Filling the Hole in the Nuclear Future


Book Description

Filling the Hole in the Nuclear Future presents an international collaboration of scholars and artists who examine multiple reactions of popular culture and the arts to the advent of nuclear weapons. Featuring both contemporary works of scholarship in several fields and works of contemporary artists grappling with what nuclear weapons have wrought, side by side, including Spencer Weart's updating of his classic book, Nuclear Fear.




Art and Activism in the Nuclear Age


Book Description

This book explores the contemporary legacy of Hiroshima and Nagasaki following the passage of three quarters of a century, and the role of art and activism in maintaining a critical perspective on the dangers of the nuclear age. It closely interrogates the political and cultural shifts that have accompanied the transition to a nuclearised world. Beginning with the contemporary socio-political and cultural interpretations of the impact and legacy of the destruction of Hiroshima and Nagasaki, the chapters examine the challenges posed by committed opponents in the cultural and activist fields to the ongoing development of nuclear weapons and the expanding industrial uses of nuclear power. It explores how the aphorism that "all art is political" is borne out in the close relation between art and activism. This multi-disciplinary approach to the socio-political and cultural exploration of nuclear energy in relation to Hiroshima/Nagasaki via the arts will be of interest to students and scholars of peace and conflict studies, social political and cultural studies, fine arts, and art and aesthetic studies.




The Rise of Nuclear Fear


Book Description

After a tsunami destroyed the cooling system at Japan's Fukushima Nuclear Power Plant, triggering a meltdown, protesters around the world challenged the use of nuclear power. Germany announced it would close its plants by 2022. Although the ills of fossil fuels are better understood than ever, the threat of climate change has never aroused the same visceral dread or swift action. Spencer Weart dissects this paradox, demonstrating that a powerful web of images surrounding nuclear energy holds us captive, allowing fear, rather than facts, to drive our thinking and public policy. Building on his classic, Nuclear Fear, Weart follows nuclear imagery from its origins in the symbolism of medieval alchemy to its appearance in film and fiction. Long before nuclear fission was discovered, fantasies of the destroyed planet, the transforming ray, and the white city of the future took root in the popular imagination. At the turn of the twentieth century when limited facts about radioactivity became known, they produced a blurred picture upon which scientists and the public projected their hopes and fears. These fears were magnified during the Cold War, when mushroom clouds no longer needed to be imagined; they appeared on the evening news. Weart examines nuclear anxiety in sources as diverse as Alain Resnais's film Hiroshima Mon Amour, Cormac McCarthy's novel The Road, and the television show The Simpsons. Recognizing how much we remain in thrall to these setpieces of the imagination, Weart hopes, will help us resist manipulation from both sides of the nuclear debate.




Neonationalist Mythology in Postwar Japan


Book Description

Radhabinod Pal was an Indian jurist who achieved international fame as the judge representing India at the Tokyo War Crimes Tribunal and dissented from the majority opinion, holding that all Japanese “Class A” war criminals were not guilty of any of the charges brought against them. In postwar Japanese politics, right-wing polemicists have repeatedly utilized his dissenting judgment in their political propaganda aimed at refuting the Tokyo trial’s majority judgment and justifying Japan’s aggression, gradually elevating this controversial lawyer from India to a national symbol of historical revisionism. Many questions have been raised about how to appropriately assess Pal’s dissenting judgment and Pal himself. Were the arguments in Pal’s judgment sound? Why did he submit such a bold dissenting opinion? What was the political context? More fundamentally, why and how did the Allies ever nominate such a lawyer as a judge for a tribunal of such great political importance? How should his dissent be situated within the context of modern Asian history and the development of international criminal justice? What social and political circumstances in Japan thrust him into such a prominent position? Many of these questions remain unanswered, while some have been misinterpreted. This book proposes answers to many of them and presents a critique of the persistent revisionist denial of war responsibility in the Japanese postwar right-wing movement.




