File on Spratling
Author : William Spratling
Publisher :
Page : 266 pages
File Size : 29,73 MB
Release : 1967
Category : Art, American
ISBN :
Author : William Spratling
Publisher :
Page : 266 pages
File Size : 29,73 MB
Release : 1967
Category : Art, American
ISBN :
Author : Taylor D. Littleton
Publisher : LSU Press
Page : 346 pages
File Size : 49,77 MB
Release : 2014-09-10
Category : Art
ISBN : 0807156280
In this lavishly illustrated biography of silversmith and graphic artist William Spratling (1900--1967), Taylor D. Littleton reintroduces one of the most fascinating American expatriates of the early twentieth century. Best known for his revolutionary silver designs, Spratling influenced an entire generation of Mexican and American silversmiths and transformed the tiny village of Taxco into the "Florence of Mexico." Littleton widens the context of Spratling's popular reputation by examining the formative periods in his life and art that preceded his brilliant entrepreneurial experiment in the Las Delicias workshop in Taxco, which left a permanent mark on Mexico's artistic orientation and economic life. Spratling made a fortune manufacturing and designing silver, but his true life's work was to conserve, redeem, and interpret the ancient culture of his adopted country. He explained for North American audiences the paintings of Mexico's modern masters and earned distinction as a learned and early collector of pre-Columbian art. Spratling and his workshop gradually became a visible and culturally attractive link between a steady stream of notable American visitors and the country they wanted to see and experience. Spratling had the rare good fortune to witness his own reputation -- as one of the most admired Americans in Mexico -- assume legendary status before his death. William Spratling, His Life and Art vividly reconstructs this richly diverse life whose unique aesthetic legacy is but a part of its larger cultural achievement of profoundly influencing Americans' attitudes toward a civilization different from their own. In this lavishly illustrated biography of silversmith and graphic artist William Spratling (1900--1967), Taylor D. Littleton reintroduces one of the most fascinating American expatriates of the early twentieth century. Best known for his revolutionary silver designs, Spratling influenced an entire generation of Mexican and American silversmiths and transformed the tiny village of Taxco into the "Florence of Mexico." Littleton widens the context of Spratling's popular reputation by examining the formative periods in his life and art that preceded his brilliant entrepreneurial experiment in the Las Delicias workshop in Taxco, which left a permanent mark on Mexico's artistic orientation and economic life. Spratling made a fortune manufacturing and designing silver, but his true life's work was to conserve, redeem, and interpret the ancient culture of his adopted country. He explained for North American audiences the paintings of Mexico's modern masters and earned distinction as a learned and early collector of pre-Columbian art. Spratling and his workshop gradually became a visible and culturally attractive link between a steady stream of notable American visitors and the country they wanted to see and experience. Spratling had the rare good fortune to witness his own reputation -- as one of the most admired Americans in Mexico -- assume legendary status before his death. William Spratling, His Life and Art vividly reconstructs this richly diverse life whose unique aesthetic legacy is but a part of its larger cultural achievement of profoundly influencing Americans' attitudes toward a civilization different from their own.
Author : John Shelton Reed
Publisher : LSU Press
Page : 346 pages
File Size : 30,91 MB
Release : 2012-09-17
Category : History
ISBN : 0807147664
In the years following World War I, the New Orleans French Quarter attracted artists and writers with its low rents, faded charm, and colorful street life. By the 1920s Jackson Square had become the center of a vibrant if short-lived bohemia. A young William Faulkner and his roommate William Spratling, an artist who taught at Tulane University, resided among the "artful and crafty ones of the French Quarter." In Dixie Bohemia John Shelton Reed introduces Faulkner's circle of friends -- ranging from the distinguished Sherwood Anderson to a gender-bending Mardi Gras costume designer -- and brings to life the people and places of New Orleans in the Jazz Age. Reed begins with Faulkner and Spratling's self-published homage to their fellow bohemians, "Sherwood Anderson and Other Famous Creoles." The book contained 43 sketches of New Orleans artists, by Spratling, with captions and a short introduction by Faulkner. The title served as a rather obscure joke: Sherwood was not a Creole and neither were most of the people featured. But with Reed's commentary, these profiles serve as an entry into the world of artists and writers that dined on Decatur Street, attended masked balls, and blatantly ignored the Prohibition Act. These men and women also helped to establish New Orleans institutions such as the Double Dealer literary magazine, the Arts and Crafts Club, and Le Petit Theatre. But unlike most bohemias, the one in New Orleans existed as a whites-only affair. Though some of the bohemians were relatively progressive, and many employed African American material in their own work, few of them knew or cared about what was going on across town among the city's black intellectuals and artists. The positive developments from this French Quarter renaissance, however, attracted attention and visitors, inspiring the historic preservation and commercial revitalization that turned the area into a tourist destination. Predictably, this gentrification drove out many of the working artists and writers who had helped revive the area. As Reed points out, one resident who identified herself as an "artist" on the 1920 federal census gave her occupation in 1930 as "saleslady, real estate," reflecting the decline of an active artistic class. A charming and insightful glimpse into an era, Dixie Bohemia describes the writers, artists, poseurs, and hangers-on in the New Orleans art scene of the 1920s and illuminates how this dazzling world faded as quickly as it began.
