Francis Bacon and the Tradition of Art


Book Description

This exhibition catalogue is not a retrospective but rather an examination for the first time of the artist's work within a network of relationships and influences from the Old Masters to the artists of the twentieth century. The eminent English painter Francis Bacon (19091992) is known for his brutal, haunting and grotesque portraits of man and beast. In this eyeopening study Bacon stands besides artists like Velazquez, Rembrandt, Titian, Ingres, Degas, Schiele, and Van Gogh - his real sources. To support this thesis, the text draws connections between Bacon and his predecessors according to themes: Bacon's papal portraits, the Motif of the Scream, Bacon and Surrealism, Mirrors and Reflections, the Cage Motif. This sumptuously illustrated book offers a firsttime study of a modernist's work in relation to the masterpieces of art history. Exhibition schedule: Kunsthistorisches Museum Vienna October 15, 2003 - January 18, 2004 Fondation Beyeler, Basel, February 8, 2004 - June 20, 2004




Francis Bacon


Book Description

THE TIMES ART BOOK OF THE YEAR Named one of The Irish Times' Books of the Year for 2021 A compelling and comprehensive look at the life and art of Francis Bacon, one of the iconic painters of the twentieth century—from the Pulitzer Prize-winning authors of de Kooning: An American Master. This intimate study of the singularly private, darkly funny, eruptive man and his extraordinary art “is bejeweled with sensuous detail … the iconoclastic charm of the artist keeps the pages turning” (The Washington Post). “A definitive life of Francis Bacon ... Stevens and Swan are vivid scene setters ... Francis Bacon does justice to the contradictions of both the man and the art.” —The Boston Globe Francis Bacon created an indelible image of mankind in modern times, and played an outsized role in both twentieth century art and life—from his public emergence with his legendary Triptych 1944 (its images "so unrelievedly awful" that people fled the gallery), to his death in Madrid in 1992. Bacon was a witty free spirit and unabashed homosexual at a time when many others remained closeted, and his exploits were as unforgettable as his images. He moved among the worlds of London's Soho and East End, the literary salons of London and Paris, and the homosexual life of Tangier. Through hundreds of interviews, and extensive new research, the authors probe Bacon's childhood in Ireland (he earned his father's lasting disdain because his asthma prevented him from hunting); his increasingly open homosexuality; his early design career—never before explored in detail; the formation of his vision; his early failure as an artist; his uneasy relationship with American abstract art; and his improbable late emergence onto the international stage as one of the great visionaries of the twentieth century. In all, Francis Bacon: Revelations gives us a more complete and nuanced--and more international--portrait than ever before of this singularly private, darkly funny, eruptive man and his equally eruptive, extraordinary art. Bacon was not just an influential artist, he helped remake the twentieth-century figure.




7 Reece Mews


Book Description

This is a photographic portrait of painter Francis Bacon's south London studio in the days following his death. A visual statement of Bacon's frenetic life and work. 60 photos.




Inside Francis Bacon


Book Description

The third book in the Francis Bacon Studies series, this volume reveals fundamental insights into the artist’s character and psychology that will change existing perceptions. Very little is known about Francis Bacon’s early career, but this third installment in the Bacon estate’s groundbreaking series provides exciting new insight into and analysis of the elusive artist. Archived material recently added to the Estate of Francis Bacon’s collection—including the diaries of Bacon’s first two patrons and an extensive number of records kept by Bacon’s doctor, Paul Brass—has allowed Francesca Pipe, Sophie Pretorius, and Martin Harrison to delve deeper into the artist’s formative years than ever before and revolutionize existing perceptions of Bacon’s character and psychology. Essays by Sarah Whitfield, Joyce Townsend, and Christopher Bucklow draw on biographical details of the artist’s life and technical analysis of his work. Utilizing this more traditional, art-historical approach, these scholars examine the complex relationships between Bacon and his peers and offer new insights into the artist’s methods and the system of metaphors within his paintings. This fascinating collection of scholarship will interest anyone looking to learn more about Francis Bacon, contemporary art, or the artistic imagination.




Francis Bacon and the Loss of Self


Book Description

Since his death in April 12 Francis Bacon has been acclaimed as one of the very greatest of modern painters. Yet most analyses of Bacon actually neutralize his work by discussing it as an existential expression and as the horrifying communication of an isolated individualâe"which simply transfers the pain in the paintings back to Bacon himself. This study is the first attempt to account for the pain of the viewer. It is also, most challengingly, an explanation of what Baconâe(tm)s art tells us about ourselves as individuals. For, during this very personal investigation, the author comes to realize that the effect of Baconâe(tm)s work is founded upon the way that each of us carves our identity, our âeoeself,âe from the inchoate evidence of our senses, using the conventions of representation as tools. It is in his warping of these conventions of the senses, rather than in the superficial distortion of his images, that Bacon most radically confronts âeoeart,âe and ourselves as individuals.




