Bring the World to the Child


Book Description

How, long before the advent of computers and the internet, educators used technology to help students become media-literate, future-ready, and world-minded citizens. Today, educators, technology leaders, and policy makers promote the importance of “global,” “wired,” and “multimodal” learning; efforts to teach young people to become engaged global citizens and skilled users of media often go hand in hand. But the use of technology to bring students into closer contact with the outside world did not begin with the first computer in a classroom. In this book, Katie Day Good traces the roots of the digital era's “connected learning” and “global classrooms” to the first half of the twentieth century, when educators adopted a range of media and materials—including lantern slides, bulletin boards, radios, and film projectors—as what she terms “technologies of global citizenship.” Good describes how progressive reformers in the early twentieth century made a case for deploying diverse media technologies in the classroom to promote cosmopolitanism and civic-minded learning. To “bring the world to the child,” these reformers praised not only new mechanical media—including stereoscopes, photography, and educational films—but also humbler forms of media, created by teachers and children, including scrapbooks, peace pageants, and pen pal correspondence. The goal was a “mediated cosmopolitanism,” teaching children to look outward onto a fast-changing world—and inward, at their own national greatness. Good argues that the public school system became a fraught site of global media reception, production, and exchange in American life, teaching children to engage with cultural differences while reinforcing hegemonic ideas about race, citizenship, and US-world relations.




Barbie Doll Photo Album


Book Description

Barbie(R) doll celebrates her fiftieth anniversary in 2009, and our author chronicles every one of those illustrious 50 years. From 1959 through 2009, the highlights of Barbie(R), her family, and friends are documented in full-color photography with large, vivid photos capturing every detail of the dolls, shown mint in boxes with close-ups. Collectors of vintage Barbie(R) dolls will be just as thrilled with this book as those who prefer more recent releases as more than 1,000 unforgettable dolls are featured in over 1,200 breathtaking photos. Hundreds of dolls never shown in any other books are presented. Vintage rarities include pink box dolls from the 1990s and 2000s, as well as series dolls, and dolls based on animated movies. Of course, fans of Collector Editions will not be disappointed, as BFMC Silkstone Barbie(R) dolls, Holiday Barbie dolls, Dolls of the World, and designer dolls will also be among the many Limited Editions represented, culminating with the numerous 50th Anniversary Barbie(R) dolls and reproduction Barbie(R) dolls released in 2009. The current 2009 values, helpful identifications, and fun facts will delight and educate new collectors and advanced hobbyists alike in this truly indispensable tribute book. 2010 values.







Pamphlets


Book Description




Seen and Heard in Mexico


Book Description

During the first two decades following the Mexican Revolution, children in the country gained unprecedented consideration as viable cultural critics, social actors, and subjects of reform. Not only did they become central to the reform agenda of the revolutionary nationalist government; they were also the beneficiaries of the largest percentage of the national budget. While most historical accounts of postrevolutionary Mexico omit discussion of how children themselves experienced and perceived the sudden onslaught of resources and attention, Elena Jackson Albarrán, in Seen and Heard in Mexico, places children’s voices at the center of her analysis. Albarrán draws on archived records of children’s experiences in the form of letters, stories, scripts, drawings, interviews, presentations, and homework assignments to explore how Mexican childhood, despite the hopeful visions of revolutionary ideologues, was not a uniform experience set against the monolithic backdrop of cultural nationalism, but rather was varied and uneven. Moving children from the aesthetic to the political realm, Albarrán situates them in their rightful place at the center of Mexico’s revolutionary narrative by examining the avenues through which children contributed to ideas about citizenship and nation.




South Dakota History


Book Description




A Postcard View of Hell: One Doughboy’s Souvenir Album of the First World War


Book Description

For many the postcard may seem trivial, little more than a mundane souvenir or a way to keep in touch with friends and relatives while on vacation. But if we look carefully, postcards offer valuable insights into the time periods in which they were created and the mentalities of those who bought or sent them. Frank Marhefka, while serving in the U.S. Army Motor Transportation Corps during the First World War, amassed a collection of more than 150 postcards and photographs while in France, and bound them into a souvenir album. Marhefka’s collection provides a diverse and vivid look into a period of history that – in many soldiers’ accounts – is not usually visualized with all its cruelties. Emphasizing the pictorial turn of the Great War, this album offers personal insight into a conflict that caused so much death and destruction. The book begins with an introduction providing a history of postcards and their extensive use by soldiers during the Great War. Then, after a biography of Marhefka, his postcard collection is presented in its entirety. Accompanying the images are brief texts that place them into historical context, as well as suggestions for further reading. As a visual artifact of the First World War and the perspective of one U.S. soldier, this book is aimed at students, scholars, postcard collectors, and general readers alike who have an interest in military history and popular culture.




A Joseph Cornell Album


Book Description

With affection and critical respect, a celebrated art historian has gathered an unprecedented wealth of material about the shy but immensely influential artist who lived on incongruously named Utopia Parkway in Queens, New York.




I, Doll


Book Description

When the New York Dolls' bassist died suddenly at age 55 in 2004, he left behind not only their timeless music--and many thousands of fans and friends--but a memoir of the Dolls' early years. This distinctive and extroverted voice of an undisciplined showman is presented with an introduction and epilogue by his widow, Barbara. This up close and personal perspective of the band's early days and late nights--including an instance where he locks himself out of the studio in full drag while tripping on LSD--chronicles the glorious, glamorous era of high times, high drama, and low comedy that captures the music, the style, and the life of the all-too-brief existence of the New York Dolls.