Author : Susan Danly
Publisher : UNM Press
Page : 224 pages
File Size : 33,44 MB
Release : 2002
Category : Art
ISBN : 9780826328052
Provides a detailed look at the political and artistic climate in Mexican-American relations through an examination of the folk art collection amassed by Dwight and Elizabeth Morrow when he was U.S. ambassador to Mexico in the late 1920s.
Author : John Shelton Reed
Publisher : Routledge
Page : 321 pages
File Size : 38,64 MB
Release : 2017-07-12
Category : History
ISBN : 1351505238
For over three decades John Shelton Reed has been "minding" the South. He is the author or editor of thirteen books about the region. Despite his disclaimer concerning the formal study of Southern history, Reed has read widely and in depth about the South. His primary focus is upon Southerners' present-day culture, but he knows that one must approach the South historically in order to understand the place and its people. Why is the South so different from the rest of America? Rupert Vance, Reed's predecessor in sociology at Chapel Hill, once observed that the existence of the South is a triumph of history over geography and economics. The South has resisted being assimilated by the larger United States and has kept a personality that is distinctly its own. That is why Reed celebrates the South. The chapters in this book cover everything from great thinkers about the South—Eugene D. Genovese, C. Vann Woodward, M. E. Bradford—to the uniqueness of a region that was once a hotbed of racism, but has recently attracted hundreds of thousands of black people transplanted from the North. There are also chapters about Southerners who have devoted their talents to politics, soft drinks, rock and roll, and jewelry design. Reed writes with wit and Southern charm, never afraid to speak his mind, even when it comes to taking his beloved South to task. While readers may not share all his opinions, most will agree that John Shelton Reed is one of the best "South watchers" there is.
Author : Forrest D. Colburn
Publisher : Princeton University Press
Page : 155 pages
File Size : 40,75 MB
Release : 2018-06-05
Category : Political Science
ISBN : 0691187533
After decades of ideological struggle, much of it in the service of an elusive socialist ideal, Latin America has embraced liberalism--democracy and unfettered markets. But liberalism has triumphed more by default than through exuberance. The region's democracies are fragile and lethargic. Despite pronounced social inequality, widespread poverty, and other difficulties, the populace is not engaged in deep discussions about state and society. The end of ideological contests has dampened political conflict, but likewise lessened the sense of urgency for solving trenchant problems. Political fatigue and devotion to acquisition have smothered egalitarianism as even an ideal. There is an uneasy social indifference. Latin America at the End of Politics explores this period of circumscribed political passions through deft portrayals of crucial political, economic, social, and cultural issues: governance, entrepreneurs and markets, urban bias, poverty, the struggle for women's equality, consumerism, crime, environmental degradation, art, and migration of the poor. Discussions of these issues are enriched by the poignant narratives of emblematic individuals, many of whom are disoriented by the ideological void of the era. Forrest Colburn's highly original analysis draws on his deep scholarly and personal familiarity with Latin America. The collage of issues discussed, set in a provocative framework, offers a compelling interpretation of Latin America in the aftermath of the last century's ideological battles--and a way to begin to talk about the region's future.
Author : Jay Watson
Publisher : Univ. Press of Mississippi
Page : 290 pages
File Size : 43,60 MB
Release : 2015-06-25
Category : Literary Criticism
ISBN : 1496802284
The recent spatial turn in social theory and cultural studies opens up exciting new possibilities for the study of William Faulkner's literature. The fictional domains of Yoknapatawpha County and Jefferson, Mississippi, are not simply imagined communities but imaginative geographies of remarkable complexity and detail, as evidenced by the maps Faulkner created of his “apocryphal” county. Exploring the diverse functions of space in Faulkner's artistic vision, the eleven essays in Faulkner's Geographies delve deep into Yoknapatawpha but also reach beyond it to uncover unsuspected connections and flows linking local, regional, national, hemispheric, and global geographies in Faulkner's writings. Individual contributions examine the influence of the plantation as a land-use regime on Faulkner's imagination of north Mississippi's geography; the emergence of “micro-Souths” as a product of modern migratory patterns in the urban North of Faulkner's fiction; the enlistment of the author's work in the geopolitics of the cultural Cold War during the 1950s; the historical and literary affiliations between Faulkner's Deep South and Greater Mexico; the local and idiosyncratic as alternatives to region and nation; the unique intersection of regional and metropolitan geographies that Faulkner encountered as a novice writer immersed in the literary culture of New Orleans; the uses of feminist geography to trace the interplay of gender, space, and movement; and the circulation of Caribbean and “Black South” spaces and itineraries through Faulkner's masterpiece, Absalom, Absalom! By bringing new attention to the function of space, place, mapping, and movement in his literature, Faulkner's Geographies seeks to redraw the very boundaries of Faulkner studies.