Francis Bacon


Book Description

Francis Bacon was one of the most powerful and enigmatic creative geniuses of the twentieth century. Immediately recognizable, his paintings continue to challenge interpretations and provoke controversy. Bacon was also an extraordinary personality. Generous but cruel, forthright yet manipulative, ebullient but in despair: He was the sum of his contradictions. This life, lived at extremes, was filled with achievement and triumph, misfortune and personal tragedy. In his revised and updated edition of an already brilliant biography, Michael Peppiatt has drawn on fresh material that has become available in the sixteen years since the artist’s death. Most important, he includes confidential material given to him by Bacon but omitted from the first edition. Francis Bacon derives from the hundreds of occasions Bacon and Peppiatt sat conversing, often late into the night, over many years, and particularly when Bacon was working in Paris. We are also given insight into Bacon’s intimate relationships, his artistic convictions and views on life, as well as his often acerbic comments on his contemporaries.




After Francis Bacon


Book Description

Like an analyst listening to a patient, this study attends not just to what is said in David Sylvester's interviews with Francis Bacon, but also crucially to what is left unspoken, to revealing interruptions and caesuras. Through interpreting these silences, After Francis Bacon breaks with stereotypical ideas about the artist's work and provides new readings and avenues of research. After Francis Bacon is the first book to give extended consideration to the way the reception of Bacon's art, including Gilles Deleuze's influential text on the artist, has been shaped by the Sylvester interviews - and to move beyond the limiting effects of the interviews, providing fresh interpretations. Nicholas Chare draws upon recent developments in psychoanalysis and forensic psychology to present innovative readings of Bacon's work, primarily based on the themes of sadomasochism and multi-sensory perception. Through bringing Bacon's paintings into dialogue with Joseph Conrad's Heart of Darkness and the film Alien, he also provides original insights into the ethical relevance the artist's works have for today. This study addresses the complexities of the artist's practice - particularly in relation to sexuality and synaesthesia - and additionally forms a crucial intervention within current debates about creative writing in art history.




Francis Bacon


Book Description

British artist Francis Bacon (1909-1992), one of the foremost artists of the twentieth century, is known for his expressive figurative paintings. Perhaps Bacon's most famous image - the so-called 'screaming pope' in Study after Velázquez's Portrait of Pope Innocent X (1953) - became the touchstone for the longest series of paintings in his career, the Papal Portraits of 1953.In 1953 'haunted and obsessed by the image...by its perfection,' Bacon sought to reinvent Velázquez's seventeenth-century Portrait of Pope Innocent X (1650) in the paintings that are the focus of this book. Francis Bacon replaced the grand, official state portrait with an intimate, spontaneous 'candid camera' glimpse behind the well-ordered exterior. While the Spanish master Velázquez portayed the pope ex cathedra, Bacon captured him in camera, as if behind a closed door or through a one-way mirror.This series of eight papal portraits, painted during a period of just a few weeks in the summer of 1953, was brought together for the first time by noted Bacon scholar Hugh M. Davies for a 1999 exhibition at the Museum of Contemporary Art, San Diego, along with several other works from the same period, including Sphinx I and two recently found Study after Velázquez paintings from 1950. This book includes a new essay by Davies, discussing the artist's influences and sources of imagery for the series, and a previously unpublished interview that Davies conducted with Bacon in 1973.




Bacon and the Mind


Book Description

The first in a series of books that sheds new light on Francis Bacon's art and motivations, published under the aegis of the Estate of Francis Bacon Bacon and the Mind sheds light on Francis Bacon’s art by exploring his motivations, and in so doing opens up new ways of understanding his paintings. It comprises five essays by prominent scholars in their respective disciplines, illustrated throughout by Bacon’s works. Christopher Bucklow argues compellingly that Bacon does not depict the reality of his subjects, but rather their reality for him—in his memory, in his sensibility, and in his private world of sensations and ideas. Steven Jaron’s essay questions the psychological implications of Bacon’s habitual language, his obsession with “the wound,” vulnerability, and the nervous system. Darian Leader’s essay “Bacon and the Body,” presents the latest of his fresh and stimulating insights into the artist. The focus in John Onians’s “Francis Bacon: A Neuroarthistory” is the effect of Bacon’s unconscious mental processes in the creation of his paintings. “The ‘Visual Shock’ of Francis Bacon: An Essay in Neuroaesthetics” is a newly edited and now fully illustrated re-presentation of an article by Semir Zeki, previously accessible only as an online academic paper.