performers, and successful executives. The rare sale of an apartment there, usually at jaw-dropping prices, is newsworthy, as is the financial and architectural health of the building itself, a landmark in every sense of the word. The first true luxury apartment house built in New York City, more than 130 years ago, the Dakota is still the gold standard against which all other apartment buildings are weighed. Historian Andrew Alpern tells the fascinating story of how the Dakota came to be, how Singer sewing magnate Edward Clark dared to build an apartment building luxurious enough to coax the city's wealthy from their mansions downtown for ultra-modern living on what was then the swamplands of the Upper West Side. Redrawn plans of the entire building, published here for the first time, show how Clark created apartments glamorous enough that they made living under a shared roof as acceptable in Manhattan as it already was in Europe's grand capitals, forever revolutionizing apartment life in New York City. This internationally renowned building is now accessible to us all—at least in print, if not in its ultraprivate and well-guarded reality.




740 Park


Book Description

From the author of House of Outrageous Fortune For seventy-five years, it’s been Manhattan’s richest apartment building, and one of the most lusted-after addresses in the world. One apartment had 37 rooms, 14 bathrooms, 43 closets, 11 working fireplaces, a private elevator, and his-and-hers saunas; another at one time had a live-in service staff of 16. To this day, it is steeped in the purest luxury, the kind most of us could only imagine, until now. The last great building to go up along New York’s Gold Coast, construction on 740 Park finished in 1930. Since then, 740 has been home to an ever-evolving cadre of our wealthiest and most powerful families, some of America’s (and the world’s) oldest money—the kind attached to names like Vanderbilt, Rockefeller, Bouvier, Chrysler, Niarchos, Houghton, and Harkness—and some whose names evoke the excesses of today’s monied elite: Kravis, Koch, Bronfman, Perelman, Steinberg, and Schwarzman. All along, the building has housed titans of industry, political power brokers, international royalty, fabulous scam-artists, and even the lowest scoundrels. The book begins with the tumultuous story of the building’s construction. Conceived in the bubbling financial, artistic, and social cauldron of 1920’s Manhattan, 740 Park rose to its dizzying heights as the stock market plunged in 1929—the building was in dire financial straits before the first apartments were sold. The builders include the architectural genius Rosario Candela, the scheming businessman James T. Lee (Jacqueline Kennedy Onassis’s grandfather), and a raft of financiers, many of whom were little more than white-collar crooks and grand-scale hustlers. Once finished, 740 became a magnet for the richest, oldest families in the country: the Brewsters, descendents of the leader of the Plymouth Colony; the socially-registered Bordens, Hoppins, Scovilles, Thornes, and Schermerhorns; and top executives of the Chase Bank, American Express, and U.S. Rubber. Outside the walls of 740 Park, these were the people shaping America culturally and economically. Within those walls, they were indulging in all of the Seven Deadly Sins. As the social climate evolved throughout the last century, so did 740 Park: after World War II, the building’s rulers eased their more restrictive policies and began allowing Jews (though not to this day African Americans) to reside within their hallowed walls. Nowadays, it is full to bursting with new money, people whose fortunes, though freshly-made, are large enough to buy their way in. At its core this book is a social history of the American rich, and how the locus of power and influence has shifted haltingly from old bloodlines to new money. But it’s also much more than that: filled with meaty, startling, often tragic stories of the people who lived behind 740’s walls, the book gives us an unprecedented access to worlds of wealth, privilege, and extraordinary folly that are usually hidden behind a scrim of money and influence. This is, truly, how the other half—or at least the other one hundredth of one percent—lives.




A New and Complete System of Universal Geography, Or, An Authentic History and Interesting Description of the Whole World, and Its Inhabitants : Comprehending a Copious and Entertaining Account of All the Empires, Kingdoms, States, Republics, and Colonies, of Asia, Africa, America, and Europe... : with Faithful Accounts of All the New Discoveries, that Have Been Made by the Most Celebrated Navigators of Various Nations... : to which Will be Subjoined, a Useful Compendium of Astronomy, with Remarks on the Use of the Globes, &c. : the Whole Concluding with a Copious Index, Upon a Plan Entirely New, and Designed to Form a General Gazetteer of the World


Book Description




Brazilian design today


Book Description

This exhibition shows us how different sectors of design production ally art, a Brazilian character and technology to create objects utilized in our daily lives that take our culture to the four corners of the world. The exhibition intent is to present a transversal view of this moment, aiming at highlighting some revealing examples that attest to the creative ability of Brazil from different fields of design. All projects included are after the year 2000 and by designers living in Brazil (including foreigners who adopted Brazil as home), and works by Brazilian born designers scallered around the world. Designers are included from different regions in Brazil as well as from different generations. The participants include veteran designers such as Sergio Rodrigues (furniture) and Alexandre Wonner (graphic design) to young professionals in their 20s. The diversification is also present in the choices of different design fields: furniture, objects, equipment, vechicles, accessories, books, packaging, lamps, graphic design, etc. All objects are useful and were created in order to fulfill a certain purpose and to be used by specific consumers. However, some of them look like artworks, and others dialogue with engineering