Author : Taylor Littleton
Publisher : LSU Press
Page : 346 pages
File Size : 27,16 MB
Release : 2000
Category : Antiques & Collectibles
ISBN : 9780807125335
Spratling influenced an entire generation of Mexican and American silversmiths and transformed the tiny village of Taxco into the "Florence of Mexico." Littleton widens the context of Spratling's popular reputation by examining the formative periods in his life and art that preceded his brilliant entrepreneurial experiment in the Las Delicias workshop in Taxco, which left a permanent mark on Mexico's artistic orientation and economic life.".
Author : Max Putzel
Publisher : LSU Press
Page : 364 pages
File Size : 11,76 MB
Release : 1985-01-01
Category : Literary Criticism
ISBN : 9780807112052
Until recently most discussions of William Faulkner have centered exclusively on his novels. Yet no chronicle of Faulkner's Growth as a literary artist, perhaps America’s foremost in this century, can afford to overlook the years he spent struggling to establish himself as a writer of short stories. To trace in detail Faulkner's personal and artistic growth during the prolific years 1925-1931, when he was approaching artistic ripeness and earning belated recognition, has hitherto been impossible. There seemed to be no means of dating the innumerable drafts, the false starts and fumbling revisions, among the thousands of sheets left behind when he died in 1962. Max Putzel’s critical study of these crucial formative years fills this gap—assigning dates to the sketches and drafts of stories and relating them both to Faulkner’s jealously guarded private life and the several critical histories of the novels that have recently appeared. Putzel maintains there is a necessary, a “symbiotic” relation between the novels and the stories. He also finds that the short story form Faulkner found so hard to master liberated a lyrical power that had been stifled during his confused dilettante period as a poet in a provincial southern town. Yet his turbulent, ambivalent feelings about that town and its inhabitants were essential to his development, however slowly and reluctantly he surrendered to their benign influence—the genius of his homeplace. Faulkner also was sensitive to the monumental revolutionary changes, even the trivial fads and foibles, of his own time—the changes that swept the world outside of Oxford, Mississippi, after the Great War he so regretted having missed. Faulkner’s maturing vision of man, history, and class and caste relations was affected by Einstein’s theory of relativity, Freud’s probing into the hidden wellsprings of human behavior, Eliot’s borrowings from anthropology, Joyce’s new rhetoric, Diaghilev’s eclecticism, Picasso’s ventures in cubism and classicism---not to mention the Treaty of Versailles, Prohibition, jazz, free love, free spending, gang violence, false prosperity, the crash, and the depression. These factors also helped shape a style capable of evoking passion and tenderness, anger and laughter, and every intermediate shade of feeling---a style demanding the creative effort of readers. Genius of Place takes all this into account while seeking to determine what is likely to endure and reward future readers of works like “Carcassonne” and The Sound and the Fury, the Snopes trilogy and As I Lay Dying, “Dry September” and Sanctuary.
Author : Annette Trefzer
Publisher : Univ. Press of Mississippi
Page : 319 pages
File Size : 30,6 MB
Release : 2010-11-12
Category : Literary Collections
ISBN : 1628468653
William Faulkner grew up and began his writing career during a time of great cultural upheaval, especially in the realm of sexuality, where every normative notion of identity and relationship was being re-examined. Not only does Faulkner explore multiple versions of sexuality throughout his work, but he also studies the sexual dimension of various social, economic, and aesthetic concerns. In Faulkner's Sexualities, contributors query Faulkner's life and fiction in terms of sexual identity, sexual politics, and the ways in which such concerns affect his aesthetics. Given the frequent play with sexual norms and practices, how does Faulkner's fiction constitute the sexual subject in relation to the dynamics of the body, language, and culture? In what ways does Faulkner participate in discourses of masculinity and femininity, desire and reproduction, heterosexuality and homosexuality? In what ways are these discourses bound up with representations of race and ethnicity, modernity and ideology, region and nation? In what ways do his texts touch on questions concerning the racialization of categories of gender within colonial and dominant metropolitan discourses and power relations? Is there a southern sexuality? This volume wrestles with these questions and relates them to theories of race, gender, and sexuality.