Heritage Politics


Book Description

Heritage Politics: Shuri Castle and Okinawa's Incorporation into Modern Japan, 1879–2000 is a study of Okinawa’s incorporation into a subordinate position in the Japanese nation-state, and the role that cultural heritage, especially Okinawa’s iconic Shuri Castle, plays in creating, maintaining, and negotiating that position. Tze May Loo argues that Okinawa’s cultural heritage has been – and continues to be – an important tool with which the Japanese state and its agents, the United States during its 27-year rule of the islands (1945–1972), and the Okinawan people articulated and negotiated Okinawa’s relationship with the Japanese nation state. For these three groups, Okinawa’s cultural heritage was a powerful way to utilize the symbolism of material objects to manage and represent the islands’ cultural past for their own political aims. The Japanese state, its agents, and American authorities have all sought to use Okinawa’s cultural heritage to control, discipline, and subordinate Okinawa. For Okinawans, their cultural heritage gave them a powerful way to resist Japanese and American rule, and to negotiate for a more equitable position for themselves. At the same time, however, this book finds that Okinawan strategies to deploy their cultural heritage politically are deeply intertwined with, and to a significant extent enabled by, precisely these Japanese and American attempts to govern Okinawa through its heritage. This examination of the political role of Okinawa’s cultural heritage is a window into a wider process of how nation-states and other political formations make themselves thinkable to the people they rule, how the ruled seek out spaces to make claims of their own, and how cultural pasts, once made usable, are implicated in these processes.




Fusing Lab and Gallery


Book Description

Why do Japanese artists team up with engineers in order to create so-called »Device Art«? What is a nanoscientist's motivation in approaching the artworld? In the past few years, there has been a remarkable increase in attempts to foster the exchange between art, technology, and science - an exchange taking place in academies, museums, or even in research laboratories. Media art has proven especially important in the dialogue between these cultural fields. This book is a contribution to the current debate on »art & science«, interdisciplinarity, and the discourse of innovation. It critically assesses artistic positions that appear as the ongoing attempt to localize art's position within technological and societal change - between now and the future.




Radicalism, Revolution, and Reform in Modern China


Book Description

This volume illuminates the relationship of China's radical past to its reformist present as China makes a way forward through very differently conceived and contested visions of the future. In the context of early twenty-first century problems and the failures of global capitalism, is China's history of revolutionary socialism an aberration that is soon to be forgotten, or can it serve as a resource for creating a more fully human and radically democratic China with implications for all of us? Ranging from the early years of China's revolutionary twentieth-century to the present, the essays collected here look at the past and present of China with a view toward better understanding the ideas, ideals, and people who have dared to imagine radical transformation of their worlds and to assess the conceptual, political, and social limitations of these visions and their implementations. The volume's chapters focus on these issues from a range of vantage points, representing a spectrum of current scholarship. The first half of the book brings new insights to understanding how early-twentieth century intellectuals interpreted ideas that allowed them to break with China's past and to envision new paths to a modern future. It treats of Chen Duxiu, a founder of the Communist party, Mao Zedong, and Mao in relation to the non-Communist Liang Shuming and with the Dalai Lama. With continuing threads of nation and nationalities, of peasants, utopias and dystopias linking the chapters, the book's second half looks broadly at the consequences of the implementations of radical ideas, at the same time critiquing our accepted frameworks of analysis. Moving up to the present, the book investigates the effects of the reforms since the 1980s on long-term environmental degradation and on the emergence of a capitalist rural economy. It gives an unsparing view into contemporary rural China through independent films. The book concludes with an analysis of the unshakable persistence of the shibboleth, 'the rise of China,' in popular and academic imagination and argues for the importance instead of taking seriously the twentieth-century history of radicalism in China and its significance for understanding China's present and its future potentials.




Death in modern theatre


Book Description

This book analyses representations of death and dying in modern Western theatre from the late nineteenth century onward, examining how and why historically informed conceptions of mortality are dramatized and staged.




Refining Nature in Modern Japanese Literature


Book Description

This book examines the literature of Shiga Naoya, who is highly regarded in modern Japan for his unique style and methods of describing his personal experiences and emotions. Contributing new findings to the field of scholarship on Shiga, this study focuses in particular on Shiga’s nature-inspired writings and discusses how he created some vivid images of nature that became famous and still linger in Japanese people’s minds. Shiga’s remarkable sensitivity toward nature and the influences he received from earlier writers in Japan and abroad is examined. The complexity and depth of his understanding of nature is further revealed in his fascination with the supernatural, which also contributed to the creation of his literary style.




The "other" Karen in Myanmar


Book Description

This book is the first study to an offer insight into non-armed, non-insurgent members of ethnic groups that are associated with well-known armed organizations. It analyzes the nature of the relationships between the "quiet" minorities and their "rebel" counterparts and assesses how these intra-ethnic differences and divisions affect the armed resistance movement, negotiation with state authorities, conflict resolution, and political reform. This field-based study of the Karen in Burma also provides theoretical and policy implications for other ethnically polarized countries.