Fifty Southern Writers After 1900


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Fifty Southern Writers Before 1900


Book Description

This collection deserves a long review in order to get the attention it has earned. But how would a reviewer do rounded justice in, say, five hundred words to fifty entries by fifty different scholar-critics on `Southerners whose careers ended before 1900 or thereabouts'? Furthermore, each entry was required to follow a five-part pattern: `a biographical sketch, a discussion of major themes, an assessment of the scholarship . . . a chronological list of the author's works, and a bibliography of selected criticism.' That pattern reinforces a reference-work effect that the precise and experienced editors intended. Only a pedant will quible--yet will also regulary use the book and send students to it. It will outlast any reviewer now alive. American Literature A companion volume to Fifty Southern Writers After 1900, this collection focuses on the work of writers whose careers ended before or about 1900, whose works are often anthologized, and whose writing figures prominently in the history of Southern letters. Each essay, written by a specialist in the field, contains five parts: a biographical sketch, a discussion of the author's major themes, an assessment of the scholarship on the author's works, a chronological list of works, and a bibliography of selected criticism. The selected essays treat the individual writers in substantial detail and offer a fresh attempt to estimate the achievements of the authors included as well as a valuable assessment of the secondary work and scholarship to date.




Twentieth-Century Southern Literature


Book Description

Authors discussed include: Wendell Berry, Erskine Caldwell, Truman Capote, Ralph Ellison, William Faulkner, Shelby Foote, Zora Neal Hurston, Bobbie Ann Mason, Cormac McCarthy, Flannery O'Connor, William Styron, Anne Tyler, Alice Walker, Robert Penn Warren, Eudora Welty, Tennessee Williams, Thomas Wolfe, Richard Wright, and many more. By World War II, the Southern Renaissance had established itself as one of the most significant literary events of the century, and today much of the best American fiction is southern fiction. Though the flowering of realistic and local-color writing during the first two decades of the century was a sign of things to come, the period between the two world wars was the crucial one for the South's literary development: a literary revival in Richmond came to fruition; at Vanderbilt University a group of young men produced The Fugitive, a remarkable, controversial magazine that published some of the century's best verse in its brief run; and the publication and widespread recognition of Faulkner (among others) inaugurated the great flood of southern writing that was to follow in novels, short stories, poetry, and plays. With more than forty years of experience writing and reading about the subject, and friendships with many of the figures discussed, J. A. Bryant is uniquely qualified to provide the first comprehensive account of southern American literature since 1900. Bryant pays attention to both the cultural and the historical context of the works and authors discussed, and presents the information in an enjoyable, accessible style. No lover of great American literature can afford to be without this book.




Contemporary Fiction Writers of the South


Book Description

The extraordinary flowering of Southern literary talent in the early twentieth century, the Southern Literary Renascence, has continued virtually unabated, showing increasing vitality in recent decades. These newer fiction writers, poets, dramatists, and journalists reflect in their work the changing social conditions of the South while also presenting traditional Southern values and qualities. Their astonishing output constitutes a phenomenon worthy of being called a Second Southern Literary Renascence. Joseph M. Flora and Robert Bain, editors of the acclaimed Fifty Southern Writers before 1900 and Fifty Southern Writers after 1900, found that they could only begin to suggest the continuing abundance and significance of Southern writing in the latter volume. Retaining the same format, they have developed two new volumes for the contemporary period. The first, focusing on fiction, comprises forty-nine talented novelists, including such popular figures as Pat Conroy, Gail Godwin, T. R. Pearson, Anne Tyler, and Alice Walker. The companion volume, (Contemporary Poets, Dramatists, Essayists, and Novelists: A Bio-Bibliographical Sourcebook forthcoming from Greenwood Press) will cover primarily poets, playwrights, and essayists as well as fiction writers who have made major contributions to these other genres. The essays, written by scholars and critics, present in each case a biographical sketch, an analysis of the writer's style and major themes, an assessment of reviews and scholarship, a chronological list of works, and a bibliography of selected criticism. Considered individually and comparatively and with attention to the editors' introductory essay, these bio-bibliographical studies clearly demonstrate the state and strength of Southern letters.




Fifty Southern Writers Before 1900


Book Description

This collection deserves a long review in order to get the attention it has earned. But how would a reviewer do rounded justice in, say, five hundred words to fifty entries by fifty different scholar-critics on `Southerners whose careers ended before 1900 or thereabouts'? Furthermore, each entry was required to follow a five-part pattern: `a biographical sketch, a discussion of major themes, an assessment of the scholarship . . . a chronological list of the author's works, and a bibliography of selected criticism.' That pattern reinforces a reference-work effect that the precise and experienced editors intended. Only a pedant will quible--yet will also regulary use the book and send students to it. It will outlast any reviewer now alive. American Literature A companion volume to Fifty Southern Writers After 1900, this collection focuses on the work of writers whose careers ended before or about 1900, whose works are often anthologized, and whose writing figures prominently in the history of Southern letters. Each essay, written by a specialist in the field, contains five parts: a biographical sketch, a discussion of the author's major themes, an assessment of the scholarship on the author's works, a chronological list of works, and a bibliography of selected criticism. The selected essays treat the individual writers in substantial detail and offer a fresh attempt to estimate the achievements of the authors included as well as a valuable assessment of the secondary work and scholarship to date.







The History of Southern Drama


Book Description

Mention southern drama at a cocktail party or in an American literature survey, and you may hear cries for "Stella!" or laments for "gentleman callers." Yet southern drama depends on much more than a menagerie of highly strung spinsters and steel magnolias. Charles Watson explores this field from its eighteenth- and nineteenth-century roots through the southern Literary Renaissance and Tennessee Williams's triumphs to the plays of Horton Foote, winner of the 1994 Pulitzer Prize. Such well known modern figures as Lillian Hellman and DuBose Heyward earn fresh looks, as does Tennessee Williams's changing depiction of the South—from sensitive analysis to outraged indictment—in response to the Civil Rights Movement. Watson links the work of the early Charleston dramatists and of Espy Williams, first modern dramatist of the South, to later twentieth-century drama. Strong heroines in plays of the Confederacy foreshadow the spunk of Tennessee Williams's Amanda Wingfield. Claiming that Beth Henley matches the satirical brilliance of Eudora Welty and Flannery O'Connor, Watson connects her zany humor to 1840s New Orleans farces. With this work, Watson has at last answered the call for a single-volume, comprehensive history of the South's dramatic literature. With fascinating detail and seasoned perception, he reveals the rich heritage of southern drama.







The Southern Diaspora


Book Description

Between 1900 and the 1970s, twenty million southerners migrated north and west. Weaving together for the first time the histories of these black and white migrants, James Gregory traces their paths and experiences in a comprehensive new study that demonstrates how this regional diaspora reshaped America by "southernizing" communities and transforming important cultural and political institutions. Challenging the image of the migrants as helpless and poor, Gregory shows how both black and white southerners used their new surroundings to become agents of change. Combining personal stories with cultural, political, and demographic analysis, he argues that the migrants helped create both the modern civil rights movement and modern conservatism. They spurred changes in American religion, notably modern evangelical Protestantism, and in popular culture, including the development of blues, jazz, and country music. In a sweeping account that pioneers new understandings of the impact of mass migrations, Gregory recasts the history of twentieth-century America. He demonstrates that the southern diaspora was crucial to transformations in the relationship between American regions, in the politics of race and class, and in the roles of religion, the media, and culture.




Guide to Reference in Genealogy and Biography


Book Description

Profiling more than 1400 print and electronic sources, this book helps connect librarians and researchers to the most relevant sources of information in genealogy and biography.