Fourth Mansions


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Corduroy Mansions


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CORDUROY MANSIONS - Book 1 In the Corduroy Mansions series of novels, set in London’s hip Pimlico neighborhood, we meet a cast of charming eccentrics, including perhaps the world’s most clever terrier, who make their home in a handsome, though slightly dilapidated, apartment block. Corduroy Mansions is the affectionate nickname given to a genteel, crumbling mansion block in London’s vibrant Pimlico neighborhood and the home turf of a captivating collection of quirky and altogether McCall-Smithian characters. There’s the middle-aged wine merchant William, who’s trying to convince his reluctant twenty-four-year-old son, Eddie, to leave the nest; and Marcia, the boutique caterer who has her sights set on William. There’s also the (justifiably) much-loathed Member of Parliament Oedipus Snark; his mother, Berthea, who’s writing his biography and hating every minute of it; and his long-suffering girlfriend, Barbara, a literary agent who would like to be his wife (but, then, she’d like to be almost anyone’s wife). There’s the vitamin evangelist, the psychoanalyst, the art student with a puzzling boyfriend and Freddie de la Hay, the Pimlico terrier who insists on wearing a seat belt and is almost certainly the only avowed vegetarian canine in London. Filled with the ins and outs of neighborliness in all its unexpected variations, Corduroy Mansions showcases the life, laughter and humanity that have become the hallmarks of Alexander McCall Smith’s work.




Empty Mansions


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#1 NEW YORK TIMES BESTSELLER NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Janet Maslin, The New York Times • St. Louis Post-Dispatch When Pulitzer Prize–winning journalist Bill Dedman noticed in 2009 a grand home for sale, unoccupied for nearly sixty years, he stumbled through a surprising portal into American history. Empty Mansions is a rich mystery of wealth and loss, connecting the Gilded Age opulence of the nineteenth century with a twenty-first-century battle over a $300 million inheritance. At its heart is a reclusive heiress named Huguette Clark, a woman so secretive that, at the time of her death at age 104, no new photograph of her had been seen in decades. Though she owned palatial homes in California, New York, and Connecticut, why had she lived for twenty years in a simple hospital room, despite being in excellent health? Why were her valuables being sold off? Was she in control of her fortune, or controlled by those managing her money? Dedman has collaborated with Huguette Clark’s cousin, Paul Clark Newell, Jr., one of the few relatives to have frequent conversations with her. Dedman and Newell tell a fairy tale in reverse: the bright, talented daughter, born into a family of extreme wealth and privilege, who secrets herself away from the outside world. Huguette was the daughter of self-made copper industrialist W. A. Clark, nearly as rich as Rockefeller in his day, a controversial senator, railroad builder, and founder of Las Vegas. She grew up in the largest house in New York City, a remarkable dwelling with 121 rooms for a family of four. She owned paintings by Degas and Renoir, a world-renowned Stradivarius violin, a vast collection of antique dolls. But wanting more than treasures, she devoted her wealth to buying gifts for friends and strangers alike, to quietly pursuing her own work as an artist, and to guarding the privacy she valued above all else. The Clark family story spans nearly all of American history in three generations, from a log cabin in Pennsylvania to mining camps in the Montana gold rush, from backdoor politics in Washington to a distress call from an elegant Fifth Avenue apartment. The same Huguette who was touched by the terror attacks of 9/11 held a ticket nine decades earlier for a first-class stateroom on the second voyage of the Titanic. Empty Mansions reveals a complex portrait of the mysterious Huguette and her intimate circle. We meet her extravagant father, her publicity-shy mother, her star-crossed sister, her French boyfriend, her nurse who received more than $30 million in gifts, and the relatives fighting to inherit Huguette’s copper fortune. Richly illustrated with more than seventy photographs, Empty Mansions is an enthralling story of an eccentric of the highest order, a last jewel of the Gilded Age who lived life on her own terms. Praise for Empty Mansions “An amazing story of profligate wealth . . . an outsized tale of rags-to-riches prosperity.”—The New York Times “An evocative and rollicking read, part social history, part hothouse mystery, part grand guignol.”—The Daily Beast “Fascinating . . . [a] haunting true-life tale.”—People “One of those incredible stories that you didn’t even know existed. It filled a void.”—Jon Stewart, The Daily Show “Thrilling . . . deliciously scandalous.”—Publishers Weekly (starred review)




The Interior Castle; Or, The Mansions


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.







Once There Were Castles


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Take a tour of the lost mansions of the Twin Cities




Fire Within


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This book is the fruit of Fr. Dubay's many years of study and experience in spiritual direction and in it he synthesizes the teachings on prayer of the two great doctors of the Church on prayer--St. John of the Cross and St. Teresa of Avila--and the teaching of Sacred Scripture. But the teaching that Fr. Dubay synthesized is not collected from Teresa and John for contemplatives alone. It is meant for every Christian and is based on the Gospel imperative of personal prayer and the call to holiness. All the major elements of these great teachers are ordered, commented on and put in the context of their scriptural foundations. Here is an outstanding book on prayer and the spiritual life written by one of the best spiritual directors and retreat masters of our time, and based on the writings of the Church's two greatest mystical doctors.




Nine Hundred Grandmothers


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"Here at last are the finest of Lafferty's shorter works, stories about: a man who found one day that he knew absolutely everyone in the world; a race who kept their most ancient ancestors on shelves in the basements; a speeded-up world where a man could earn and lose a dozen fortunes a night; a friendly bearlike creature named Snuffles who said he was God ... In all, twenty-one immensely enjoyable stories that will continue to delight you long after you've finished reading them."--Page 1




Ghetto at the Center of the World


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4e de couv.: Chungking Mansions, a dilapidated seventeen-story commercial and residential structure in the heart of Hong Kong's tourist district, is home to a remarkably motley group of people. Traders, laborers, and asylum seekers from all over Asia and Africa live and work there, and even backpacking tourists rent rooms in what is possibly the most globalized spot on the planet. But as Ghetto at the center of the world shows us, the Mansions is a world away from the gleaming headquarters of multinational corporations -instead it epitomizes the way globalization actually works for most of the world's people. Through candid stories that both instruct and enthrall, Gordon Mathews lays bare the building's residents' intricate connections to the international circulation of goods, money, and ideas.




Past Master


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Wolf Hall meets The Man in the High Castle in this mind-bending science fiction classic, now presented in an authoritative new edition from Library of America Plucked from time, Sir Thomas More arrives on the human colony of Astrobe in the year 2535 A.D., where there is trouble in utopia. Can he and his motley followers save this golden world from the Programmed Persons, and the soulless perfection they have engineered? The survival of faith itself is at stake in this thrilling, uncategorizable, wildly inventive first novel—but the adventure is more than one of ideas. As astonishingly as Philip K. Dick and other visionaries of the 1960s new wave, Lafferty turns the conventions of space-opera science fiction upside-down and inside-out. Here are fractured allegories, tales-within-tales, twinkle-in-the-eye surprises, fantastic byways, and alien subjectivities that take one's breath away. Neil Gaiman has described Lafferty “a genius, an oddball, a madman”; Gene Wolfe calls him “our most original writer." Long-hailed by insiders and now with an introduction by Andrew Ferguson as well as unpublished omitted passages included in the notes, Past Master deserves to perplex and delight a wider audience.