Author : Joseph Gallegly
Publisher : Walter de Gruyter GmbH & Co KG
Page : 288 pages
File Size : 43,93 MB
Release : 2020-05-18
Category : History
ISBN : 3112317548
No detailed description available for "Footlights on the Border".
Author : Jorge A. Huerta
Publisher : Cambridge University Press
Page : 226 pages
File Size : 25,43 MB
Release : 2000-11-16
Category : Drama
ISBN : 9780521778176
An accessible introduction for students and theatregoers of Chicano theatre, first published in 2000.
Author : J. A. Sokalski
Publisher : McGill-Queen's Press - MQUP
Page : 336 pages
File Size : 40,67 MB
Release : 2007
Category : Art
ISBN : 0773560297
Drawing together a wealth of primary sources, J.A. Sokalski examines the aims, inventions, and methods of the pictorial style that defined MacKaye's art. Sokalski shows how MacKaye's famous Madison Square Theatre, which featured a double stage reminiscent of an elevator, created whirling pictorial illusions for fashionable New York. He argues that MacKaye's infamous failure, the colossal Spectatorium theatre for the 1893 Chicago World's Fair, was the most complete realization of this illusionary aesthetic. Sokalski also explores MacKaye's influence on Buffalo Bill Cody and how civil war cycloramas expanded his concept of pictorial space.
Author : Cecilia Josephine Aragón
Publisher : Routledge
Page : 230 pages
File Size : 35,4 MB
Release : 2022-03-03
Category : Performing Arts
ISBN : 1000533824
This book chronicles the child performer as part of the Chicana/o/Mexican-American theatre experience. Borderlands Children’s Theatre explores the phenomenon of the Chicana/o/Mexican-American child performer at the center of Chicana/o and Latina/o theatre culture. Drawing from historical and contemporary theatrical traditions to finally the emergence of Latina/o Youth Theatre and Latina/o Theatre for Young Audiences, it raises crucial questions about the role of the child in these performative contexts and about how childhood and adolescence was experienced and understood. Analyzing contemporary plays for Chicana/o/Mexican-American child performer, it introduces theorizations of "performing mestizaje" and "border crossing" borderlands performance, gender, and ethnic identity and investigates theatre as a site in which children and youth have the opportunity to articulate their emerging selfhoods. This book adds to the national and international dialogue in theatre and gives voice to Chicana/o/Mexican-American children and youth and will be of great interest to students and scholars of Theatre studies and Latina/o studies.
Author : Jan Jones
Publisher : TCU Press
Page : 384 pages
File Size : 22,33 MB
Release : 2006
Category : History
ISBN : 9780875653181
"Jan Jones' volume on Fort Worth's theatrical heritage presents for the first time a comprehensive history of the showmen, performers, theaters, and events that shaped the city's histrionic fortunes in the nineteenth and twentieth centuries."--BOOK JACKET.
Author : William Everett
Publisher : Routledge
Page : 352 pages
File Size : 12,24 MB
Release : 2011-06-02
Category : Music
ISBN : 1135848068
The musical, whether on stage or screen, is undoubtedly one of the most recognizable musical genres, yet one of the most perplexing. What are its defining features? How does it negotiate multiple socio-cultural-economic spaces? Is it a popular tradition? Is it a commercial enterprise? Is it a sophisticated cultural product and signifier? This research guide includes more than 1,400 annotated entries related to the genre as it appears on stage and screen. It includes reference works, monographs, articles, anthologies, and websites related to the musical. Separate sections are devoted to sub-genres (such as operetta and megamusical), non-English language musical genres in the U.S., traditions outside the U.S., individual shows, creators, performers, and performance. The second edition reflects the notable increase in musical theater scholarship since 2000. In addition to printed materials, it includes multimedia and electronic resources.
Author : New York State College of Agriculture
Publisher :
Page : 1074 pages
File Size : 21,56 MB
Release : 1922
Category : Agriculture
ISBN :
Author : Ralph Albert Parlette
Publisher :
Page : 856 pages
File Size : 17,95 MB
Release : 1913
Category : Lectures and lecturing
ISBN :
Author : Sandra K. Sagala
Publisher : UNM Press
Page : 284 pages
File Size : 27,57 MB
Release : 2010-06-04
Category : Biography & Autobiography
ISBN : 0826344291
Between 1872 and 1886, before he achieved acclaim for his Wild West show, "Buffalo Bill" led a troupe of traveling actors known as a Combination across the country performing in frontier melodramas. Biographies of William Frederick Cody rarely address these fourteen rather obscure years when Cody honed the skills that would make him the world-renowned entertainer as he is now remembered. In this revision of her earlier book, Buffalo Bill, Actor, Sandra Sagala chronicles the decade and a half of Cody's life as he crisscrossed the country entertaining millions. She analyzes how the lessons he learned during those theatrical years helped shape his Wild West program, as well as Cody, the performer.
Author : Laura Isabel Serna
Publisher : Duke University Press
Page : 369 pages
File Size : 25,24 MB
Release : 2014-03-03
Category : Performing Arts
ISBN : 0822376792
In the 1920s, as American films came to dominate Mexico's cinemas, many of its cultural and political elites feared that this "Yanqui invasion" would turn Mexico into a cultural vassal of the United States. In Making Cinelandia, Laura Isabel Serna contends that Hollywood films were not simply tools of cultural imperialism. Instead, they offered Mexicans on both sides of the border an imaginative and crucial means of participating in global modernity, even as these films and their producers and distributors frequently displayed anti-Mexican bias. Before the Golden Age of Mexican cinema, Mexican audiences used their encounters with American films to construct a national film culture. Drawing on extensive archival research, Serna explores the popular experience of cinemagoing from the perspective of exhibitors, cinema workers, journalists, censors, and fans, showing how Mexican audiences actively engaged with American films to identify more deeply with Mexico.
