From an Art to a Science of Psychoanalysis


Book Description

Think of it. When our car breaks down and we take it for repair, we want a mechanic who has a scientific basic knowledge of its parts and internal operations. We also want one who can find our particular problem. We worry if we see that his(her) own vehicle is in disrepair. And if he misperceives our badly-behaving beast and takes a dislike to it, we worry more. And if the vehicle is our mind, and the service person a mental health specialist, and we come late and surly for our initial appointment, we want him(her) to realize that he has just witnessed the first sign of its malfunction. Of course a friendly relationship would be welcome, but that is not our primary desire. With deep and lovely years to spend and miles to go before we end, it's reliable transportation we're after. So is it impossible to achieve a level of expertise that could help us get it? Yes, there are differences. The human mind was not conceived and built by an engineer who could rhyme off its intricacies at will. But scientific clinical studies of its after-creation states could lead to such. Botanists and zoologists have developed testable theories of phenomena that they did not produce. During his medical training, Dr. Harry M. Anderson was inspired by the apolitical curiosity, courage, and determination of the scientists he encountered, and he carried their example into a career in the psychoanalytic domain. It led him to test the definability of its concepts and the predictive capability of its principles, and methods for doing so during treatments were developed. Some held up to validation procedures while others did not, and a reliable body of theory began to emerge from the work. As it proved repeatedly accurate in sessions with patients, he applied it in a parallel analysis of self after his training analysis. Then, new research data emerged from several sources to expand its range, and as the roots of some of life's most severe symptoms were reached and dismantled, the goal of providing "complete analyses" became more than possible. It also became apparent that unsuspected artistic creative potentials could be released in self and others; and that theoretically-informed analyses could create extensive ripple effects in families, career situations, marriages, and friendships. None of his specific research was planned, but retrospective notations revealed that each had followed naturally upon the one before. Initial offerings had energized the curious part of his mind and pulled the rest of it with them.




Art in Psychoanalysis


Book Description

A revolution is brewing in psychoanalysis: after a century of struggle to define psychoanalysis as a science, the concept of psychoanalysis as an art is finding expression in an unconventional 'return to Freud' that reformulates the relationship between art and psychoanalysis and in this process, discovers and explores uncharted routes through art to re-think problems in contemporary clinical work. This book explores recent contributions to the status of psychoanalytic thought in relation to art and creativity and the implications of these investigations for todays analytic practice. The title, 'Art in Psychoanalysis', reflects its double perspective: art and its contributions to theory and clinical practice on the one hand, and the response from psychoanalysis and its "interpretation" of art. These essays expose the "aesthetic value of analytic work when it is able to 'create' something new in the relation with the patient". The authors surprise the reader with an immense array of fresh and stimulating hypotheses which reflect the originality of their own creative process that has overturned ideas including the 'application of psychoanalysis' to art and the entity of the object of art.




Psychoanalysis


Book Description

Edited by James Tyler Carpenter, here is Arnold Richards's paper Psychoanalysis: Art, Science, or Ideology and comments by leading psychoanalysts.




Between Art Practice and Psychoanalysis Mid-Twentieth Century


Book Description

The work of mid-twentieth century art theorist Anton Ehrenzweig is explored in this original and timely study. An analysis of the dynamic and invigorating intellectual influences, institutional framework and legacy of his work, Between Art Practice and Psychoanalysis reveals the context within which Ehrenzweig worked, how that influenced him and those artists with whom he worked closely. Beth Williamson looks to the writing of Melanie Klein, Marion Milner, Adrian Stokes and others to elaborate Ehrenzweig?s theory of art, a theory that extends beyond the visual arts to music. In this first full-length study on his work, including an inventory of his library, previously unexamined archival material and unseen artworks sit at the heart of a book that examines Ehrenzweig?s working relationships with important British artists such as Bridget Riley, Eduardo Paolozzi and other members of the Independent Group in London in the 1950s and 1960s. In Ehrenzweig?s second book The Hidden Order of Art (1967) his thinking on Jackson Pollock is important too. It was this book that inspired American artists Robert Smithson and Robert Morris when they deployed his concept of ?dedifferentiation?. Here Williamson offers new readings of process art c. 1970 showing how Ehrenzweig?s aesthetic retains relevance beyond the immediate post-war era.




Psychoanalysis and Cinema


Book Description

Lebeau examines the long and uneven history of developments in modern art, science, and technology that brought pychoanalysis and the cinema together towards the end of the nineteenth century. She explores the subsequent encounters between the two: the seductions of psychoanalysis and cinema as converging, though distinct, ways of talking about dream and desire, image and illusion, shock, and sexuality. Beginning with Freud's encounter with the spectacle of hysteria on display in fin-de-siecle Paris, this study offers a detailed reading of the texts and concepts which generated the field of psychoanalytic film theory.




