French Caricature and the French Revolution, 1789-1799
Author :
Publisher : Grunwald Center for the
Page : 280 pages
File Size : 23,75 MB
Release : 1988
Category : Art
ISBN : 9780943739069
Author :
Publisher : Grunwald Center for the
Page : 280 pages
File Size : 23,75 MB
Release : 1988
Category : Art
ISBN : 9780943739069
Author : Julia Douthwaite Viglione
Publisher : Modern Language Association
Page : 421 pages
File Size : 32,46 MB
Release : 2019-08-01
Category : Language Arts & Disciplines
ISBN : 1603294015
In many ways the French Revolution--a series of revolutions, in fact, whose end has arguably not yet arrived--is modernity in action. Beginning in reform, it blossomed into wholesale attempts to remake society, uprooting the clergy and aristocracy, valorizing mass movements, and setting secular ideologies, including nationalism, in motion. Unusually manifold and complicated, the revolution affords many teaching opportunities and challenges. This volume helps instructors seeking to connect developments today--terrorism, propaganda, extremism--with the events that began in 1789, contextualizing for students a world that seems always unmoored and in crisis. The volume supports the teaching of the revolution's ongoing project across geographic areas (from Haiti, Latin America, and New Orleans to Spain, Germany, and Greece), governing ideologies (human rights, secularism, liberty), and literatures (from well-known to newly rediscovered texts). Interdisciplinary, intercultural, and insurgent, the volume has an energy that reflects its subject.
Author : Mary Wollstonecraft
Publisher :
Page : 550 pages
File Size : 26,90 MB
Release : 1794
Category : France
ISBN :
Author : David S. Kerr
Publisher : Clarendon Press
Page : 254 pages
File Size : 23,29 MB
Release : 2000-09-07
Category : History
ISBN : 0191543047
Charles Philipon (1800-1862) was the founder of the satirical illustrated press in France. With the newspapers he owned and directed, La Caricature and Le Charivari, he led an unprecedentedly coherent and vitriolic campaign of disrespect against King Louis-Philippe and his regime. Using a group of young caricaturists (the most talented of whom were Daumier, Grandville, and Travies) and the collaboration of a gifted team of writers (including Balzac) he crafted a new language of opposition. This book is the first full scholarly study of the structure of the illustrated press in the 1830s, its contribution to political debate in France, the dissemination of caricature and its potential as political propaganda, and the links between caricature and other forms of political-cultural discourse under the July Monarchy.
Author :
Publisher : Penn State Press
Page : 244 pages
File Size : 19,22 MB
Release : 2003
Category : France
ISBN : 9780271040134
[This book] gives readers [an] introduction to the French Revolution that is also grounded in the latest ... scholarship ... The book presents a succinct narrative of the Revolution.-Back cover. [In this book, the authors] follow a wide range of events, including the social and cultural events as well as the military and political ones. Women's history and gender relations ... have been integrated into the general story.-Pref.
Author : David Downie
Publisher : Macmillan + ORM
Page : 369 pages
File Size : 14,11 MB
Release : 2015-04-28
Category : Travel
ISBN : 1466841257
"A top-notch walking tour of Paris. . . . The author's encyclopedic knowledge of the city and its artists grants him a mystical gift of access: doors left ajar and carriage gates left open foster his search for the city's magical story. Anyone who loves Paris will adore this joyful book. Readers visiting the city are advised to take it with them to discover countless new experiences." —Kirkus Reviews (starred) A unique combination of memoir, history, and travelogue, this is author David Downie's irreverent quest to uncover why Paris is the world's most romantic city—and has been for over 150 years. Abounding in secluded, atmospheric parks, artists' studios, cafes, restaurants and streets little changed since the 1800s, Paris exudes romance. The art and architecture, the cityscape, riverbanks, and the unparalleled quality of daily life are part of the equation. But the city's allure derives equally from hidden sources: querulous inhabitants, a bizarre culture of heroic negativity, and a rich historical past supplying enigmas, pleasures and challenges. Rarely do visitors suspect the glamor and chic and the carefree atmosphere of the City of Light grew from and still feed off the dark fountainheads of riot, rebellion, mayhem and melancholy—and the subversive literature, art and music of the Romantic Age. Weaving together his own with the lives and loves of Victor Hugo, Georges Sand, Charles Baudelaire, Balzac, Nadar and other great Romantics Downie delights in the city's secular romantic pilgrimage sites asking , Why Paris, not Venice or Rome—the tap root of "romance"—or Berlin, Vienna and London—where the earliest Romantics built castles-in-the-air and sang odes to nightingales? Read A Passion for Paris: Romanticism and Romance in the City of Light and find out.
