Fragments from a Mobile Life


Book Description

Literary Nonfiction. Starting in China, ending in Virginia, and girdling the equator, Sullivan's mobile life, has been lived in evolving fragments of time and place. Rooted in family, her life spans changes in the post-colonial world and women's lives, told in short, lively stories, some first published as columns in the Huffington Post. "The reader of FRAGMENTS FROM A MOBILE LIFE is carried along on a remarkable journey. You will want to read passages out loud and share with friends and family. Here is a life of adventure, love, and sadness, but always lived to the fullest with keen insight and deep observation. It is an American life, but one that draws on the wonder and variety of the world. Margaret Sullivan evokes the universal while regaling us with the particular. Whether raising children, making friends in a strange place, or planning for a new school amidst the destruction of earthquake and tsunami, each will see a part of him or herself here in the essence of life's experiences. One can read straight through, as I did, although even best perhaps is to browse from subject to subject. Whichever way one begins, I can guarantee you will return often and keep this book well thumbed and handy on the shelf."--Ambassador Robert G. Rich, Jr. US Foreign Service, Ret. "Born in China, a Foreign Service wife in posts around the equator for most of her career, writer and artist Margaret Sullivan possesses a generous and observant eye. This terrific read illustrates how to thrive during fractured times without losing your values or your spirit. I read the chapter 'To Market' and Nigeria appeared before my eyes with all its rich colors and smells. Terrific!"--Norma Watkins "With a fresh voice and a frank look back at 10 countries, 29 homes, and more than 60 years of marriage to a career diplomat, Margaret Sullivan chronicles the contributions of Foreign Service Wives to twentieth-century American public diplomacy. Reminding us that such 'representative families' are unpaid and perhaps unnoticed by the American people, they are at the same time almost always on display. In a tale as pungent and spicy as the food she so lovingly describes, FRAGMENTS FROM A MOBILE LIFE is the story of a life-long love affair with Asia and the wider world."--Dr. Janet Steele




The Road to Auschwitz


Book Description

The Road to Auschwitz is the autobiography of Hedi Fried, a fifteen-year-old living in Sighet, Romania, when war breaks out in 1939. In March 1944, Hedi’s family, along with three thousand other Jews from her village, are confined to a ghetto, awaiting shipment to Auschwitz. In Auschwitz, amidst the horror, Hedi turns twenty, her sister, Livi, fifteen. As Hedi and Livi will later learn, their parents do not survive. In April 1945, the sisters are transported to Bergen-Belsen, two months before liberation. Upon liberation, Hedi renews her acquaintance with Michael, another survivor from Sighet. They move to Sweden, marry, and eventually have three sons. It is the loss of Michael, when Hedi is only forty, that prompts this memoir. “It took me forty years to realize that I am a witness and that it is my task to tell what I experienced.”




Fragments of My Life


Book Description

"Compatriot of Dorothy Day, inspired of Thomas Merton, founder of Friendship House in Harlem and of Madonna House, popularized of the worldwide Poustinia phenomenon, pioneer of the lay apostolate movement, Catherine allowed herself to be consumed by the fire of Jesus' love. "This autobiography has a special, divinely-touched richness. It reads like an adventure novel. If this were nothing but a work of pure fiction, it would still be extremely intriguing. But because it's all true, it goes beyond intriguing to become enthralling and inspiring" -- Larry Holley, The Pecos Benedictine "This is no dull, date-filled biography, but a deeply personal sharing of the experiences of her life. The book shines with her vision of uncompromising commitment to the Gospel. If you have time to read no other book, read this one." -- Sign Magazine "According to any standard, the author of Fragments is a most remarkable woman. It requires a great act of trust and love to share a personal, intimate life with millions of people. Fragments is, in a sense, one of he profounder acts of love of a life already so obviously loving. -- Spiritual Book News




Fragments of an Infinite Memory


Book Description

A deeply informed, yet playful and ironic look at how the internet has changed human experience, memory, and our sense of self, and that belongs on the shelf with the best writings of Roland Barthes and Jean Baudrillard. “One day, as I was daydreaming on the boulevard Beaumarchais, I had the idea—it came and went in a flash, almost in spite of myself—of Googling to find out what I’d been up to and where I’d been two evenings before, at five o’clock, since I couldn’t remember on my own.” So begins Maël Renouard’s Fragments of an Infinite Memory, a provocative and elegant inquiry into life in a wireless world. Renouard is old enough to remember life before the internet but young enough to have fully accommodated his life to the internet and the gadgets that support it. Here this young philosopher, novelist, and translator tries out a series of conjectures on how human experience, especially the sense of self, is being changed by our continual engagement with a memory that is impersonal and effectively boundless. Renouard has written a book that is rigorously impressionistic, deeply informed historically and culturally, but is also playful, ironic, personal, and formally adventurous, a book that withstands comparison to the best of Roland Barthes and Jean Baudrillard.




