French Individualist Poetry 1686-1760


Book Description

This anthology has a double aim: to present a body of poetry, none of it easily available, some of it never before reproduced, and to point up a particular trend, until now nearly lost sight of in the maze of generalizations about eighteenth-century French poetry. This trend, called individualist, in contradistinction to the academic and universalist trends of the century, has been chosen since it is the least known and most original of the three. The individualist poets are avowed moderns, and their attitude toward poetry and their concept of its nature often anticipate attitudes held by our poets of our own time. There has not been available to this point a sufficiently representative body of poems by these poets, a gap that Professors Finch and Joliat have attempts to fill with their anthology. Readers will find the notes to the poems especially useful, since many of them provide out-of-the-way background material and, as well, offer new insights into the poetry of the individualist poets as a group.




Authors and Their Centuries


Book Description




The Idea of Decadence in French Literature, 1830-1900


Book Description

The cult of decadence is usually dismissed as an eccentricity of French literature, a final twitter of Romantic neurosis, convulsing the lunatic fringe of letters during the last third of the nineteenth century. However, the nineteenth century's preoccupation with decadence provides us with a key to the secret places of its thought, to all the obscure passages and backstairs behind the triumphant façade. Between 1814 and 1914, there was no sense of disaster, no tragic sense. Civilization had become a habit, a side product of political constitutions and applied science. History was viewed pragmatically: of what use were such traditional symbols as throne and altar? Both are essentially propitiatory, evidence of man's uneasy knowledge that power is dangerous and destiny implacable. And both seemed anachronisms in a world where (it was thought) human reason had solved or would solve all the old problems. The theory of decadence is very largely a protest against this comfortable belief. Had the decadents not written, we should hardly suspect that the nineteenth century suffered from the same doubts and hesitations as all other ages, before and since.




The Sixth Sense


Book Description

It has long been the custom to condemn eighteenth-century French poetry outright as generally unworthy of attention. However, in keeping with a recent change of attitude towards this vast and diverse body of literature, Professor Finch here undertakes to isolate a certain group of poets, belonging to the first half of the century, who may appropriately be called individualistes and who are in various ways characteristic of a definite and important trend of their time. The authors he has chosen were selected from the larger group of individualists because each provides, in addition to his poems, a complete statement of his own conception of poetry and of that conception which is common to the group as a whole. Since the works treated are comparatively unfamiliar the author has considered them from a historical and an analytical as well as a critical point of view. In addition he has devoted three special chapters to a literary historian (Evrard Titon du Tillet) and to three critical theorists (Jean-Baptiste Dubos, Yves-Marie André, and Charles Batteux) whose contemporary writings, while they may or may not have influenced the poets here examined, support, reflect, or confirm their ideas and practice. Texts of these poets are not easily available and the numerous representative quotations from the poems given in this book will be welcomed by the reader.







The Poetry of Francisco de la Torre


Book Description

Francisco de la Torre has long been praised as an outstanding poet in the mould of Garcilaso de la Vega and his simplicity of style and soft, gentle, Arcadian environment of his poetry have been emphasized. In this volume Professor Hughes attempts to define more accurately the position of Francisco de la Torre's verse in the evolution of Spanish poetry in the sixteenth century, revealing that Torre's vision of the pastoral world and his poetic language show him to be a transitional poet of considerable quality and substance and not merely an imitator of Garcilaso. Hughes demonstrates that while some of Torre's poetry follows a general pastoral pattern, his descriptions are characterized by a sense of movement through a shifting perspective and that even in poems with a traditional pastoral setting, the descriptions sometimes negate the pastoral qualities. The author also shows that Torre, rather than looking back towards Garcilaso and his contemporaries, is already anticipating – especially in his stylistic technique and in his view of nature – the attitude of the seventeenth century.




French Musical Thought, 1600-1800


Book Description

The seventeenth and eighteenth centuries in France were witness to dramatic changes in all aspects of social and cultural life. During this era, a new and modern spirit of critical inquiry arose, a change in ethos that had a major effect on all the arts. French Musical Thought, 1600-1800 is a diverse collection of essays offering new perspectives and insight on musical opinion during one of the most fascinating periods in French history. The essays in this volume, the authors of which include musicologists, historians and literary scholars, illuminate clearly the relationship of critical thought in music to contemporary developments in philosophy, art, literature and politics. In the final analysis, scholars contend that music aesthetics, criticism and theory can be understood only against the backdrop of a dynamic cultural milieu.Contributors: Claude V. Palisca, Jane R. Stevens, Louis E. Auld, Gloria Flaherty, Robert M. Isherwood, Albert Cohen, Barbara Russano Hanning, David Allen Duncan, Charles Dill, Georgia Cowart.




Theatre in French Canada


Book Description

It is only recently that historians of the theatre in French Canada have turned their attention to playwrights active before the twentieth century. Their practice had been to trace the roots of theatre to mid-1930s, to the appearance of Father Emile Legault and his troupe, the Compagnons de Saint-Laurent, dismissing what had gone before. In this innovative history, Leonard Doucette sets out deal for the first time with all plays that have survived to 1867 and to link them with the evolution of politics, institutions, and culture in French Canada. The study of theatre has often been handicapped also by the outdated practice of defining the literary-cultural history of a nation by identifying the masterpieces produced in specific periods and then defining other works in terms of what they are not. The surprisingly rich and varied history of theatrical forms in French Canada has just begun to receive the attention it deserves from scholars. Some of the texts and authors referred to in this history are identified for the first time: the materials cited and conclusions drawn are based upon original research in major Canadian libraries as well as the works of published critics and historians. The result is an excellent introduction to the various forms theatre has taken and the problems it has encountered in French Canada.




A Critical Bibliography of French Literature


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Richard A. Brooks, general editor, v.




Universal language schemes in England and France 1600-1800


Book Description

For centuries Latin served as an international language for scholars in Europe. Yet as early as the first half of the seventeenth century, scholars, philosophers, and scientists were beginning to turn their attention to the possibility of formulating a totally new universal language. This wide-ranging book focuses upon the role that it was thought an ideal, universal, constructed language would play in the advancement of learning. The first section examines seventeenth-century attempts to establish a universal 'common writing' or, as Bishop Wilkins called it, a 'real character and philosophical language.' This movement involved or interested scientists and philosophers as distinguished as Descartes, Mersenne, Comenius, Newton, Hooke, and Leibniz. The second part of the book follows the same theme through to the final years of the eighteenth century, where the implications of language-building for the progress of knowledge are presented as part of the wider question which so interested French philosophers, that of the influence of signs on thought. The author also includes a chapter tracing the frequent appearance of ideal languages in French and English imaginary voyages, and an appendix on the idea that gestural signs might supply a universal language. This work is intended as a contribution to the history of ideas rather than of linguistics proper, and because it straddles several disciplines, will interest a wide variety of reader. It treats comprehensively a subject that has not previously been adequately dealt with, and should become the standard work in its field.