The Food of Death


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This Is A New Release Of The Original 1915 Edition.




Fifty-one Tales


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Fifty-One Tales


Book Description

Fifty-One Tales by Lord Dunsany: Immerse yourself in a collection of enchanting and imaginative short stories by Lord Dunsany. Each tale takes readers on a journey to mythical realms and otherworldly landscapes, showcasing the author's mastery of language and storytelling. With themes ranging from fantasy and adventure to morality and philosophy, "Fifty-One Tales" offers a delightful and thought-provoking reading experience. Key Aspects of the Book "Fifty-One Tales": Mythical Settings: Dunsany's tales are set in mythical worlds filled with magical beings, gods, and extraordinary creatures. Moral Themes: The stories often carry profound moral lessons and philosophical insights, inviting readers to ponder the nature of humanity and existence. Imaginative Prose: Dunsany's rich and poetic prose transports readers to extraordinary realms and sparks the imagination. Lord Dunsany was an influential Irish writer and dramatist known for his contributions to the fantasy genre. Born in 1878, Dunsany's works have had a lasting impact on modern fantasy literature. "Fifty-One Tales" showcases his mastery of storytelling and remains a classic collection of fantastical short stories.




The King of Elfland's Daughter


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From “one of the greatest writers of this century,” a fantasy masterpiece about the aftermath of a marriage between a mortal prince and an elfin princess. —Arthur C. Clarke Before the fellowships and wardrobes and dire wolves . . . . . . there was the village of Erl and the Kingdom of Elfland. Considered formative to the development of the fairy tale and high fantasy subgenres, The King of Elfland's Daughter follows Alveric, who leaves home on a quest with a few basic instructions: locate the Princess Lirazel in Elfland, convince her to return to Erl and marry him, and together produce the first magical Lord of Erl. But what happens when a village gets exactly what it asked for? How does an elf learn to live as a human? Is love lost once, lost forever? The people of Erl are about to find out. Take a walk through the fields we know and see if you can spot the pale-blue peaks of the Elfland Mountains. Fans of J. R. R. Tolkien, C. S. Lewis, and Neil Gaiman will adore Lord Dunsany’s influential 1924 classic as much as those authors themselves did. “No amount of mere description can convey more than a fraction of Lord Dunsany's pervasive charm.” —H. P. Lovecraft “We find that he has but tranfigured with beauty the common sights of the world.” —William Butler Yeats “No one can understand modern fantasy without understanding its roots, and Lord Dunsany's work is immediately significant as well as enjoyable even today.” —Katharine Kerr “A fantasy novel in a class with the Tolkien books.”—L. Sprague de Camp




Poltarnees, Beholder of Ocean


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Toldees, Mondath, Arizim, these are the Inner Lands, the lands whose sentinels upon their borders do not behold the sea. Beyond them to the east there lies a desert, for ever untroubled by man: all yellow it is, and spotted with shadows of stones, and Death is in it, like a leopard lying in the sun. To the south they are bounded by magic, to the west by a mountain, and to the north by the voice and anger of the Polar wind. Like a great wall is the mountain to the west. It comes up out of the distance and goes down into the distance again, and it is named Poltarnees, Beholder of Ocean.




The Gods of Pegana


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The Blessing of Pan


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"The Blessing of Pan is told from the perspective of Elderick Anwrel, the mild-mannered reverend of the community of Wolding. Anwrel is increasingly disturbed by a haunting, compelling tune played by a boy, Tommy Duffin, who has fashioned a pipe made from reeds. The tune, as the story unfolds, exercises an unwholesome influence on the population of Wolding – first the young women, then the young men, and then the other inhabitants – even Anwrel’s wife, are compelled to dance to the tune of the pipes on nearby Wold Hill, atop which is a megalithic site – the “Old Stones of Wolding”. Finally, Anwrel himself joins the people in their revelry, performing a pagan sacrifice" --Enfolding.org.




Tales of Three Hemispheres


Book Description

ales of Three Hemispheres is a collection of fantasy short stories by Lord Dunsany. The first edition was published in Boston by John W. Luce & Co. in November, 1919; the first British edition was published in London by T. Fisher Unwin in June, 1920. The collection's significance in the history of fantasy literature was recognized by its republication in a new edition by Owlswick Press in 1976, with illustrations by Tim Kirk and a foreword by H. P. Lovecraft, actually a general article on Dunsany's work originally written by Lovecraft in 1922, but unpublished until it appeared in his posthumous Marginalia (Arkham House, 1944). The book collects 14 short pieces by Dunsany; the last three, under the general heading "Beyond the Fields We Know," are related tales, as explained in the publisher's note preceding the first, "Idle Days on the Yann," which was previously published in the author's earlier collection A Dreamer's Tales, but reprinted in the current one owing to the relationship.




Lord Dunsany


Book Description

Anglo-Irish writer Lord Dunsany (1878–1957) was a pioneering writer in the genre of fantasy literature and the author of such celebrated works as The Book of Wonder (1912) and The King of Elfland’s Daughter (1924). Over the course of a career that spanned more than five decades, Dunsany wrote thousands of stories, plays, novels, essays, poems, and reviews, and his work was translated into more than a dozen languages. Today, Dunsany’s work is experiencing a renaissance, as many of his earlier works have been reprinted and much attention has been paid to his place in the history of fantasy and supernatural literature. This bibliography is a revision of the landmark volume published in 1993, which first charted the full scope of Dunsany’s writing. This new edition not only brings the bibliography up to date, listing the dozens of new editions of Dunsany’s work that have appeared in the last two decades and the wealth of criticism that has been written about him, but also records many obscure publications in Dunsany’s lifetime that have not been previously known or identified. In all, the bibliography has been expanded by at least thirty percent. Among this new material are dozens of uncollected short stories, newspaper articles, and poems, and many books, essays, and reviews of Dunsany’s work published over the past century. Altogether, this bibliography is the definitive listing of works by and about Dunsany and will be the foundation of Dunsany studies for many years to come.




The Bookman


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