The Documentary History of Judaism and Its Recent Interpreters


Book Description

The result for the history of Judaism of a documentary reading of the Rabbinic canonical sources illustrates the working of that hypothesis. It is the first major outcome of that hypothesis, but there are other implications, and a variety of new problems emerge from time to time as the work proceeds. In the recent past, Neusner has continued to explore special problems of the documentary hypothesis of the Rabbinic canon. At the same time, Neusner notes, others join in the discussion that have produced important and ambitious analyses of the thesis and its implications. Here, Neuser has collected some of the more ambitious ventures into the hypothesis and its current recapitulations. Neusner begins with the article written by Professor William Scott Green for the Encyclopaedia Judaica second edition, as Green places the documentary hypothesis into the context of Neusner's entire oeuvre. Neuser then reproduces what he regards as the single most successful venture of the documentary hypothesis, contrasting between the Mishnah's and the Talmuds' programs for the social order of Israel, the doctrines of economics, politics, and philosophy set forth in those documents, respectively. Then come the two foci of discourse: Halakhah or normative law and Aggadah or normative theology. Professors Bernard Jackson of the University of Manchester, England and Mayer Gruber of Ben Gurion University of the Negev treat the Halakhic program that Neusner has devised, and Kevin Edgecomb of the University of California, Berkeley, has produced a remarkable summary of the theological system Neusner discerns in the Aggadic documents. Neusner concludes with a review of a book by a critic of the documentary hypothesis.




Three Questions of Formative Judaism


Book Description

The academic study of Judaism requires a systematic inquiry into the history, literature, and religion—and eventually the theology—as revealed in the historical documents themselves. Under this premise, Three Questions of Formative Judaism encounters the canonical writings of Judaism in the context of their creation at a certain time and place. How something is said thus becomes as important as what is said. Bringing nearly fifty years of research to bear on these fundamental questions, Jacob Neusner challenges his readers to face the difficult, often unasked or neglected questions about the nature, background, and purposes of Rabbinic Judaism and rewards them with an enriched understanding and a stronger foundation for tackling the even more elusive questions concerning the theology of formative Judaism. This publication has also been published in paperback, please click here for details.




Building Blocks of Rabbinic Tradition


Book Description

This book responds to a question that came to the author from Professor Maren Niehoff of the Hebrew University of Jerusalem: 'Have you written a simple introduction to your documentary theory and method, which can serve as a starting point for my students?' In this book are gathered eight of the more fundamental items of documentary theory and practice_three in theory, five in practice_for Professor Neihoff's students and anyone else who takes an interest in the formative history of Judaism. The documentary thesis of Rabbinic literature holds that the document_the Mishnah, Sifra, Lamentations, Rabbah, the Bavli, for example_forms the basic building block of the Rabbinic tradition. Excluded by that definition are sayings attributed to, and stories told about, named sages. These cannot serve in the reconstruction of the Rabbinic tradition, its literature, history, religion, and theology.







The Idea of History in Rabbinic Judaism


Book Description

History provides one way of marking time. But there are others, and the Judaism of the dual Torah, set forth in the Rabbinic literature from the Mishnah through the Talmud of Babylonia, ca. 200-600 C.E., defines one such alternative. This book tells the story of how a historical way of thinking about past, present, and future, time and eternity, the here and now in relationship to the ages, « that is, Scripture's way of thinking » gave way to another mode of thought altogether. This other model Neusner calls a paradigm, because a pattern imposed meaning and order on things that happened. Paradigmatic modes of thought took the place of historical ones. Thinking through paradigms, with a conception of time that elides past and present and removes all barriers between them, in fact governs the reception of Scripture in Judaism until nearly our own time. Neusner here explains through the single case of Rabbinic Judaism, precisely how that other way of reading Scripture did its work, and why, for so many centuries, that reading of the heritage of ancient Israel governed. At stake are [1] a conception of time different from the historical one and [2] premises on how to take the measure of time that form a legitimate alternative to those that define the foundations of the historical way of measuring time. Fully exposed, those alternative premises may prove as logical and compelling as the historical ones. The approach follows the documentary history of ideas, and individual chapters describe the treatment of historical topics in the Mishnah, the Talmud of the Land of Israel (a.k.a., the Yerushalmi), Genesis Rabbah, that is, ca. 200, 400, and 450 CE, and Pesiqta deRab Kahana, ca. 500 CE.




