"Frightened by a Word"


Book Description

"Central to this analysis is the issue of subjectivity, of who sees what, how, and why. In its examination of three novels by Shirley Jackson - Hangsaman (1951), The Haunting of Hill House (1959), and We Have Always Lived in the Castle (1962) - this study draws on theories of performativity and subjectivity as put forward by feminism/queer theory and, in particular, by Judith Butler. Central to this investigation is how these texts repeat and, simultaneously, fail to repeat literary conventions linking lesbian and Gothic, as well as how that repetition, and its failure, affect overall interpretation."--BOOK JACKET.




Nothing to be Frightened Of


Book Description

"I don’t believe in God, but I miss him." So begins Julian Barnes’s brilliant new book that is, among many things, a family memoir, an exchange with his brother (a philosopher), a meditation on mortality and the fear of death, a celebration of art, an argument with and about God and a homage to the writer Jules Renard. Barnes also draws poignant portraits of the last days of his parents, recalled with great detail, affection and exasperation. Other examples he takes up include writers, "most of them dead and quite a few of them French," as well as some composers, for good measure. The grace with which Barnes weaves together all of these threads makes the experience of reading the book nothing less than exhilarating. Although he cautions us that "this is not my autobiography," the book nonetheless reveals much about Barnes the man and the novelist: how he thinks and how he writes and how he lives. At once deadly serious and dazzlingly playful, Nothing to Be Frightened Of is a wise, funny and constantly surprising tour of the human condition.




English Synonyms and Antonyms


Book Description




The Frightened Ones


Book Description

**Finalist for the 2018 International Prize for Arabic Fiction** A timely and haunting novel from an exciting new voice in international literature, set in present-day Syria In her therapist's waiting room in Damascus, Suleima meets a strange and reticent man named Naseem, and they soon begin a tense affair. But when Naseem, a writer, flees Syria for Germany, he sends Suleima the unfinished manuscript of his novel. To Suleima's surprise, she and the novel's protagonist are uncannily similar. As she reads, Suleima's past overwhelms her and she has no idea what to trust--Naseem's pages, her own memory, or nothing at all? Narrated in alternating chapters by Suleima and the mysterious woman portrayed in Naseem's novel, The Frightened Ones is a boundary-blurring, radical examination of the effects of oppression on one's sense of identity, the effects of collective trauma, and a moving window into life inside Assad's Syria.













Use the Right Word


Book Description

A Reader's Digest book.




Lesbian Gothic


Book Description

Tracing the growth of lesbian Gothic fiction over the 25 years since the advent of the Women's Movement and Gay Liberation in the 1970s, this text discusses a wide selection of novels and stories, contextualizing and re-evaluating them in the light of changing currents in lesbian/queer culture and politics. The figure of the lesbian, frequently portrayed in a homophobic/misogynistic light, has long been a standard component of popular Gothic fiction and film. The author argues, however, that in more contemporary fiction, motifs and modes of fiction with Gothic associations, such as the witch, the vampire, the spectral visitor and the Gothic thriller, have been appropriated by writers adopting a lesbian viewpoint to articulate the transgressive aspect of lesbian sexuality and existence.




The Kaisho


Book Description

From New York Times bestselling author Eric Lustbader, the suspense mastermind behind the smash bestsellers featuring Robert Ludlum’s™ Jason Bourne, comes a blockbuster thriller of one man’s debt of honor—and his ultimate destiny. Years ago, Nicholas Linnear, a.k.a. “the Ninja,” made a promise to his father: If a man named Mikio Okami ever sought his help, he would respond without question, no matter the cost. Now the time has come to fulfill his pledge. Okami is the Kaisho—the boss of bosses of the Yakuza, the Japanese underworld—and in his Venice headquarters, he realizes that he has been marked for death. But the identity of the assassin and the inexorable compulsion that drives him are shrouded in mysticism and madness. Honor bound to protect Okami, Linnear is prepared to make the ultimate sacrifice: a descent into a chasm of knowledge so potent, of dangers so unfathomable, that even if he survives, he will emerge changed forever.