Firebreaks: Poems


Book Description

A follow-up to the critically acclaimed Jam Tree Gully, Firebreaks records life and ecology in Western Australia. Known for a poetry both experimental, “activist,” and lyrical that reinvents the pastoral, John Kinsella considers his and his family’s life at Jam Tree Gully, in the Western Australian wheatbelt, and his deeply felt ecological concerns in this new cycle of poems about place, landscape, home, and absence. Part One, “Internal Exile,” explores issues of departure and return as well as alienation in Jam Tree Gully. Part Two, “Inside Out,” reevaluates how Kinsella and his family deal with ideas of “space” and proximity while also looking out into the wider world. How do we read an ecology as refuge? What lines of communication with the outside world need to be kept open? As Paul Kane observed in World Literature Today, “In Kinsella’s poetry . . . are lands marked by isolation and mundane violence and by a terrible transcendent beauty.”




Firebreak


Book Description

One young woman faces down an all-powerful corporation in this “profound…resonant” (NPR), all-too-near future science fiction debut that reads like a refreshing take on Ready Player One, with a heavy dose of Black Mirror. Ready Player One meets Cyperpunk 2077 in this eerily familiar future. “Twenty minutes to power curfew, and my kill counter’s stalled at eight hundred eighty-seven while I’ve been standing here like an idiot. My health bar is flashing ominously, but I’m down to four heal patches, and I have to be smart.” New Liberty City, 2134. Two corporations have replaced the US, splitting the country’s remaining forty-five states (five have been submerged under the ocean) between them: Stellaxis Innovations and Greenleaf. There are nine supercities within the continental US, and New Liberty City is the only amalgamated city split between the two megacorps, and thus at a perpetual state of civil war as the feeds broadcast the atrocities committed by each side. Here, Mallory streams Stellaxis’s wargame, SecOps on BestLife, spending more time jacked in than in the world just to eke out a hardscrabble living from tips. When a chance encounter with one of the game’s rare super-soldiers leads to a side job for Mal—looking to link an actual missing girl to one of the SecOps characters. Mal’s sudden burst in online fame rivals her deepening fear of what she is uncovering about BestLife’s developer, and puts her in the kind of danger she’s only experienced through her avatar. Author Kornher-Stace’s adult science fiction debut—Firebreak—is a “fight song in praise of fierce friendship and the strength to endure” (Amal El-Mohtar, Hugo and Nebula Award–winning author of This Is How You Lose the Time War) loaded with ambitious challenges and a city to save.




Chicago's Great Fire


Book Description

A definitive chronicle of the 1871 Chicago Fire as remembered by those who experienced it—from the author of Chicago and the American Literary Imagination. Over three days in October, 1871, much of Chicago, Illinois, was destroyed by one of the most legendary urban fires in history. Incorporated as a city in 1837, Chicago had grown at a breathtaking pace in the intervening decades—and much of the hastily-built city was made of wood. Starting in Catherine and Patrick O’Leary’s barn, the Fire quickly grew out of control, twice jumping branches of the Chicago River on its relentless path through the city’s three divisions. While the death toll was miraculously low, nearly a third of Chicago residents were left homeless and more were instantly unemployed. This popular history of the Great Chicago Fire approaches the subject through the memories of those who experienced it. Chicago historian Carl Smith builds the story around memorable characters, both known to history and unknown, including the likes of General Philip Sheridan and Robert Todd Lincoln. Smith chronicles the city’s rapid growth and its place in America’s post-Civil War expansion. The dramatic story of the fire—revealing human nature in all its guises—became one of equally remarkable renewal, as Chicago quickly rose back up from the ashes thanks to local determination and the world’s generosity. As we approach the fire’s 150th anniversary, Carl Smith’s compelling narrative at last gives this epic event its full and proper place in our national chronicle. “The best book ever written about the fire, a work of deep scholarship by Carl Smith that reads with the forceful narrative of a fine novel. It puts the fire and its aftermath in historical, political and social context. It’s a revelatory pleasure to read.” —Chicago Tribune




Modern American Poetry and the Architectural Imagination


Book Description

Modern American Poetry and the Architectural Imagination: The Harmony of Forms assesses the relationship between architectural and poetic innovation in the United States across the twentieth century. Taking the work of five key poets as case studies and drawing on the work of a rich range of other writers, architects, artists, and commentators, this study proposes that by examining the sustained and productive—if hitherto overlooked—engagement between the two disciplines, we enrich our understanding of the complexity and interrelationship of both. The book begins by tracing the rise of what was conceived of as 'modern' (and often 'international style') architecture and by showing how poetry and architecture in the early decades of the century developed in dialogue, and within a shared, and often transnational, context. It then moves on to examine the material, aesthetic, and social conditions that helped shape both disciplines, offering new readings of familiar poems and bringing other pertinent resources to light. It considers the uses to which poets of the period put the insights of architecture—and vice versa. In closing, Gill turns to modern and contemporary architects' written accounts of their own practice, in memoirs and other commentaries, and examines how they have assimilated, or resisted, the practice and vision of poetry.




Contemporary Poets


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Rokeby; a poem


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Placing Poetry


Book Description

The essays in this volume present a thorough re-evaluation of the idea of place for the twenty-first century, linking across theoretical interests in space and spatialisation and in motion and mobility. ‘Placing’ becomes an active process that happens in different parts of the world, and there is work here from the countries of the United Kingdom, from Ireland, the USA, Australia and mainland Europe. Placing also happens in different contexts, in the Production of visual images, in translation, in performance and in poetry that is both ‘there’ and ‘here’. The range of poets under consideration matches the breadth of the range of the Contributors. International in scope, and drawn from a variety of practices and processes, their combination in a single volume leads to unusual connections and new readings of their work.




Selected Poems: 1968-1998 (p)


Book Description

Selected Poems, 1968-1998, represents thirty years of John Wood's work, offering his readers a most comprehensive view of an unusual mind and spirit that is at once eloquent and humorous. In poems that range from narratives, lyrics, and elegies, to odes, satires, and even a mini-epic, his work whips language into intense emotion. The prospering genius of these poems is that they seek not so much to redeem or reclaim what is lost, but to redirect perspectives with a generous sweep of possibilities.




Poems


Book Description




Unpacking Creativity for Language Teaching


Book Description

Before unlocking creativity, we must first unpack what it means. In this book, creativity is unravelled from various perspectives and the relevance for language teaching and learning is explored. Tin offers a coherent discussion of creativity, adopting an inclusive and integrated but, at the same time, focused approach to creativity. Divided into 12 chapters, the book covers: A critical review of the way the term ‘creativity’ is used, defined and written about in various disciplines Various models and theories of creativity, the product- and process-oriented views of creativity and their relevance for language teaching Three pillars on which creative language pedagogy should be based Over 60 practical tasks, applying theoretical arguments and principles of creativity to language teaching and learning Based on the author’s own practice and research on creativity over the last two decades, the book provides exciting new ideas for scholars and practitioners interested in creativity and creative language pedagogy. The book serves as an important contribution for students, teachers and scholars in the field of applied linguistics, language teaching and education.