Fragments of the Lost


Book Description

Even though she thinks Caleb's mom blames her for his accidental death two months ago, Jessa agrees to pack up her ex-boyfriend's bedroom, but every item she touches makes Jessa question what she knows about his death, his family, and their year-long relationship.




A Private Life


Book Description

'a reflective, generous and eloquent book.' - Sydney Morning Herald ' [A] gracious memoir.' - Weekend Australian 'Michael Kirby writes with great humour and extraordinary warmth.' - Canberra Times '[A] charming and oddly moving collection of autobiographical excursions.' - Saturday Age Michael Kirby is one of Australia's most admired public figures. At a time of spin and obfuscation, he speaks out passionately and straightforwardly on the issues that are important to him. Even those who disagree with him have been moved by the courage required of him to come out as a high-profile gay man, which at times has caused him to be subjected to the most outrageous assaults on his character. This is a collection of reminiscences in which we can discover the private Michael Kirby. It allows the public figure to speak in his own voice, without any intermediary. He opens up as never before about his early life, about being gay, about his forty-three-year relationship with Johan van Vloten, about his religious beliefs and even about his youthful infatuation with James Dean. Beautifully written, reflective and generous, in that warm and gently self-deprecating voice that is so characteristic of him, this is a memoir that Michael Kirby's many admirers have been waiting for.




Late Fragments


Book Description

Kate Gross was a woman who 'leaned in' until cancer stopped her in her tracks. Now terminal, this brave, frank and heartbreaking book shows what it means to die before your time, and how to fill your life with wonder, hope and joy even in the face of tragedy.




Fragments of Light


Book Description

An impossible decision in the chaos of D-Day. Ripples that cascade seventy-five years into the present. And two lives transformed by the tenuous resolve to reach out of the darkness toward fragments of light. Cancer stole everything from Ceelie—her peace of mind, her selfimage, perhaps even her twenty-three-year marriage to her college sweetheart, Nate. Without the support of Darlene, her quirky elderly friend, she may not have been able to endure so much loss. So when Darlene’s own prognosis turns dire, Ceelie can’t refuse her seemingly impossible request—to find a WWII paratrooper named Cal, the father who disappeared when Darlene was an infant, leaving a lifetime of desolation in his wake. The search that begins in the farmlands of Missouri eventually leads Ceelie to a small town in Normandy, where she uncovers the harrowing tale of the hero who dropped off-target into occupied France. Alternating between Cal’s D-Day rescue by two French sisters and Ceelie’s present-day journey through trial and heartbreak, Fragments of Light explores a timeless question: When life becomes unbearable, will you surrender to the darkness or dare to press toward a lingering light? Praise for Fragments of Light “Michèle Phoenix skillfully explores the strength and resiliency of the human spirit but also its heartbreaking limits. Brimming with expertly researched wartime details, Fragments of Light abounds with poignancy and insight.” —Susan Meissner, bestselling author of The Last Year of the War “As a D-Day Airborne participant, I recommend this novel with enthusiasm. Everyone should read it.” —Staff Sergeant Thomas Rice, WWII Veteran, 101st Airborne “Michele Phoenix’s Fragments of Light is a luminous portrait of men and women grappling with the past in a brave attempt to forge a different kind of future . . . A story as beautiful as it is heartbreaking. In short, I loved this book!” —Lauren Denton, USA TODAY bestselling author of The Hideaway “Deeply personal and beautifully humane, Phoenix once again asserts her power as one of the most moving and lyrical voices in inspirational fiction.” —Rachel McMillan, author of The London Restoration “Written with depth and understanding, this story offers readers a wonderful journey spanning from war-torn World War II France to a battle for love in our time.” —Katherine Reay, bestselling author of Dear Mr. Knightley “As the title suggests, there are no easy illuminations on the path of healing. Cancer attacks more than the body. War destroys more than flesh and bone. Not all heroes welcome the attention, and not all husbands are up to the challenge. Women find the most unlikely sources of strength, and the best families defy definition.” —Allison Pittman, bestselling author of The Seamstress “It’s not often a story moves me as Fragments of Light has. With a rare and honest voice, Michèle Phoenix weaves a story of heroes from yesteryear and also those from your neighborhood—each with hearts of valor—as they endure the fight of their lives.” —Elizabeth Byler Younts, Carol Award–winning author The Solace of Water




