Folk Dancing


Book Description

This overview of folk dancing in the United States showcases an important historical movement and explains how folk dance communities evolved to fulfill the needs of specific groups of people over time. While the general term "folk dance" encompasses a surprising variety of specific dances, there are three major recreational communities or forms: international folk dance, modern western square dance, and contra dance. Throughout the last century, millions of people have enjoyed folk dancing as an educational and recreational activity, regardless of the particular style. Folk Dancing explains the reasons for the folk dance movement that exploded in Europe and North America in the late 19th century. It describes the clubs, camps, festivals, and communities that sprang up, and examines the culture of the movement—the music, key individuals and events, types of clothing, and influences of technologies and popular culture. The book contains authoritative, original information gleaned from the author's own research conducted with hundreds of folk dance enthusiasts across America.




Folk Dances and Games


Book Description

Excerpt from Folk Dances and Games Professor Frederick Peterson of Columbia University, well known as a nerve specialist writes: "The dance seems to fulfill every requisite of an ideal exercise - the practical use of all the muscles, the acme of pleasurable emotion, and the satisfaction of the esthetic sense." This is true of the folk dances. They are the ideal natural form of exercise. Moreover, they are simple, pretty and enjoyable and give body control as nothing else does. The need of the many good things derived from this form of physical exercise has existed for many years. With the recognition of the need, there has come a demand for an authoritative hand-book prepared with particular reference to the schools. There has been no such book in existence in the English language. The present book was prepared to supply that need. Miss Crawford, the author, has made a special study of folk dancing for many years. She taught the subject to teachers at Chicago University and now has charge of the same work at Teachers College in Columbia University. Her students have gone out to summer schools to spread the good work. All this has intensified the call for such a book as this, which the publishers issue in the hope that it will serve to enrich the lives of the children whose welfare and happiness were kept in mind in the preparation of it. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Balkan Fascination


Book Description

Divi Zheni identifies itself as a Bulgarian women's chorus and band, but it is located in Boston and none of its members come from Bulgaria. Zlatne Uste is one of the most popular purveyors of Balkan music in America, yet the name of the band is grammatically incorrect. The members of Sviraci hail from western Massachusetts, upstate New York, and southern Vermont, but play tamburica music on traditional instruments. Curiously, thousands of Americans not only participate in traditional music and dance from the Balkans, but in fact structure their social practices around it without having any other ties to the region. In Balkan Fascination, ethnomusicologist Mirjana Lausevic, a native of the Balkans, investigates this remarkable phenomenon to explore why so many Americans actively participate in specific Balkan cultural practices to which they have no familial or ethnic connection. Going beyond traditional interpretations, she challenges the notion that participation in Balkan culture in North America is merely a specialized offshoot of the 1960s American folk music scene. Instead, her exploration of the relationship between the stark sounds and lively dances of the Balkan region and the Americans who love them reveals that Balkan dance and music has much deeper roots in America's ideas about itself, its place in the world, and the place of the world's cultures in the American melting pot. Examining sources that span more than a century and come from both sides of the Atlantic, Lausevic shows that an affinity group's debt to historical movements and ideas, though largely unknown to its members, is vital in understanding how and why people make particular music and dance choices that substantially change their lives.




The Urban Folk Dancers


Book Description




The Folk Dance Book


Book Description

From the PREFACE. This book of folk dances is published for the sole purpose of placing in the hands of the teachers of the public schools and playgrounds in New York City a description and the appropriate music for the folk dances of the course of study and those which have been approved from time to time as good physical training procedure. No attempt is made to justify their use or the grading which is used, or suggested, nor is any scientific or theoretical end to be served by this collection. It is intended to be useful. All these dances have been used with success in this city and may be employed under like circumstances with the prospect of like success. This collection is the result of the earnest and efficient work of the teachers of physical training and the class teachers in the New York City schools, whose devoted efforts have developed folk dancing in its legitimate sphere to the great benefit and joy of many thousands of children. It is in recognition of their fundamental part in the development of this phase of physical training, and on their behalf, that this book is issued. From the INTRODUCTION. Folk dances have come to fill an important place in physical training. They range in character from the simple song play in which the accompanying action may be descriptive of some trade to the highly developed collection of movements which are not descriptive of anything in particular, save the pure joy of life in rhymthmic exercise. In varying degrees are found the elements of song, play, drama, and vigorous muscular work. For our purpose, it is necessary to make a careful choice of material, as many dances are very evidently inappropriate for scholastic and administrative reasons. Folk dances should serve only their legitimate purpose, viz: recreation and other results supposed to be derived from informal gymnastics. Of course, no one expects that the educational, corrective, and disciplinary results which we can best obtain from formal gymnastics, will ever be supplied by the folk dances, nor do we wish them to subserve the functions of athletics, athletic games, or even aesthetic dancing. They supply a charming addition to our physical training procedure and we can expect large results from their intelligent use.




Recreational Folk Dance


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Folk Dancing


Book Description