Anonyms


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Anonyma and Pseudonyma


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The Part and the Whole in Early American Literature, Print Culture, and Art


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The essays in this pathbreaking collection consider the significance of varied early American fragmentary genres and practices—from diaries and poetry, to almanacs and commonplace books, to sermons and lists, to Indigenous ruins and other material shards and fragments—often overlooked by critics in a scholarly privileging of the “whole.” Contributors from literary studies, book history, and visual culture discuss a host of canonical and non-canonical figures, from Edward Taylor and Washington Irving to Mary Rowlandson and Sarah Kemble Knight, offering insight into the many intellectual, ideological, and material variations of “form” that populated the early American cultural landscape. As these essays reveal, the casting of the fragmentary as aesthetically eccentric or incomplete was a way of reckoning with concerns about the related fragmentation of nation, society, and self. For a contemporary audience, they offer new ways to think about the inevitable gaps and absences in our cultural and historical archive.







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Fragments of the City


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Pursuing fragments -- Pulling together, falling apart -- Knowing fragments -- Writing in fragments -- Political framings -- Walking cities -- In completion.




Orts, Scraps, and Fragments


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This work explores a central question of the human condition: how do we find meaning in human experience? Virginia Woolf's novels give us insight into the Modernist's response, one that reacts to the devastation of war, advances in the sciences, and a deeper understanding of human consciousness. Orts, Scraps, and Fragments contends that the social constructs of religion, marriage, and communication fail to provide the meaning and interpersonal connection that society invests in them. Instead, Woolf's characters struggle within these constructs and ultimately find themselves disillusioned, unfulfilled, and isolated. Through a close reading, Dr. McGarry analyzes the ways in which characters, such as Clarissa Dalloway, Mrs. Ramsay, Giles and Isa Oliver, and Jacob Flanders, attempt to work through the realization that meaning is elusive. However, Woolf's few artistic characters have the ability to transcend this darkness. Through their struggle for creative expression, they glimpse, if only briefly, a larger, unifying meaning. For Lily Briscoe, Miss LaTrobe, and Bernard this momentary hint of universal meaning provides sufficient motivation to continue the artistic process and life itself. For Woolf art, not imposed social constructs, sustains life.