The Science of the Art of Psychotherapy


Book Description

The latest work from a pioneer in the study of the development of the self. Focusing on the hottest topics in psychotherapy—attachment, developmental neuroscience, trauma, the developing brain—this book provides a window into the ideas of one of the best-known writers on these topics. Following Allan Schore’s very successful books on affect regulation and dysregulation, also published by Norton, this is the third volume of the trilogy. It offers a representative collection of essential expansions and elaborations of regulation theory, all written since 2005. As in the first two volumes of this series, each chapter represents a further development of the theory at a particular point in time, presented in chronological order. Some of the earlier chapters have been re-edited: those more recent contain a good deal of new material that has not been previously published. The first part of the book, Affect Regulation Therapy and Clinical Neuropsychoanalysis, contains chapters on the art of the craft, offering interpersonal neurobiological models of the change mechanism in the treatment of all patients, but especially in patients with a history of early relational trauma. These chapters contain contributions on “modern attachment theory” and its focus on the essential nonverbal, unconscious affective mechanisms that lie beneath the words of the patient and therapist; on clinical neuropsychoanalytic models of working with relational trauma and pathological dissociation: and on the use of affect regulation therapy (ART) in the emotionally stressful, heightened affective moments of clinical enactments. The chapters in the second part of the book on Developmental Affective Neuroscience and Developmental Neuropsychiatry address the science that underlies regulation theory’s clinical models of development and psychopathogenesis. Although most mental health practitioners are actively involved in child, adolescent, and adult psychotherapeutic treatment, a major theme of the latter chapters is that the field now needs to more seriously attend to the problem of early intervention and prevention. Praise for Allan N. Schore: "Allan Schore reveals himself as a polymath, the depth and breadth of whose reading–bringing together neurobiology, developmental neurochemistry, behavioral neurology, evolutionary biology, developmental psychoanalysis, and infant psychiatry–is staggering." –British Journal of Psychiatry "Allan Schore's...work is leading to an integrated evidence-based dynamic theory of human development that will engender a rapproachement between psychiatry and neural sciences."–American Journal of Psychiatry "One cannot over-emphasize the significance of Schore's monumental creative labor...Oliver Sacks' work has made a great deal of difference to neurology, but Schore's is perhaps even more revolutionary and pivotal...His labors are Darwinian in scope and import."–Contemporary Psychoanalysis "Schore's model explicates in exemplary detail the precise mechanisms in which the infant brain might internalize and structuralize the affect-regulating functions of the mother, in circumscribed neural tissues, at specifiable points in it epigenetic history." –Journal of the American Psychoanalytic "Allan Schore has become a heroic figure among many psychotherapists for his massive reviews of neuroscience that center on the patient-therapist relationship." –Daniel Goleman, author of Social Intelligence




Art And Psychoanalysis


Book Description

A pioneering overview of art and psychoanalysis that shows how each field can enrich and enlarge the other.




Lacan Today


Book Description

Lacan Today: Psychoanalysis, Science, Religion offers a lucid overview of the French psychoanalyst's work. In five sections--"The Structure of the Subject," "Epistemology," "Four Discourses," "There is No Sexual Rapport," and "God is Real,"--the book maps out Lacan's thought for the lay reader with unmatched clarity. It does this by building from Lacan's graph and formulas, which are often misunderstood. This formalization acts as a pedagogical tool of wonderful economy, offering a broad overview without neglecting the essential details. The chapters are summarized by a general graph that visually demonstrates Lacan's rigor and coherence. The book examines often-neglected aspects of Lacan's work, like problems in the history of science, epistemology, and religion, in order to show Lacan's relevance to today's world. It makes the case for Lacan as one of the most important thinkers of the twentieth century, whose reach extends beyond the discipline of psychoanalysis. Indeed, Lacan's thought should lead readers into a reexamination of philosophy, literature, art, politics, economy, and desire. In his introduction, Alexandre Leupin writes: "If the unconscious exists, then Lacan is the only twentieth-century thinker who has drawn the consequences of Freud's discovery to their ultimate limits. I propose here what some will take as bombastic hyperbole: Lacan's radical reevaluation of human thinking is comparable to Einstein's." Though Lacan's thought is making tremendous inroads in countries of Latin culture, it has been slowly fading from public awareness in the English-speaking world. Often Lacan has been nothing more than a pawn in the bundling of contradictory doctrines labeled as "French thought"; or he has been reduced to a means of exchange between psychoanalysts or specialists in the humanities. Leupin's contention is that what Lacan said or wrote is of interest to the general public and that his consignment to oblivion is reversible. This book demonstrates that Lacan's thinking has vast implications, not only for college professors or practicing psychoanalysts, but also for scientists, epistemologists, and every man and woman.




The Wiley Handbook of Art Therapy


Book Description

The Wiley Handbook of Art Therapy is a collection of original, internationally diverse essays, that provides unsurpassed breadth and depth of coverage of the subject. The most comprehensive art therapy book in the field, exploring a wide range of themes A unique collection of the current and innovative clinical, theoretical and research approaches in the field Cutting-edge in its content, the handbook includes the very latest trends in the subject, and in-depth accounts of the advances in the art therapy arena Edited by two highly renowned and respected academics in the field, with a stellar list of global contributors, including Judy Rubin, Vija Lusebrink, Selma Ciornai, Maria d' Ella and Jill Westwood Part of the Wiley Handbooks in Clinical Psychology series




Art and Psychoanalysis


Book Description

Often derided as unscientific and self-indulgent, psychoanalysis has been an invaluable resource for artists, art critics and historians throughout the twentieth century. Art and Psychoanalysis investigates these encounters. The shared relationship to the unconscious, severed from Romantic inspiration by Freud, is traced from the Surrealist engagement with psychoanalytic imagery to the contemporary critic's use of psychoanalytic concepts as tools to understand how meaning operates. Following the theme of the 'object' with its varying materiality, Walsh develops her argument that psychoanalysis, like art, is a cultural discourse about the mind in which the authority of discourse itself can be undermined, provoking ambiguity and uncertainty and destabilising identity. The dynamics of the dream-work, Freud's 'familiar unfamiliar', fetishism, visual mastery, abjection, repetition, and the death drive are explored through detailed analysis of artists ranging from Max Ernst to Louise Bourgeois, including 1980s postmodernists such as Cindy Sherman, the performance art of Marina Abramovic and post-minimalist sculpture. Innovative and disturbing, Art and Psychoanalysis investigates key psychoanalytic concepts to reveal a dynamic relationship between art and psychoanalysis which goes far beyond interpretation. There is no cure for the artist - but art can reconcile us to the traumatic nature of human experience, converting the sadistic impulses of the ego towards domination and war into a masochistic ethics of responsibility and desire.