Four Centuries of Rajput Painting


Book Description

This remarkable catalogue represents one of the richest-known repertoires of Indian painting, as it documents almost all the schools of painting in India, and in particular those of the Rajput courts. The most significant miniatures come from the courts of the three main dynasties of Rajasthan, those of the Sisodia, Rathore, and Kachwaha clans. The collection also contains important examples of Mughal and Deccan painting, a group of thirty-six Pahari pictures and paintings from Central India. The volume presents, through stunning images, a lavish selection of pictorial illustrations of sacred and literary texts, documenting the stylistic features and choices of theme of various cultural and religious areas of India between the sixteenth and eighteenth-centuries. But it also provides important information on the painters, customs, and cultural interests of the different royal courts and on the types of text illustrated. It's an invaluable aid for anyone who wishes to get to know and understand the multifaceted art of the Indian subcontinent.




Rajput Painting


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Orient


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Eastern Encounters


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Catalog of an exhibition held at the Queen's Gallery, Buckingham Palace, London, United Kingdom in June 2018.




Merchants of Virtue


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Power -- Purity -- Hierarchy -- Discipline -- Non-harm -- Austerity -- Chastity.




Wonder of the Age


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Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 28, 2011-Jan. 8, 2012.




New Orient


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The Spirit of Indian Painting


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This magnificent, lavishly illustrated book by India’s most eminent and perceptive art historian, B.N. Goswamy, will open readers’ eyes to the wonders of Indian painting, and show them new ways of seeing and appreciating art. An illuminating introductory essay, ‘A Layered World’, explains the themes and emotions that inspired Indian painters, the values and influences that shaped their work, and the unique ways in which they depicted time and space. It describes, too, the characteristics of the different regional styles, the relationship between patrons and painters, the milieu in which they created their works, and the tools and techniques the painters used. The second part of this book consists of ‘Close Encounters with 101 Great Works’. Carefully selected by Prof. Goswamy and spanning nearly a thousand years, these works range from Jain manuscripts, and Rajasthani, Mughal, Pahari and Deccani miniatures, to Company School paintings. His description and analysis of these works unlock the treasures that lie within them and show us how to ‘read’ each painting, as he points out its finest features, explains its visual vocabulary and symbolism, and recounts the story, legend or event that inspired it. Combining deep scholarship with great storytelling, this is a book of enduring value that will both educate and delight the reader. It is destined to become a classic.




Divine Pleasures


Book Description

As one of the finest holdings of Indian art in the West, the Kronos Collections are particularly distinguished for paintings made between the sixteenth and early nineteenth centuries for the Indian royal courts in Rajasthan and the Punjab Hills. These outstanding works, many of which are published and illustrated here for the first time, are characterized by their brilliant colors and vivid, powerful depictions of scenes from Hindu epics, mystical legends, and courtly life. They also present a new way of seeking the divine through a form of personal devotion—known as bhakti—that had permeated India’s Hindu community. While explaining the gods, demons, lovers, fantastical creatures, and mystical symbols that are central to literature and worship, this publication celebrates the diverse styles and traditions of Indian painting. Divine Pleasures features an informative entry for each work and two essays by scholar Terence McInerney that together outline the history of Indian painting and the Rajput courts, providing fresh insights and interpretations. Also included are a personal essay by expert and collector Steven M. Kossak and an examination of Hindu epic and myth in Mughal painting, which lays important foundations for Rajput painting, by curator Navina Najat Haidar. Through their research and observations, the authors deepen our understanding and underscore the significance of Indian painting. Divine Pleasures presents a nuanced view of a way of life intimately tied to the seasons, the arts, and the divine.