Folk Visions & Voices


Book Description

Sampling virtually all of the old-time styles within the musical traditions still extant in north Georgia, Folk Visions and Voices is a collection of eighty-two songs and instrumentals, enhanced by photographs, illustrations, biographical sketches of performers, and examples of their narratives, sermons, tales, and reminiscences.




Visions, Voices & Violence


Book Description

As a fictional memoir, Zahn Pesh tells the true story of a mentally disabled young man Billy, known affectionately as Vaney and Billys run-in with the San Francisco police. Often using Billy speak, the youths arcane lingo, the author reveals societys neglect and injustices toward such individuals. Wrongly, Billy is accused of making terrorist threats against a paramedic, but few other than Pesh believe the disabled kids story. Avoiding the blame game, Pesh shows how each from personal perspective does his duty, indiscriminately, but nonetheless Billy, or Vaney, suffers because the system fails. Billy is treated like a criminal, not as a patient, which Pesh insists he is. Try as he might, Pesh only meagerly reforms that system, before . . .







Nanci Griffith's Other Voices


Book Description

In a lively celebration of the contemporary folk music scene, Nanci Griffith tells the story of her music evolution and introduces the songwriters and performers who contributed to her Grammy Award-winning album, "Other Voices, Other Rooms" and her new album, "Other Voices, Too: A Trip Back to Bountiful". 100 photos.







Slave Songs of the Georgia Sea Islands


Book Description

A valuable collection of folk music and lore from the Gullah culture, Slave Songs of the Georgia Sea Islands preserves the rich traditions of slave descendants on the barrier islands of Georgia by interweaving their music with descriptions of their language, religious and social customs, and material culture. Collected over a period of nearly twenty-five years by Lydia Parrish, the sixty folk songs and attendant lore included in this book are evidence of antebellum traditions kept alive in the relatively isolated coastal regions of Georgia. Over the years, Parrish won the confidence of many of the African-American singers, not only collecting their songs but also discovering other elements of traditional culture that formed the context of those songs. When it was first published in 1942, Slave Songs of the Georgia Sea Islands contained much material that had not previously appeared in print. The songs are grouped in categories, including African survival songs; shout songs; ring-play, dance, and fiddle songs; and religious and work songs. In additions to the lyrics and melodies, Slave Songs includes Lydia Parrish's explanatory notes, character sketches of her informants, anecdotes, and a striking portfolio of photographs. Reproduced in its original oversized format, Slave Songs of the Georgia Sea Islands will inform and delight students and scholars of African-American culture and folklore as well as folk music enthusiasts.




Sacred and Profane


Book Description

A sustained critical assessment of southern folk art and self-taught art and artists




Traditional Anglo-American Folk Music


Book Description

Originally published in 1994. Filling a gap in the sound recordings of traditional Anglo-American folk music this volume covers both vocal and instrumental material from the 1920s to the 1990s. The listings have also been limited to performers native to the tradition rather than "revival" performers. The album selection is grouped into field recordings and commercial (pre-1942) recordings, with subdivisions into individual recordings or anthologies. The discography not only reflects its author’s in-depth knowledge of Anglo-American folk music’s historical development but charts a valuable step forward in the evaluation, as well as select lissting, of available sound recordings.




Ethnomusicology


Book Description

Complementing Ethnomusicology: An Introduction, this volume of studies, written by world-acknowledged authorities, places the subject of ethnomusicology in historical and geographical perspective. Part I deals with the intellectual trends that contributed to the birth of the discipline in the period before World War II. Organized by national schools of scholarship, the influence of 19th-century anthropological theories on the new field of "comparative musicology" is described. In the second half of the book, regional experts provide detailed reviews by geographical areas of the current state of ethnomusicological research.




Wake Up Dead Man


Book Description

Making it in Hell, says Bruce Jackson, is the spirit behind the sixty-five work songs gathered in this eloquent dispatch from a brutal era of prison life in the Deep South. Through engagingly documented song arrangements and profiles of their singers, Jackson shows how such pieces as "Hammer Ring," "Ration Blues," "Yellow Gal," and "Jody's Got My Wife and Gone" are like no other folk music forms: they are distinctly African in heritage, diminished in power and meaning outside their prison context, and used exclusively by black convicts. The songs helped workers through the rigors of cane cutting, logging, and cotton picking. Perhaps most important, they helped resolve the men's hopes and longings and allowed them a subtle outlet for grievances they could never voice when face-to-face with their jailers.