Author : Richard Taws
Publisher : Penn State Press
Page : 230 pages
File Size : 33,67 MB
Release : 2015-09-22
Category : Art
ISBN : 0271061898
In revolutionary France the life of things could not be assured. War, shortage of materials, and frequent changes in political authority meant that few large-scale artworks or permanent monuments to the Revolution’s memory were completed. On the contrary, visual practice in revolutionary France was characterized by the production and circulation of a range of transitional, provisional, ephemeral, and half-made images and objects, from printed paper money, passports, and almanacs to temporary festival installations and relics of the demolished Bastille. Addressing this mass of images conventionally ignored in art history, The Politics of the Provisional contends that they were at the heart of debates on the nature of political authenticity and historical memory during the French Revolution. Thinking about material durability, this book suggests, was one of the key ways in which revolutionaries conceptualized duration, and it was crucial to how they imagined the Revolution’s transformative role in history. The Politics of the Provisional is the first book in the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation. Thanks to the AHPI grant, this book is available on a variety of popular e-book platforms.
Author : Paddy Bullard
Publisher :
Page : 744 pages
File Size : 20,80 MB
Release : 2019
Category : Literary Criticism
ISBN : 0198727836
This handbook is a guide to the kinds of satire written in English during the 'long' eighteenth century and it focuses on texts that appeared between the restoration of the Stuart monarchy in 1660 and the outbreak of the French Revolution in 1789.
Author : John Phillips
Publisher : Oxford University Press, USA
Page : 161 pages
File Size : 38,31 MB
Release : 2005-07-28
Category : Literary Criticism
ISBN : 0192804693
Discussing the 'real' Marquis de Sade from his mythical and demonic reputation, John Phillips examines Sade's life and work his libertine novels, his championing of atheism, and his uniqueness in bringing the body and sex back into philosophy.
Author : Nicholas K. Robinson
Publisher : Yale University Press
Page : 233 pages
File Size : 27,22 MB
Release : 1996-01-01
Category : Biography & Autobiography
ISBN : 0300068018
For more than thirty years until his death in 1797, the statesman and writer Edmund Burke was a powerful and passionate voice on the great political issues of late eighteenth-century Britain. The broad range of his interests, as well as his Irish origins and his Catholic connections, made Burke a favorite target of such vitriolic and sometimes scurrilous caricaturists as Gillray, Rowlandson, Dent, and Sayers. This book follows and sheds new light on Burke's political, literary, and personal life by examining a wide selection of the caricatures in which he was featured. Nicholas Robinson puts the caricatures in context by reconstructing the day-to-day episodes of social and parliamentary activity and by reviewing the debates that took place about such issues as the influence of the Crown, relations with America, the governance of India, and the French Revolution. He shows how caricature was forged into a formidable political weapon, unravels the caricaturists' devices in representing the mannerisms and characteristics of Burke and his contemporaries, and investigates how Burke and other political figures, including Charles James Fox, William Pitt, George III, Lord North, and the Prince of Wales, fared as the subjects of the satirical prints. Robinson demonstrates that Catholic entryism, party politics, economic reform, aesthetics, good governance, the constitutional role of the monarch, the role and conduct of his heir, radicalism, and dissent were all treated pungently, facetiously, and often savagely in the prints. And from them emerges a fresh portrait of Burke as a person, statesman, intellectual, and man of honor.