Rabbinic Narrative: A Documentary Perspective, Volume Four


Book Description

Each Rabbinic document, from the Mishnah through the Bavli, defines itself by a unique combination of indicative traits of rhetoric, topic, and particular logic that governs its coherent discourse. But narratives in the same canonical compilations do not conform to the documentary indicators that govern in these compilations, respectively. They form an anomaly for the documentary reading of the Rabbinic canon of the formative age. To remove that anomaly, this project classifies the types and forms of narratives and shows that particular documents exhibit distinctive preferences among those types. This detailed, systematic classification of Rabbinic narrative supplies these facts concerning the classification of narratives and their regularities: [1] what are the types and forms of narrative in a given document? [2] how are these distinctive types and forms of narrative distributed across the canonical documents of the formative age, the first six centuries C.E.? The answers for the documentary preferences are in Volumes One through Three, for the Mishnah-Tosefta, the Tannaite Midrash-compilations, and Rabbah-Midrash-compilations, respectively. Volume Four then sets forth the documentary history of each of the types of Rabbinic narrative, including the authentic narrative, the ma'aseh and the mashal. How the traits of the several types of narratives shift as the respective types move from document to document is spelled out in complete detail. This project opens an entirely new road toward the documentary analysis of Rabbinic narrative. It fills out an important chapter in the documentary hypothesis of the Rabbinic canon in the formative age.




Rabbinic Narrative: A Documentary Perspective, Volume Two


Book Description

Each Rabbinic document, from the Mishnah through the Bavli, defines itself by a unique combination of indicative traits of rhetoric, topic, and particular logic that governs its coherent discourse. But narratives in the same canonical compilations do not conform to the documentary indicators that govern in these compilations, respectively. They form an anomaly for the documentary reading of the Rabbinic canon of the formative age. To remove that anomaly, this project classifies the types and forms of narratives and shows that particular documents exhibit distinctive preferences among those types. This detailed, systematic classification of Rabbinic narrative supplies these facts concerning the classification of narratives and their regularities: [1] what are the types and forms of narrative in a given document? [2] how are these distinctive types and forms of narrative distributed across the canonical documents of the formative age, the first six centuries C.E.? The answers for the documentary preferences are in Volumes One through Three, for the Mishnah-Tosefta, the Tannaite Midrash-compilations, and Rabbah-Midrash-compilations, respectively. Volume Four then sets forth the documentary history of each of the types of Rabbinic narrative, including the authentic narrative, the ma'aseh and the mashal. How the traits of the several types of narratives shift as the respective types move from document to document is spelled out in complete detail. This project opens an entirely new road toward the documentary analysis of Rabbinic narrative. It fills out an important chapter in the documentary hypothesis of the Rabbinic canon in the formative age.







Rabbinic Narrative: A Documentary Perspective, Volume One


Book Description

Each Rabbinic document, from the Mishnah through the Bavli, defines itself by a unique combination of indicative traits of rhetoric, topic, and particular logic that governs its coherent discourse. But narratives in the same canonical compilations do not conform to the documentary indicators that govern in these compilations, respectively. They form an anomaly for the documentary reading of the Rabbinic canon of the formative age. To remove that anomaly, this project classifies the types and forms of narratives and shows that particular documents exhibit distinctive preferences among those types. This detailed, systematic classification of Rabbinic narrative supplies these facts concerning the classification of narratives and their regularities: [1] what are the types and forms of narrative in a given document? [2] how are these distinctive types and forms of narrative distributed across the canonical documents of the formative age, the first six centuries C.E.? The answers for the documentary preferences are in Volumes One through Three, for the Mishnah-Tosefta, the Tannaite Midrash-compilations, and Rabbah-Midrash-compilations, respectively. Volume Four then sets forth the documentary history of each of the types of Rabbinic narrative, including the authentic narrative, the ma'aseh and the mashal. How the traits of the several types of narratives shift as the respective types move from document to document is spelled out in complete detail. This project opens an entirely new road toward the documentary analysis of Rabbinic narrative. It fills out an important chapter in the documentary hypothesis of the Rabbinic canon in the formative age.