French Images from the Greek War of Independence (1821-1830)


Book Description

The Greek struggle against Ottoman rule was a crucial event in the history and politics of nineteenth-century Europe. In particular it had a strong impact on the political and cultural life of France during the Bourbon Restoration, where it was appropriated and promoted as the symbolic spearhead of liberal ideas and of the growing Romantic rebellion. This book by Nina Athanassoglou-Kallmyer examines the French paintings, prints, and sculptures inspired by the Greek War of Independence. Athanassoglou-Kallmyer reinterprets important works by the foremost exponents of the Romantic movement - including Delacroix, Gericault, Horace Vernet, Ary Scheffer, and David d’Angers - showing how they viewed the Greek struggle as a setting for the opposing forces of conservatism and liberalism. She explains that, far from being mere pictorial records of specific war episodes such as the massacre at Chios or the fall of Missolonghi, images of the clashes between Greeks and Turks reflected the mottos and arguments of the French liberal propaganda echoed as well by contemporary newspapers, parliamentary debates, broadsides, pamphlets, popular plays, and poems.






















The Greek War of Independence


Book Description

This “fresh and compelling” study sheds light on the dramatic military, political, and cultural forces that led Greece to liberation in the 19th century (Wall Street Journal). In The Greek War of Independence, Oxford scholar David Brewer presents a vividly detailed and comprehensive study of one of history’s most heroic and bloody struggles for independence. This was the revolution of the Romantic Age, inspiring painters, poets, and patriots the world over, fired as much by Lord Byron's ringing words and Delacroix's brilliant paintings as by Greece's seemingly hopeless plight. For nearly four hundred years, the Ottoman Turks governed Greece, subjecting the country to crushing and arbitrary tax burdens and its peasants to serfdom. The glories of the ancient past were gone, and under Turkish rule Greece was poor and backward. But inspired by the examples of the American and French revolutions, Napoleon's victories, and the Latin American wars of liberation, the Greek people rose up against their Turkish masters in 1821. Over the course of twelve brutal years—a time of terrible violence and bloody massacre—the Greeks and the foreign volunteers who flocked to their cause fought until independence was won in 1833.




Archaeology, Nation, and Race


Book Description

Archaeology, Nation, and Race is a must-read book for students of archaeology and adjacent fields. It demonstrates how archaeology and concepts of antiquity have shaped, and have been shaped by colonialism, race, and nationalism. Structured as a lucid and lively dialogue between two leading scholars, the volume compares modern Greece and modern Israel – two prototypical and influential cases – where archaeology sits at the very heart of the modern national imagination. Exchanging views on the foundational myths, moral economies, and racial prejudices in the field of archaeology and beyond, Hamilakis and Greenberg explore topics such as the colonial origins of national archaeologies, the crypto-colonization of the countries and their archaeologies, the role of archaeology as a process of purification, and the racialization and 'whitening' of Greece and Israel and their archaeological and material heritage. They conclude with a call for decolonization and the need to forge alliances with subjugated communities and new political movements.




The Wrightsman Pictures


Book Description

This lavish catalogue presents 150 European paintings, pastels, and drawings from the late fifteenth to the mid-nineteenth century that have been given to the Metropolitan Museum by Mr. and Mrs. Charles Wrightsman or are still held in Mrs. Wrightsman's private collection. These notable works were collected over the past four decades, many of them with the Museum in mind; some were purchased by the Museum through the Wrightsman Fund. Highlights of the book include masterpieces by Vermeer, El Greco, Rubens, Van Dyck, Georges de La Tour, Jacques-Louis David, and Caspar David Friedrich as well as numerous paintings by the eighteenth-century Venetian artists Canaletto, Guardi, and the Tiepolos, father and son, plus a dozen remarkable portrait drawings by Ingres. Each work is reproduced in color and is accompanied by a short essay.