Four Impromptus For Piano, Op. 142


Book Description

Schubert's Four Impromptus for Piano, Op. 142 are among his most beloved and popular works, showcasing the composer's extraordinary lyrical gifts and technical virtuosity. With their romantic melodies and delicate phrasing, these pieces are a testament to Schubert's genius and continue to captivate audiences today. This book is an ideal resource for pianists looking to study and perform these masterpieces of the piano repertoire. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Impromptus & Moments musicaux


Book Description




Shorter works for pianoforte solo


Book Description

This affordable edition contain all of Schubert's music for pianoforte solo except for the dances and a few unfinished pieces: the ever-popular "Wanderer" fantasy, Opus 15; the 8 impromptus (Opp. 90 and 142; the Moments Musicals, Opus 94; the Adagio and Rondo, Opus 145; and numerous variations, scherzi, and other short pieces.




Four Impromptus, Opus 142


Book Description

An Intermediate / Advanced Piano Collection by Franz Schubert and edited by Giuseppe Buonamici.




Impromptus, Op. 90


Book Description

This concise edition contains four expressive and lively impromptus that will challenge advanced pianists. To clarify the composer's original notations on tempo, dynamics, fingering, pedaling and ornamentation, Dr. Baylor has included notes on performing each piece and provided footnotes for difficult passages. These editorial suggestions make preparing for a performance both enjoyable and educational.




Returning Cycles


Book Description

"Fisk's portrayal of Schubert is based on evidence from the composer's hand, both verbal (song texts and his written words) and musical (vocal and instrumental). Noting extraordinary aspects of tonality, structure, and gestural content, Fisk argues that through his music Schubert sought to alleviate his apparent sense of exile and his anticipation of early death. Fisk supports this view through close analysis of the cyclic connections within and between the works he explores, finding in them complex musical narratives that attempt to come to terms with mortality, alienation, hope, and desire."--BOOK JACKET.




Impromptus, Op. 142


Book Description

In addition to the composer's original musical notations, the editor has made tempo, metronome, fingering and pedaling indications as well as providing footnotes for playing turns and trills. Dr. Baylor has included a brief biography on Schubert, and each of the four pieces has an informative discussion on proper performance techniques.




Four impromptus, op. 90


Book Description







The Routledge Handbook of Music Signification


Book Description

The Routledge Handbook of Music Signification captures the richness and complexity of the field, presenting 30 essays by recognized international experts that reflect current interdisciplinary and cross-disciplinary approaches to the subject. Examinations of music signification have been an essential component in thinking about music for millennia, but it is only in the last few decades that music signification has been established as an independent area of study. During this time, the field has grown exponentially, incorporating a vast array of methodologies that seek to ground how music means and to explore what it may mean. Research in music signification typically embraces concepts and practices imported from semiotics, literary criticism, linguistics, the visual arts, philosophy, sociology, history, and psychology, among others. By bringing together such approaches in transparent groupings that reflect the various contexts in which music is created and experienced, and by encouraging critical dialogues, this volume provides an authoritative survey of the discipline and a significant advance in inquiries into music signification. This book addresses a wide array of readers, from scholars who specialize in this and related areas, to the general reader who is curious to learn more about the ways in which music makes sense.