Radical Republicanism


Book Description

Republicanism is a powerful resource for emancipatory struggles against domination. Its commitment to popular sovereignty subverts justifications of authority, locating power in the hands of the citizenry who hold the capacity to create, transform, and maintain their political institutions. Republicanism's conception of freedom rejects social, political, and economic structures subordinating citizens to any uncontrolled power - from capitalism and wage-labour to patriarchy and imperialism. It views any such domination as inimical to republican freedom. Moreover, it combines a revolutionary commitment to overturning despotic and tyrannical regimes with the creation of political and economic institutions that realise the sovereignty of all citizens, institutions that are resilient to threats of oligarchical control. This volume is dedicated to retrieving and developing this radical potential, challenging the more conventional moderate conceptions of republicanism. It brings together scholars at the forefront of tracing this radical heritage of the republican tradition, and developing arguments, texts, and practices into a critical and emancipatory body of political and social thought. The volume spans historical discussions of the English Levellers, French and Ottoman revolutionaries, and American abolitionists and trade unionists; explorations of the radical republican aspects of the thought of Machiavelli, Marx, and Rousseau; and theoretical examinations of social domination and popular constitutionalism. It will appeal to political theorists, historians of political thought, and political activists interested in how republicanism provides a robust and successful radical transformation to existing social and political orders.




From Buonarroti to Bakunin


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The Scarith of Scornello


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"As recounted here by Ingrid D. Rowland, Curzio preyed on the Italian fixation with ancestry to forge an array of ancient Latin and Etruscan documents. For authenticity's sake, he stashed the counterfeit treasure in scarith (capsules made of hair and mud) near Scornello. To the seventeenth-century Tuscans who were so eager to establish proof of their heritage and history, the scarith symbolized a link to the prestigious culture of their past. But because none of these proud Italians could actually read the ancient Etruscan language, they couldn't know for certain that the documents were frauds. The Scarith of Scornello traces the career of this young scam artist whose "discoveries" reached the Vatican shortly after Galileo was condemned by the Inquisition, inspiring participants on both sides of the affair to clash again - this time over Etruscan history."--BOOK JACKET.




A Concise History of Italy


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A concise history of Italy from the fall of the Roman empire in the west to the present day.




Etruscan Life and Afterlife


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The lively ferment in Etruscan studies, generated in part by recent archaeological discoveries and fostered by new trends in interpretation, has produced a wealth of information about the people historians traditionally considered as inaccessible. Now, scholars are reconstructing a portrait of the wealthy, sophisticated Etruscans whose territory once extended from the Po River to the Bay of Naples. Unfortunately, the wider English-speaking public has had no single resource which synthesizes these new findings and interpretations about the Etruscans. In fact, some sources continue to propagate the traditional myth of the "enigmatic and isolated Etruscans." In response, the eminent Etruscan scholar Larissa Bonfante asked seven other internationally known classicists to join her in providing this "handbook" for the non-specialist as an authoritative and readable guide to the burgeoning Etruscan scholarship. As Bonfante explains in the introductory chapter, "The Etruscans provide an excellent opportunity of turning archaeology into history: this we tried to do, in our chapters, according to our individual directions. Nancy Thomson de Grummond traces the interest in and knowledge of the Etruscans from the earliest days. Mario Torelli provides an independent account of Etruscan history, based on monuments and sources. Jean MacIntosh Turfa belies the cliche of the Etruscans' traditional 'isolation' by surveying the material evidence for their trade with the Phoenicians, Greeks, and other neighbors in the Mediterranean. Marie-Fran'oise Briguet, Friedhelm Prayon, David Tripp, and I survey Etruscan art, architecture, coinage, and daily lives, respectively, Emeline Richardson contributes what she calls a 'primer' in the Etruscan language, a basic archaeological introduction to the Etruscan language, meant to help newcomers read the inscriptions on many of the monuments illustrated and to see these with the interdisciplinary approach so characteristic of, and necessary in, Etruscan studies." The book is profusely illustrated with over 300 photos and maps. Notes and bibliographic references lead to standard texts on the Etruscans and to the more specialized literature in the field. The result is a reliable and lively volume which brings readers into the mainstream of the latest Etruscan scholarship.