Ultraluminous


Book Description

One of The New Yorker's "Books We Loved in 2017," a BOMB's Looking Back on 2017: Literature Selection, a Paris Review Staff Pick, and one of Vulture's 10 Best Thriller Books of 2017. Girlfriend. Prostitute. Addict. Terrorist? Who is K? The daring new novel from Katherine Faw, the brilliant author of Young God, is a scintillating story of money, sex, and power told in Faw’s viciously sharp prose. A high-end, girlfriend-experience prostitute has just returned to her native New York City after more than a decade abroad—in Dubai, with a man she recalls only as the Sheikh—but it’s unclear why exactly she’s come back. Did things go bad for her? Does she have scores to settle? Regardless, she has quickly made herself at home. She’s set up a rotation of clients—all of them in finance—each of whom has different delusions of how he is important to her. And she’s also met a man whom she doesn’t charge—a damaged former Army Ranger, back from Afghanistan. Her days are strangely orderly: A repetition of dinners, personal grooming, museum exhibitions, sex, Duane Reades (she likes the sushi), cosmology, sex, gallery shows, nightclubs, heroin, sex, and art films (which she finds soothing). She finds the pattern confirming, but does she really believe it’s sustainable? Or do the barely discernible rifts in her routine suggest that something else is percolating under the surface? Could she have fallen for one of her bankers? Or do those supposed rifts suggest a pattern within the pattern, a larger scheme she’s not showing us, a truth that won’t be revealed until we can see everything?




Miriam Schapiro


Book Description

A pioneering force in the feminist art movement of the 1970s, Miriam Schapiro (b. 1923) dared to challenge the marginalized role of women in the art world by creating a visual vocabulary to express women's experiences. In this lavishly illustrated book, the first comprehensive monograph on the artist, acclaimed art historian Thalia Gouma-Peterson traces the trajectory of Schapiro's career over five decades, from her gestural canvases of the 1950s, to her self-exploratory "Shrines" and geometric abstractions of the 1960s, to her large-scale femmages (feminist-oriented collages of paint and fabric) of the 1970s and 1980s, and finally to her autobiographical figural compositions of the 1980s and 1990s. The book opens with an insightful foreword by Linda Nochlin, who was among the first scholars to recognize and teach feminist art history. She reflects on a significant 1973 article she wrote about Schapiro, which is reprinted in the book in its entirety. Schapiro was a founder, with Judy Chicago, of the Feminist Art Program at the California Institute of the Arts in the early 1970s, out of which came the groundbreaking collaborative installation Womanhouse, a full-scale feminist environment created in an abandoned house in Hollywood. This project marked the beginning of Schapiro's legendary collaborations with other women, who gave her samplers, doilies, tea towels, quilt squares -- "handicrafts" associated with women's conventional homemaking role -- to incorporate into her femmages. With her monumental heart-, fan-, and house-shaped canvases layered with pieces of fabric and paint, which reclaim forms and symbols traditionally trivialized as sentimental, feminine, and decorative,Schapiro helped launch the Pattern and Decoration movement of the 1970s and 1980s and developed a colorful and sensuous style that has influenced a generation of younger artists. Then there are Schapiro's "collaborations" across time and space, in which she appropriates the work of her female predecessors -- such as Mary Cassatt, Frida Kahlo, Sonia Delaunay, and Natalia Goncharova -- as a means to lay claim to a genealogy of women artists. Figural paintings on the themes of dance, performance, and masquerade are further explorations of self-identity in Schapiro's work. By piecing together fragments of her own autobiography with the experiences of other women to express a feminist vision, Schapiro, in the words of Gloria Steinem, has been "the rare woman who had a choice between acceptance and pioneering -- and who exercised it".