Freehand Perspective Drawing


Book Description

Pictorial graphic communication starts with freehand perspective drawing. This book teaches it with clean, clear, pencil sketches explained with captions.




Perspective Sketching


Book Description

This book offers a command of the basic principals of perspective that is essential to creating dynamic, plausible compositions.




Freehand Drawing and Discovery


Book Description

Features access to video tutorials! Designed to help architects, planners, and landscape architects use freehand sketching to quickly and creatively generate design concepts, Freehand Drawing and Discovery uses an array of cross-disciplinary examples to help readers develop their drawing skills. Taking a "both/and" approach, this book provides step-by-step guidance on drawing tools and techniques and offers practical suggestions on how to use these skills in conjunction with digital tools on real-world projects. Illustrated with nearly 300 full color drawings, the book includes a series of video demonstrations that reinforces the sketching techniques.




Perspective Drawing


Book Description

This richly illustrated guide to perspective drawing features 17 reproductions of ancient and modern art, plus more than 200 instructive figures. The first half encourages freehand drawing, cultivating practical exposure to the principles of perspective. The second part addresses the laws and theories that constitute the science of perspective. Encouraging students to begin immediately with pencil drawings, the first part examines the application of perspective to depicting light and shade, textured objects, and imaginary as well as existing forms. The second part deals exclusively with rules of perspective, covering a wide scope and explaining the mechanics of perspective thoroughly and yet simply. Intended as an auxiliary to the first half's drawing instructions, part two is organized for ready reference as students progress through part one.




Perspective for Artists


Book Description

Depth, perspective of sky and sea, shadows, much more, not usually covered. 391 diagrams, 81 reproductions of drawings and paintings.




Drawing from Practice


Book Description

Drawing from Practice explores and illuminates the ways that 26 diverse and reputable architects use freehand drawing to shape our built environment. Author J. Michael Welton traces the tactile sketch, from initial parti to finished product, through words, images, and photographs that reveal the creative process in action. The book features drawings and architecture from every generation practicing today, including Aidlin Darling Design, Alberto Alfonso, Deborah Berke, Marlon Blackwell, Peter Bohlin, Warren Byrd, Ellen Cassilly, Jim Cutler, Chad Everhart, Formwork, Phil Freelon, Michael Graves, Frank Harmon, Eric Howeler and Meejin Yoon, Leon Krier, Tom Kundig, Daniel Libeskind, Brian McKay Lyons, Richard Meier, Bill Pedersen, Suchi Reddy, Witold Rybczynski, in situ studio, Laurinda Spear, Stanley Tigerman, and Tod Williams Billie Tsien Architects. Included is a foreword by Robert McCarter, architect, author and professor of architecture.




Perspective Drawing for Interior Space


Book Description

Using step-by-step instructions together with line-colored drawings, Perspective Drawing for Interior Space offers procedural instruction that covers freehand and technical one-, two-, and three-point perspectives. This text begins with the basic fundamentals of perspective by utilizing geometric shapes (cubes, cones, pyramids) and then advances beyond the core skills, to creating furniture, and finally, complete interior spaces. Students will learn to use grids to help them draw scale and proportion in perspective. The text also teaches students to use floor plans and elevations to create these drawings.




Exploring Perspective Hand Drawing Second Edition


Book Description

Hand drawing and sketching are fundamental aspects for visual communication in the design field. Individuals can use these two techniques to improve their understanding of spatial concepts, to provide common language for translation of visual ideas and to assist with developing creative design solutions. This book provides every student with an opportunity to learn hand design drawing skills. Students are progressed from very basic drawing techniques to the drawing of complete interior perspective rooms. The step-by-step instructions, hand drawn illustrations and video demonstrations, provide effective support material for this process. In addition, creative strategies and helpful hints throughout the book encourage students to overcome typical obstacles. Creating realistic drawings in proportion depends on the ability to draw a box in perspective. Therefore, the basic theory of this book uses the box method of drawing. Furthermore, all of the objects illustrated are interior elements, furniture and accessories. Each of the three sections in the book builds upon the other. Part I, Drawing Fundamentals, focuses on techniques for learning basic line drawing skills. It covers drawing various forms and the adding of value, texture, pattern, shade and shadow. Part II, Drawing Interior Elements, demonstrates techniques for drawing furniture in one-point and two-point perspective. It also includes instruction for drawing plants, tabletop objects, accessories and window treatments. Finally, Part III, Perspective Drawing, provides detailed instructions for drawing one-point and two-point perspectives of interior spaces. This section provides students the opportunity to bring together all they have learned in previous sections and apply it to toward communicating design ideas. This edition also contains a new section on Advanced Perspective Techniques, which provides a variety of tips and techniques for creating and embellishing perspective drawings.




Freehand Figure Drawing for Illustrators


Book Description

Draw the Human Figure Anywhere, Anytime For today’s in-demand comic creators, animators, video game artists, concept designers, and more, being able to quickly draw the human figure in a variety of action-packed poses is a requirement. But what do you do if you don’t have models or photographic reference readily available? In Freehand Figure Drawing for Illustrators, artist and instructor David H. Ross provides an alternative solution, showing you how to master freehand figure drawing without visual reference by using a modern twist on the classic technique of blocking out the human figure in mannequin form. Step-by-step lessons guide illustrators from basic poses (standing, running, jumping) to extreme motions (throwing punches, high kicking). For on-the-go artists, Freehand Figure Drawing for Illustrators allows you complete freedom to bring your figures to life at any time.