Four Arab American Plays


Book Description

Four Arab American Plays is the first published collection of plays by contemporary Arab American playwrights. Based on true stories from her life as the daughter of a Lebanese mother and American diplomat father, Leila Buck's ISite invites the audience on an intimate journey in search of identity, home, and the space in between. Jamil Khoury's drama Precious Stones boldly examines the Israeli-Palestinian conflict in the "safe" yet turbulent terrain of the American Diaspora. Yussef El Guindi's Our Enemies: Lively Scenes of Love and Combat is a darkly humorous and sensual look at identity, media-representation, love and lust in the Arab American community. In Lameece Issaq and Jacob Kader's Food and Fadwa, a Palestinian family living under occupation fights to hold onto their culture and traditions while still celebrating love, joy and hope. A preface by Arab American scholar Michael Malek Najjar and a new essay titled "Towards an Arab American Theatre Movement" by Silk Road Rising's artistic director, Jamil Khoury, concludes the book--a valuable expression of Arab American life and theatre in the United States. Instructors considering this book for use in a course may request an examination copy here.




Middle Eastern American Theatre


Book Description

Middle Eastern American Theatre explores the burgeoning Middle Eastern American theatre movement with a focus on Arab American, Jewish American, Armenian American, Iranian American, and Turkish American theatres, playwrights, directors, and actors. By exploring the rich religious and cultural heritage of this diverse group - which includes Arabs, Armenians, Iranians, Jews, and Turks - and religions that include the Baha'i faith, Christianity, Chaldean, Druze, Ishik Alevism, Judaism, Islam, Mandaeism, Samaratin, Shabakism, Yazidi, and Zoroastrianism - the rich and paradoxical nature of the term 'Middle Eastern' is interrogated through the dramas written and performed by those in the Diaspora. Featuring a clear introduction and examination of the context and the various push and pull factors that have contributed to the mass migrations to North America - including the so-called “Great Migration” of 1890-1915, the Armenian Genocide, the European Holocaust, the two world wars, the Israeli/Palestinian conflict, and other social and political conflicts. With chapters devoted to Arab American, Israeli American, Iranian American and Turkish American theatre, Middle Eastern American Theatre traces the history and examines the work of key artists and directors including Heather Raffo, Yussef El Guindi, Jamil Khoury, Mona Mansour, Danny Bryck, Ken Kaissar, Ari Roth, Torange Yeghiazarian, Reza Abdoh, Sedef Ecer, Torange Yeghiazarian, of Golden Thread Productions, and Jamil Khoury, of Silk Road Rising. The volume provides readers with a deeper and more nuanced understanding of millions of Middle Eastern Americans, and how they have contributed to American theatre today.




Sajjilu Arab American


Book Description

Both a summative description of the field and an exploration of new directions, this multidisciplinary reader addresses issues central to the fields of Arab American, US Muslim, and Southwest Asian and North African (SWANA) American studies. Taking a broad conception of the Americas, this collection simultaneously registers and critically reflects upon major themes in the field, including diaspora, migration, empire, race and racialization, securitization, and global South solidarity. The collection will be essential reading for scholars in Arab/SWANA American studies, Asian American studies, and race, ethnicity, and Indigenous studies, now and well into the future. Contributors include: Evelyn Alsultany, Carol W. N. Fadda, Hisham D. Aidi, Nadine Naber, Therí Pickens, Steven Salaita, Ella Shohat and Sarah M.A. Gualtieri.




Theater in the Middle East


Book Description

The collected essays from noteworthy dramatists and scholars in this book represent new ways of understanding theater in the Middle East not as geographical but transcultural spaces of performance. What distinguishes this book from previous works is that it offers new analysis on a range of theatrical practices across a region, by and large, ignored for the history of its dramatic traditions and cultures, and it does so by emphasizing diverse performances in changing contexts. Topics include Arab, Iranian, Israeli, diasporic theatres from pedagogical perspectives to reinvention of traditions, from translation practices to political resistance expressed in various performances from the nineteenth century to the present.




Arab American Drama, Film and Performance


Book Description

Beginning with early Arab American playwright, poet and novelist Kahlil Gibran and concluding with contemporary playwright Yussef El Guindi, this book provides an historical overview and critical analysis of the plays, films and performances of self-identified Arab Americans. Playwrights, filmmakers and performers covered include Ameen Fares Rihani, Danny Thomas, Heather Raffo, Ahmed Ahmed, Mona Mansour and Cherien Dabis. These artists, traditionally underrepresented in entertainment, publishing and academia, have created works that exemplify the burgeoning Arab American arts movement. By addressing cinema, stand-up comedy and solo performance, the author introduces audiences to contemporary genres that are shaping Arab American culture in the United States.




