France’s Memorial Landscape


Book Description

During August 1942 several women jumped to their deaths from a second story window at the tile factory in the small town of Milles near Aix-en-Provence. Between 1939 and 1942 the factory assumed various roles as internment camp, transit camp and ultimately deportation camp. This book is about the view from the ‘suicide window’ as it is presented within the Camp des Milles memorial museum which opened in 2012. It explores how this view might help us to understand and imagine the world of internment and deportation camps operating in France during the Second World War and their memorial today. The book uses the views framed by the window to think critically about the museography of the memorial within the wider context of France’s relatively late acknowledgment of its role in the persecution of the Jews during the Second World War.




France's Memorial Landscape


Book Description

During August 1942 several women jumped to their deaths from a second story window at the tile factory in the small town of Milles near Aix-en-Provence. Between 1939 and 1942 the factory assumed various roles as internment camp, transit camp and ultimately deportation camp. This book is about the view from the 'suicide window' as it is presented within the Camp des Milles memorial museum which opened in 2012. It explores how this view might help us to understand and imagine the world of internment and deportation camps operating in France during the Second World War and their memorial today. The book uses the views framed by the window to think critically about the museography of the memorial within the wider context of France's relatively late acknowledgment of its role in the persecution of the Jews during the Second World War.




French Landscape


Book Description

Published on the occasion of the exhibition of the same name held at the Museum of Modern Art, New York, October 27,1999 - March 14, 2000. French landscape is a part of larger exchbition, ModernStarts which is in turn part of a cycle of exchibitions entitled MoMa 2000.




The Art of Landscape Detail


Book Description

Introducing a revolutionary new approach to detail design in landscape architecture In this groundbreaking book, Niall Kirkwood of the Harvard Graduate School of Design takes a fresh,holistic approach to the theories, approaches, and practices of landscape detail. With the support of a wealth of graphic and written material taken from historic and contemporary landscape designwork, he clearly demonstrates the role that landscape detail plays in the design process. Going beyond theoretical considerations, Professor Kirkwood outlines landscape detail as a primary design activity, both pragmatic and poetic, using a range of built landscape design examples. A valuable resource for professionals and students in landscape architecture, architecture, urban design, and environmental design, The Art of Landscape Detail: * Provides a practical introduction to the aesthetic concerns, form, language, and expression of landscape detail * Explores a wide range of detail issues-including materials, climate, durability, implementation, and failure-and their influence on the overall detail design process * Examines detail design processes and research approaches that designers can apply in the analysis and development of their own work * Contains in-depth case studies of eight award-winning landscape architecture design projects, including provocative discussions with the designers on the establishment and evolution of their detail design philosophy * Features more than 150 images illustrating forms and site detail from national and international built landscapes




Designed Landscapes


Book Description

Designed Landscapes is a case-by-case study of 37 significant, existing works of landscape design worldwide, largely constructed since the Renaissance. Being an informative and easy-to-read reference volume for practitioners and students alike, it presents key precedents in landscape architecture using site plans and recent photographs to showcase each project. Organised and presented in 12 sections based on project type, each project is examined based on date, previous site condition, designer(s), design intentions, current composition, unique features, ownership and management, and comparable projects. Each chapter offers an insightful critique of the featured projects. Written by the authors of Great City Parks, the book posits that these carefully selected key projects have maintained their status throughout the ages because they express values and design intentions that continue to inform the practice of the landscape architecture in the present day. The book concludes with a ten-point summary of lessons for professional practice gleaned from the studies. Including a wide range of case studies from countries including many in western Europe, the United States, Canada, India, Japan and China, and lavishly illustrated with over 200 full-colour images, the book is a must-have volume for anyone interested in the history and current practice of landscape architecture.




Empire of Landscape


Book Description

"Explores visual culture and the social history of art through an analysis of French images of nineteenth-century Algeria"--Provided by publisher.







Landscapes of Trauma


Book Description

Integrating trauma studies with historical research and social psychology, Landscapes of Trauma examines a range of battlefields from across history, including Waterloo, the Battle of Sedan, the Battle of the Ebro and the Battle of Normandy, to bring to light what these battlefields say about our collective and individual psyches. Hunt explores how war shapes the nature of trauma, not only by its innate horror but also by the historical and societal contexts it is fought in, from the cultural and social conventions of the period to the topography of the settings. This book provides a deep analysis of how war is experienced and remembered in different eras and by different generations. Moving beyond the clinical concept of post-traumatic stress disorder, Hunt discusses how trauma can be understood socially and historically, as well as through the lens of individual suffering. This book also investigates the psychological foundations of memorialisation, remembrance and commemoration that shape the legacy of the battles discussed. Using interviews with veterans, their letters, journals and diaries, as well as literary and historical sources, Hunt locates the battlefield as a place where humans explore the parameters of human behaviour, thought and emotion. This book is in important resource for students and scholars interested in the psychology of trauma and war, as well as military history.




Storied Landscapes


Book Description

Storied Landscapes is a beautifully written, sweeping examination of the evolving identity of major ethno-religious immigrant groups in the Canadian West. Viewed through the lens of attachment to the soil and specific place, and through the eyes of both the immigrant generation and its descendants, the book compares the settlement experiences of Ukrainians, Mennonites, Icelanders, Doukhobors, Germans, Poles, Romanians, Jews, Finns, Swedes, Norwegians, and Danes. It reveals how each group’s sense of identity was shaped by a complex interplay of physical and emotional ties to land and place, and how that sense of belonging influenced, and was influenced by, relationships not only within the prairies and the Canadian nation state but also with the homeland and its extended diaspora. Through a close study of myths, symbols, commemorative traditions, and landmarks, Storied Landscapes boldly asserts the inseparability of ethnicity and religion both to defining the prairie region and to understanding the Canadian nation-building project.




Male Bonds in Nineteenth-Century Art


Book Description

Masculinities in nineteenth-century art through the lens of gender and queer history Male bonds were omnipresent in nineteenth-century European artistic scenes, impacting the creation, presentation, and reception of art in decisive ways. Men’s lives and careers bore the marks of their relations with other men. Yet, such male bonds are seldom acknowledged for what they are: gendered and historically determined social constructs. This volume shines a critical light on male homosociality in the arts of the long nineteenth century by combining art history with the insights of gender and queer history. From this interdisciplinary perspective, the contributing authors present case studies of men’s relationships in a variety of contexts, which range from the Hungarian Reform Age to the Belgian fin de siècle. As a whole, the book offers a historicizing survey of the male bonds that underpinned nineteenth-century art and a thought-provoking reflection on its theoretical and methodological implications.