Francis Wilson's Life of Himself


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Francis Wilson's Life of Himself


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This is a new release of the original 1924 edition.







Burning Man


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'Frances Wilson writes books that blow your hair back. She makes Lawrence live and breathe, annoy and captivate you ... she conjures the past with such clarity and wit and flair that it feels utterly present' Katherine Rundell 'A brilliantly unconventional biography, passionately researched and written with a wild, playful energy' Richard Holmes D H Lawrence is no longer censored, but he is still on trial – and we are still unsure what the verdict should be, or even how to describe him. History has remembered him, and not always flatteringly, as a nostalgic modernist, a sexually liberator, a misogynist, a critic of genius, and a sceptic who told us not to look in his novels for 'the old stable ego', yet pioneered the genre we now celebrate as auto-fiction. But where is the real Lawrence in all of this, and how – one hundred years after the publication of Women in Love - can we hear his voice above the noise? Delving into the memoirs of those who both loved and hated him most, Burning Man follows Lawrence from the peninsular underworld of Cornwall in 1915 to post-war Italy to the mountains of New Mexico, and traces the author's footsteps through the pages of his lesser known work. Wilson's triptych of biographical tales present a complex, courageous and often comic fugitive, careering around a world in the grip of apocalypse, in search of utopia; and, in bringing the true Lawrence into sharp focus, shows how he speaks to us now more than ever. 'No biography of Lawrence that I have read comes close to Burning Man' Ferdinand Mount, author of Kiss Myself Goodbye 'The most original voice in life-writing today' Lucasta Miller, author of Keats




How to Survive the Titanic or The Sinking of J. Bruce Ismay


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**WINNER OF THE ELIZABETH LONGFORD PRIZE FOR HISTORICAL BIOGRAPHY 2012** The strange and fascinating story of the owner of the Titanic, J. Bruce Ismay, the man who jumped ship 'Beautifully written, and beautifully deconstructed' Sunday Times 'Wonderfully rich and multi-layered . . . Full of fascinating details . . . Every sentence crackles with intelligence' Mail on Sunday As the Titanic sinks on that fateful day in April 1912, a thousand men prepared to die. J. Bruce Ismay, the ship's owner and inheritor of the White Star fortune, however, jumps into a lifeboat with the women and children and rows away to safety. Publicly reviled as a coward, Ismay became, according to one headline, 'The Most Talked-of Man in the World' and the first victim of a press hate campaign. His reputation never recovered and while other survivors were piecing together their accounts, Ismay never spoke of his beloved ship again. With the help of that great narrator of the sea, Joseph Conrad, whose Lord Jim so uncannily foretold Ismay's fate, Frances Wilson explores the reasons behind Ismay's jump, his desperate need to make sense of the horror of it all, and to find a way of living with ignominy. Wilson's biography of Ismay depicts the indelible stain of public disrepute and a life led in the aftermath of seismic disaster.




Guilty Thing


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**LONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION 2016** **New York Times Book Review, Times Literary Supplement and Guardian Best Books of 2016** 'Life for De Quincey was either angels ascending on vaults of cloud or vagrants shivering on the city streets.' The last of the Romantics, Thomas De Quincey is a name synonymous with scandal. Modelling his character on Coleridge and his sensibility on Wordsworth, De Quincey took over the latter's former cottage and turned it into an opium den. Here, in the throes of his high, he nurtured his growing hatred of his former idols and wrote the notorious and fascinatingly strange essay 'On Murder Considered as one of the Fine Arts'. Despite never achieving the literary deification of his contemporaries, his narrative style – scripted and sculptured emotional memoir – was to inspire generations of writers: Dickens, Dostoevsky, Virginia Woolf. James Joyce knew whole pages of his work off by heart and he was arguably the father of what we now call psychogeography. Guilty Thing tells the riches-to-rags story of a dazzlingly complex and troubled figure, whose life was lived on the run, and affords De Quincey the literary biography he deserves.