The Selected Works of Yussef El Guindi


Book Description

A prolific playwright in the US, Egyptian-American playwright Yussef El Guindi explores, through his dramatic work, the immigrant experience. Addressing the personal, political and social encounters of those trying to adapt to new western countries and cultures, his plays are conceived and shaped with intelligence, sensibility and humour. This collection brings together works that span his career, from his first major play, Back of the Throat, to his boldly topical Threesome, throughout which he delves into the complex issues commonly felt by Arab immigrants in the US: Arabophobia, Islamophobia, media orientalism and bi-cultural issues. The plays featured in the anthology are: Back of the Throat Our Enemies: Lively Scenes of Love and Combat Language Rooms Pilgrims Musa and Sheri in the New World Threesome Packed with supplementary information that expands upon and contextualises El Guindi's work, this collection is both an excellent compendium and a resource for study. Additional material includes: an annotated timeline of the playwright's life and work; an introduction by Professor Michael Malek Najjar (University of Oregon) that draws out themes within the plays and examines El Guindi's place in American theatre in the post-9/11 era; production stills of some productions of El Guindi's work; and El Guindi's essay Rosencrantz and Guildenstern Meet Abdallah and Ahmed: Musings about Arabs and Muslims in American Theatre.




Until I Return: The Selected Plays of Ismail Khalidi


Book Description

Discover the complex histories and experiences of the Palestinian people through the work of Ismail Khalidi. With compelling characters, engaging storytelling, quick-witted humor, and unwavering political commitment, Khalidi has entertained and informed audiences in America and around the globe, providing diverse perspectives on the Palestinian experience from the British Mandate era to the challenges faced under occupation today. This new collection spans Khalidi's career, featuring both his early monodramas and never-before-published new plays. An essential intervention in academic and artistic discourses that often overlook or marginalize Palestinian and Arab voices, Khalidi's work proves him to be an influential figure on an international scale, bridging the Americas and the Middle East. Until I Return: The Selected Plays of Ismail Khalidi further contextualizes his work with an essay by Professor Edward Ziter (NYU Tisch, USA), an enlightening interview with the playwright conducted by the editors, and an annotated timeline of Khalidi's life, giving comprehensive insight into both the playwright and his impact.




Arab American Aesthetics


Book Description

Arab American Aesthetics enlists a wide range of voices to explore, if not tentatively define, what could constitute Arab American aesthetics in literature, material culture, film, and theatre. This book seeks to unsettle current conversations within Arab American Studies that neglect aesthetics as a set of choices and constraints. Rather than divorce aesthetics from politics, the book sutures the two more closely together by challenging the causal relationship so often attributed to them. The conversations include formal choices, but also extend to the broad idea of what makes a work distinctly Arab American. That is, what about its beauty, ugliness, sublimity, or humor is explicitly tied to it as part of a tradition of Arab American arts? The book opens up the ways that we discuss Arab American literary and fine arts, so that we understand how Arab American identity and experience begets Arab American artistic enterprise. Split into three sections, the first offers a set of theoretical propositions for understanding aesthetics that traverse Arab American cultural production. The second section focuses on material culture as a way to think through the creation of objects as an aesthetic enterprise. The final section looks at narratives in theatre and how the impact of such a medium has the potential to recreate in both senses of the word: play and invention. By shifting the conversation from identity politics to the relationship between politics and aesthetics, this book provides an important contribution to Arab American studies. It will also appeal to students and scholars of ethnic studies, museum studies, and cultural studies.




The Making of Arab Americans


Book Description

While conventional wisdom points to the Arab-Israeli War of 1967 as the gateway for the founding of the first Arab American national political organization, such advocacy in fact began with the Syrian nationalist movement, which emerged from immigration trends at the turn of the last century. Bringing this long-neglected history to life, The Making of Arab Americans overturns the notion of an Arab population that was too diverse to share common goals. Tracing the forgotten histories of the Free Syria Society, the New Syria Party, the Arab National League, and the Institute of Arab American Affairs, the book restores a timely aspect of our understanding of an area (then called Syria) that comprises modern-day Syria, Lebanon, Jordan, Israel, and Palestine. Hani Bawardi examines the numerous Arab American political advocacy organizations that thrived before World War I, showing how they influenced Syrian and Arab nationalism. He further offers an in-depth analysis exploring how World War II helped introduce a new Arab American identity as priorities shifted and the quest for assimilation intensified. In addition, the book enriches our understanding of the years leading to the Cold War by tracing both the Arab National League's transition to the Institute of Arab American Affairs and new campaigns to enhance mutual understanding between the United States and the Middle East. Illustrated with a wealth of previously unpublished photographs and manuscripts, The Making of Arab Americans provides crucial insight for contemporary dialogues.




The Vagrant Trilogy: Three Plays by Mona Mansour


Book Description

“The [Vagrant Trilogy] extends far beyond the timeline of devastating events, and instead shows us something greater: humanity.” - Broadway World The Vagrant Trilogy is a set of three plays by award-winning Arab American playwright Mona Mansour which explores the Palestinian condition prior to, during, and after the infamous Six-Day War. It sketches the devastating effect this conflict had on members of the Palestinian diaspora scattered in Europe and in Lebanese refugee camps. With productions in Washington DC, New York, and Abu Dhabi, this trilogy has moved audiences across both America and the Arabic-speaking world. The Hour of Feeling, The Vagrant, and Urge for Going offer a deep exploration of the Palestinian struggle for home and identity, a powerful glimpse into a reality that many face and few understand. The volume includes a foreword by director Mark Wing-Davey; an introduction by Arab American theatre scholars Hala Baki and Michael Malek Najjar; the three plays in their final performance versions; an interview with playwright Mona Mansour; and a critical essay by literary scholar Diya Abdo. This collection of Mansour's outstanding plays is another important contribution to the Arab American theatrical canon and the larger body of American drama.