The International Film Business


Book Description

Examining the independent film sector as a business on an international scale, author Angus Finney addresses the specific skills and knowledge required to successfully navigate the international film business. Finney describes and analyses the present structure of the film industry as a business, with a specific focus on the film (and entertainment) value chain and takes readers through the status of current digital technology, exploring ways in which this is changing the structure and opportunities offered by the industry in the future. The textbook provides information and advice on the different business and management skills and strategies that students and emerging practitioners will need to effectively engage with the industry in an international context. Case studies of films and TV, including Squid Game (2021), Parasite (2019), Game of Thrones (2011-2019) and The Best Exotic Marigold Hotel (2011), are supplemented by company case studies on Redbus, Renaissance, Pixar, with additional new chapters focusing on Netflix, TikTok and the Metaverse. This third edition of The International Film Business includes up-to-date information on the status of the international film industry during and post COVID-19; expanded content looking at the TV industry and streaming services; new case studies and dedicated sections on the Streaming Wars and the Chinese Film Industry and a new chapter looking at the changes in digital production in the context of the global and territorial film and TV industry. Written for students of Film Business and emerging practitioners, this book will take readers through the successes and failures of a variety of real film companies and projects and features exclusive interviews with leading practitioners in all sectors of the industry, from production to exhibition.




The International Film Business


Book Description

The International Film Business examines the independent film sector as a business, and addresses the specific skills and knowledge it demands. It describes both the present state of the industry, the significant digital and social media developments that are continuing to take place, and what changes these might effect. The International Film Business: describes and analyses the present structure of the film industry as a business, with a specific focus on the film value chain discusses and analyses current digital technology and how it potentially may change the structure and opportunities offered by the industry in the future provides information and advice on the different business and management skills and strategies includes case studies on a variety of films including The Guard (2011), The King’s Speech (2010), The Best Exotic Marigold Hotel (2012), Cloverfield (2008), Pobby & Dingan (aka Opal Dream, 2005), Confessions of a Dangerous Mind (2002), The Reckoning (2002)and The Mother (2003), and company case studies on Pixar, Renaissance, Redbus and Zentropa. Further case studies on films that failed to go into production include Neil LaBute’s Vapor and Terry Gilliam’s Good Omens. Taking an entrepreneurial perspective on what future opportunities will be available to prepared and informed students and emerging practitioners, this text includes case studies that take students through the successes and failures of a variety of real film companies and projects and features exclusive interviews with leading practitioners in all sectors of the industry, from production to exhibition.




The Book of the International Film Poster


Book Description

Traces the growth of the posters from nineteenth-century circus and music-hall bills to the present day, considering the influences of various art movements.




International Film Musical


Book Description

A unique study of the film musical, a global cinema tradition.




International Film Festivals


Book Description

More than 5,000 film festivals take place globally and many of these have only been established in the last two decades. International Film Festivals collects the leading scholarship on this increasingly prominent phenomenon from both historical and contemporary perspectives, using diverse methods including archival research, interviews and surveys and drawing widely from fields like sociology, urban studies and film criticism to patent technology and history. With contributors from across the world and covering the major festivals - Cannes, Venice, Toronto, Berlin - as well as niche, genre and online film festivals, this book is an authoritative and exemplary guide to the evolution of these key sites for film distribution, exhibition and reception. Chapters unravel topics such as the relationship between corporations and festivals, the soft power function they can perform for their host nations and the changing identities of audiences on arrival at, and during exploration of, a given festival venue. Tricia Jenkins' edited volume reconceives the film festival for the global, digital age whilst drawing out its historic importance and ultimately makes a major intervention in film festival studies as well as film and cultural studies more widely.




Film


Book Description

"Technological advances and regulatory changes have created both investment opportunity and challenge for participants in today's international capital markets. The existence and use of diverse international accounting procedures poses one such challenge: How can analysts determine the true investment value of global firms?" "This issue and related concerns are thoroughly examined in International Capital Markets in a World of Accounting Differences. Inside this thought-provoking volume, financial practitioners and scholars debate the impact of international accounting differences (accounting measurement rules, financial disclosure requirements, and/or differences in auditing standards) on decision-making in today's capital markets." "You'll find insightful analyses of such topics as international GAAP differences and their effects on firms; accounting differences and securities markets regulations; international regulatory initiatives; and policy alternatives and strategic options for minimizing global accounting diversity." "Concerns about the effect of accounting diversity on capital markets have sparked a renewed interest in harmonizing accounting and reporting standards worldwide. International Capital Markets in a World of Accounting Differences challenges and analyzes the validity of these concerns and offers strategic alternatives for making more informed decisions in the world's capital markets."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




Women in the International Film Industry


Book Description

The chapter Experiencing Male Dominance in Swedish Film Production” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.




The International Movie Industry


Book Description

A comprehensive history of the international movie industry during the 20th century. Essays examine the film industries of 19 countries focusing on individual national movie industries' economic, social, aesthetic, technological and political/ideological development within an international context.




The Women's Companion to International Film


Book Description

Includes short entries for actresses, genres, studios and topics.