A Life of Barbara Stanwyck


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“860 glittering pages” (Janet Maslin, The New York Times): The first volume of the full-scale astonishing life of one of our greatest screen actresses—her work, her world, her Hollywood through an American century. Frank Capra called her, “The greatest emotional actress the screen has yet known.” Now Victoria Wilson gives us the first volume of the rich, complex life of Barbara Stanwyck, an actress whose career in pictures spanned four decades beginning with the coming of sound (eighty-eight motion pictures) and lasted in television from its infancy in the 1950s through the 1980s. Here is Stanwyck, revealed as the quintessential Brooklyn girl whose family was in fact of old New England stock; her years in New York as a dancer and Broadway star; her fraught marriage to Frank Fay, Broadway genius; the adoption of a son, embattled from the outset; her partnership with Zeppo Marx (the “unfunny Marx brother”) who altered the course of Stanwyck’s movie career and with her created one of the finest horse breeding farms in the west; and her fairytale romance and marriage to the younger Robert Taylor, America’s most sought-after male star. Here is the shaping of her career through 1940 with many of Hollywood's most important directors, among them Frank Capra, “Wild Bill” William Wellman, George Stevens, John Ford, King Vidor, Cecil B. Demille, Preston Sturges, set against the times—the Depression, the New Deal, the rise of the unions, the advent of World War II, and a fast-changing, coming-of-age motion picture industry. And at the heart of the book, Stanwyck herself—her strengths, her fears, her frailties, losses, and desires—how she made use of the darkness in her soul, transforming herself from shunned outsider into one of Hollywood’s most revered screen actresses. Fifteen years in the making—and written with full access to Stanwyck’s family, friends, colleagues and never-before-seen letters, journals, and photographs. Wilson’s one-of-a-kind biography—“large, thrilling, and sensitive” (Michael Lindsay-Hogg, Town & Country)—is an “epic Hollywood narrative” (USA TODAY), “so readable, and as direct as its subject” (The New York Times). With 274 photographs, many published for the first time.




John Wilkes Booth and the Women Who Loved Him


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When John Wilkes Booth died—shot inside a burning barn and dragged out twelve days after he assassinated President Lincoln—all he had in his pocket were a compass, a candle, a diary, and five photographs of five different women. They were not ordinary women. Four of them were among the most beautiful actresses of the day; the fifth was Booth's wealthy fiancé women who were consumed by love, jealousy, strife, and heartbreak; women whose lives took wild turns before and after Lincoln's assassination; women whom have been condemned to the footnotes of history... until now.




Out of Sheer Rage


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FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD "In the spirit of Julian Barnes's Flaubert's Parrot and Alain de Botton's How Proust Can Change Your Life, Mr. Dyer's Out of Sheer Rage keeps circling its subject in widening loops and then darting at it when you least expect it . . . a wild book."--Christopher Lehmann-Haupt, The New York Times Geoff Dyer was a talented young writer, full of energy and reverence for the craft, and determined to write a study of D. H. Lawrence. But he was also thinking about a novel, and about leaving Paris, and maybe moving in with his girlfriend in Rome, or perhaps traveling around for a while. Out of Sheer Rage is Dyer's account of his struggle to write the Lawrence book--a portrait of a man tormented, exhilarated, and exhausted. Dyer travels all over the world, grappling not only with his fascinating subject but with all the glorious distractions and needling anxieties that define the life of a writer.




The Year of the End


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'A moving and absorbing account' Adam Buxton 'Scorching ... a brave book' Helen Brown, Telegraph 'A wise and vivid memoir of a disintegrating marriage and a study of the role of the spouse in the life of a literary giant' Fiona Sturges, i Paper 18TH JANUARY 1990 Paul left today at 8am. We had been married just over 22 years. The previous evening we had gone out to eat at a local restaurant, where we drank champagne and reminisced. In a short story which he wrote about that final evening of a marriage, the central characters talk wittily and poignantly about the explorer Sir Richard Burton and the sad, misunderstood wife who burnt his books. The reality was different. 'This memoir is based on the diary I kept during 1990, the year that my first marriage came to an end.' After 22 years, spent across four continents, with two children - Louis and Marcel - in 1990 Anne and Paul Theroux decided to separate. For that year, Anne - later a professional relationship therapist herself - kept a diary, noting not only her day-to-day experiences as a busy freelance journalist and broadcaster, but the contrasts in her feelings between despairing grief and hope for a new future. With reflections on truth and fiction, literature and art, and the nature of marriage, alongside commentary on notable political and cultural events, and interviews with prominent writers of the time, including Kingsley Amis and Barbara Cartland, The Year of the End offers a unique insight into the unravelling of a relationship and the attempt to rebuild a life.