Sweetness and Strength


Book Description

First published in 1998, this volume explores the reinvention of Michelangelo in the Victorian era. At the opening of the nineteenth century, Michelangelo’s reputation rested on the evidence of contemporary adulation recorded by Vasari and Condivi. Travel, photography, the shift of his drawings into public collections, and, in particular, the publication of his poems in their original form, transformed this situation. The complexity of his work commanded new attention and several biographies were published. As public curiosity and knowledge of the artist increased, so various groups began to ally themselves to aspects of Michelangelo’s persona. His Renaissance reputation as a towering genius, a man of great spiritual courage, who had journeyed through and for his art to the depths of despair, was important to the Pre-Raphaelites and other artists. His love for his own ‘Dark Lady’, Vittoria Colonna, aroused excited speculation among High Church advocates, who celebrated his friendship with the deeply religious woman-poet; and the emerging awareness that some half of his love poetry was dedicated to a younger man, Tommaso de’ Cavalieri, was of intense interest to the aestheticists, among them Oscar Wilde, Walter Pater and J.A. Symonds, who sought heroic figures from societies where masculinity was less rigorously defined. In this original and beautifully illustrated study, Lene Østermark-Johansen shows how the critical discussion of the artist’s genius and work became irretrievably bound up in contemporary debates about art, religion and gender and how the Romantic view of art and criticism as self-expression turned the focus from the work of art to the artist himself such that the two could never again be viewed in isolation.




The Last Revolutionaries


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The story of a poor man and radical activist who fought to revive the French Revolution, and whose failure heralded the republic's defeat "Very much a book for our times. Mason's retelling of the trial of Gracchus Babeuf and the French Revolution shows how democracies end. Historians of revolutions and all those concerned with the arc of social justice movements have much to learn from this remarkable story."--Sophia Rosenfeld, University of Pennsylvania Laura Mason tells a new story about the French Revolution by exploring the trial of Gracchus Babeuf. Named by Karl Marx and Friedrich Engels as the "first modern communist," Babeuf was a poor man, an autodidact, and an activist accused of conspiring to reignite the Revolution and renew political terror. In one of the lengthiest and most controversial trials of the revolutionary decade, Babeuf and his allies defended political liberty and social equality against a regime they accused of tyranny. Mason refracts national political life through Babeuf's trial to reveal how this explosive event destabilized a fragile republic. Although the French Revolution is celebrated as a founding moment of modern representative government, this book reminds us that the experiment failed in just ten years. Mason explains how an elected government's assault on popular democracy and social justice destroyed the republic, and why that matters now.




Medals and Plaquettes in the Ulrich Middeldorf Collection at the Indiana University Art Museum


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Spanning six centuries and seven countries, the Middeldorf Collection--assembled by the late eminent art historian Ulrich Middeldorf--provides an extraordinary overview of major personalities and of political, social, cultural, and religious events as depicted in more than 350 medals and plaquettes. Illustrated in full color and accompanied by extensive documentation are commemorations of kings, queens, emperors, poets, composers, physicians, artists, inventors, popes, cardinals, and bishops. Papal annual and jubilee medals and delightful French reliefs from the Belle Époque complement medals from the eras of Louis XIV and XV, Napoleon, and the Risorgimento. Highlights of the collection are Italian medals from the 17th century and later--periods that until recently have received little scholarly attention.




Risorgimento in Exile


Book Description

Exile represented a fundamental experience in shaping Italian national identity. This book investigates the contribution of the Italian exile community in Europe and Latin America in the post Napoleonic era to imagining a new Italian political and economic community. By looking at the writings of such exiles, the book challenges recent historiography regarding the lack of genuine liberal culture in the Risorgimento. It argues that these émigrés' involvement in debates with British, continental, and American intellectuals, points to the emergence of liberalism and Romanticism as international ideologies shared by a community of patriots from Southern Europe as well as Latin America, and demonstrates that the Risorgimento first developed as a variation upon such global trends.




Political Parties


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