Fragments of a Poetics of Fire


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The Flame of a Candle


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Gaston Bachelard, Revised and Updated


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Gaston Bachelard, one of twentieth-century France's most original thinkers, is known by English-language readers primarily as the author of The Poetics of Space and several other books on the imagination, but he made significant contributions to the philosophy and history of science. In this book, Roch C. Smith provides a comprehensive introduction to Bachelard's work, demonstrating how his writings on the literary imagination can be better understood in the context of his exploration of how knowledge works in science. After an overview of Bachelard's writings on the scientific mind as it was transformed by relativity, quantum physics, and modern chemistry, Smith examines Bachelard's works on the imagination in light of particular intellectual values Bachelard derived from science. His trajectory from science to a specifically literary imagination is traced by recognizing his concern with what science teaches about how we know, and his increasing preoccupation with questions of being when dealing with poetic imagery. Smith also explores the material and dynamic imagination associated with the four elements—fire, water, air, and earth—and the phenomenology of creative imagination in Bachelard's Poetics of Space, his Poetics of Reverie, and in the fragments of Poetics of Fire.




Fragments of a Poetics of Fire


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The publication of FRAGMENTS OF A POETICS OF FIRE is a milestone in Bachelard studies that will influence the way we think about his themes & method for a long time to come. Dissatisfied with his earlier attempt to come to terms with the element of fire in "The Psychoanalysis of Fire" (1937), Bachelard returned to this theme in the book he was working on at the time of his death in 1962. Because of delays in &, eventually, the abandonment of a projected edition of his complete works, these FRAGMENTS OF A POETICS OF FIRE remained unpublished & their very existence unknown to all but a handful of Bachelard's readers. The author's daughter, Suzanne Bachelard, edited them for separate publication over a quarter-century later in 1988. For the first time we have an insight into the way Bachelard constructed his remarkable books. Miss Bachelard's introduction & extensive notes are an indispensable guide to the workings of his mind as "he shapes a meandering series of observations on the phoenix, Prometheus, & Empedocles into a coherent & engaging structure that respects the fluidity & openness of a living image - the powerful image of fire."




Water and Dreams


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Boccaccio and the Invention of Italian Literature


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Giovanni Boccaccio played a pivotal role in the extraordinary emergence of the Italian literary tradition in the fourteenth century, not only as author of the Decameron, but also as scribe of Dante, Petrarch and Cavalcanti. Using a single codex written entirely in Boccaccio's hand, Martin Eisner brings together material philology and literary history to reveal the multiple ways Boccaccio authorizes this vernacular literary tradition. Each chapter offers a novel interpretation of Boccaccio as a biographer, storyteller, editor and scribe, who constructs arguments, composes narratives, compiles texts and manipulates material forms to legitimize and advance a vernacular literary canon. Situating these philological activities in the context of Boccaccio's broader reflections on poetry in the Decameron and the Genealogy of the Gentile Gods, the book produces a new portrait of Boccaccio that integrates his vernacular and Latin works, while also providing a new context for understanding his fictions.




The Right to Dream


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Hymns and Fragments


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An annotated bilingual edition of Hölderlin’s radical and influential late poetry Despite his influence on such figures as Nietzsche, Rilke, Heidegger, and Celan, Friedrich Hölderlin (1770–1843) is only now being fully appreciated as perhaps the first great modern of European poetry. Drawing on the most recent scholarship, this annotated translation conveys the radical idiom and vision that continue to make him a contemporary. Richard Sieburth includes almost all Hölderlin’s late poems in free rhythms from the years between 1801 and 1806, the period just prior to his hospitalization for insanity. Sieburth’s critical introduction discusses the poet’s career, assesses his role as the link between classicism and romanticism, and explores Hölderlin’s ongoing importance to modern poetics and philosophy. Annotations explicate the individual poems, a number of which are translated into English for the first time.




Late Fragments


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The first English collection of the late poetry and prose fragments of literary icon Charles Baudelaire "[A] handsome new book . . . all this inchoate material is given context by Sieburth's learned, elegantly written commentary. He is the perfect guide."--Michael Dirda, Washington Post "[These] unfinished works written after 1861 . . . deliver what their titles seem to promise: a soul stripped of guises and illusions."--Ange Mlinko, New York Review of Books While not as well known as his other works, Charles Baudelaire's late poems, drafts of poems, and prose fragments are texts indispensable to the history of modern poetics. This volume brings together Baudelaire's late fragmentary writings, aphoristic in form and radical in thought, into one edited collection for the first time. Substantial introductions to each work by Richard Sieburth combine the literary context with formal analysis and reception history to give readers a comprehensive picture of the genesis of these works and their subsequent fate. Baudelaire's turn toward fragmentary writing involved not only a conscious renunciation of his aesthetics of perfection and unity, but a desertion of the harmonies of the traditional lyric in favor of the disjunctions of prose. These are daring works, often painful to read in their misanthropy and unconventional beauty.




Rhetorics, Poetics, and Cultures


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Rhetorics, Poetics, and Cultures is James Berlin's most comprehensive effort to refigure the field of English Studies. Here, in his last book, Berlin both historically situates and recovers for today the tools and insights of rhetoric-displaced and marginalized, he argues, by the allegedly disinterested study of aesthetic texts in the college English department. Berlin sees rhetoric as offering a unique perspective on the current disciplinary crisis, complementing the challenging perspectives offered by postmodern literary theory and cultural studies. Taking into account the political and intellectual issues at stake and the relation of these issues to economic and social transformations, Berlin argues for a pedagogy that makes the English studies classroom the center of disciplinary activities, the point at which theory, practice, and democratic politics intersect. This new educational approach, organized around text interpretation and production-not one or the other exclusively, as before-prepares students for work, democratic politics, and consumer culture today by providing a revised conception of both reading and writing as acts of textual interpretation; it also gives students tools to critique the socially constructed, politically charged reality of classroom, college, and culture. This new edition of Rhetorics, Poetics, and Cultures includes JAC response essays by Linda Brodkey, Patricia Harkin, Susan Miller, John Trimbur, and Victor J. Vitanza, as well as an afterword by Janice M. Lauer. These essays situate Berlin's work in personal, pedagogical, and political contexts that highlight the continuing importance of his work for understanding contemporary disciplinary practice.