Escaping Auschwitz


Book Description

In 1944 a Slovakian Jew named Rudolf Vrba escaped from Auschwitz and wrote a document about the death camp activities. His words never reached the half million Hungarian Jews who were herded there. The story of that suppression is told here.




Postcards from Auschwitz


Book Description

The uneasy link between tourism and collective memory at Holocaust museums and memorials Each year, millions of people visit Holocaust memorials and museums, with the number of tourists steadily on the rise. What lies behind the phenomenon of "Holocaust tourism" and what role do its participants play in shaping how we remember and think about the Holocaust? In Postcards from Auschwitz, Daniel P. Reynolds argues that tourism to former concentration camps, ghettos, and other places associated with the Nazi genocide of European Jewry has become an increasingly vital component in the evolving collective remembrance of the Holocaust. Responding to the tendency to dismiss tourism as commercial, superficial, or voyeuristic, Reynolds insists that we take a closer look at a phenomenon that has global reach, takes many forms, and serves many interests. The book focuses on some of the most prominent sites of mass murder in Europe, and then expands outward to more recent memorial museums. Reynolds provides a historically-informed account of the different forces that have shaped Holocaust tourism since 1945, including Cold War politics, the sudden emergence of the "memory boom" beginning in the 1980s, and the awareness that eyewitnesses to the Holocaust are passing away. Based on his on-site explorations, the contributions from researchers in Holocaust studies and tourism studies, and the observations of tourists themselves, this book reveals how tourism is an important part of efforts to understand and remember the Holocaust, an event that continues to challenge ideals about humanity and our capacity to learn from the past.




Political Survivors


Book Description

In 1949, as Cold War tensions in Europe mounted, French intellectual and former Buchenwald inmate David Rousset called upon fellow concentration camp survivors to denounce the Soviet Gulag as a "hallucinatory repetition" of Nazi Germany's most terrible crime. In Political Survivors, Emma Kuby tells the riveting story of what followed his appeal, as prominent members of the wartime Resistance from throughout Western Europe united to campaign against the continued existence of inhumane internment systems around the world. The International Commission against the Concentration Camp Regime brought together those originally deported for acts of anti-Nazi political activity who believed that their unlikely survival incurred a duty to bear witness for other victims. Over the course of the next decade, these pioneering activists crusaded to expose political imprisonment, forced labor, and other crimes against humanity in Franco's Spain, Maoist China, French Algeria, and beyond. Until now, the CIA's secret funding of Rousset's movement has remained in the shadows. Kuby reveals this clandestine arrangement between European camp survivors and American intelligence agents. She also brings to light how Jewish Holocaust victims were systematically excluded from Commission membership – a choice that fueled the group's rise, but also helped lead to its premature downfall. The history that she unearths provides a striking new vision of how wartime memory shaped European intellectual life and ideological struggle after 1945, showing that the key lessons Western Europeans drew from the war centered on "the camp," imagined first and foremost as a site of political repression rather than ethnic genocide. Political Survivors argues that Cold War dogma and acrimony, tied to a distorted understanding of WWII's chief atrocities, overshadowed the humanitarian possibilities of the nascent anti-concentration camp movement as Europe confronted the violent decolonizing struggles of the 1950s.




History and Memory after Auschwitz


Book Description

The relations between memory and history have recently become a subject of contention, and the implications of that debate are particularly troubling for aesthetic, ethical, and political issues. Dominick LaCapra focuses on the interactions among history, memory, and ethicopolitical concerns as they emerge in the aftermath of the Shoah. Particularly notable are his analyses of Albert Camus's novella The Fall, Claude Lanzmann's film Shoah, and Art Spiegelman's "comic book" Maus. LaCapra also considers the Historians' Debate in the aftermath of German reunification and the role of psychoanalysis in historical understanding and critical theory. In six essays, LaCapra addresses a series of related questions. Are there experiences whose traumatic nature blocks understanding and disrupts memory while producing belated effects that have an impact on attempts to address the past? Do some events present moral and representational issues even for groups or individuals not directly involved in them? Do those more directly involved have special responsibilities to the past and the way it is remembered in the present? Can or should historiography define itself in a purely scholarly and professional way that distances it from public memory and its ethical implications? Does art itself have a special responsibility with respect to traumatic events that remain invested with value and emotion?




Yellow Star, Red Star


Book Description

Yellow Star, Red Star asks why Holocaust memory continues to be so deeply troubled—ignored, appropriated, and obfuscated—throughout Eastern Europe, even though it was in those lands that most of the extermination campaign occurred. As part of accession to the European Union, Jelena Subotić shows, East European states were required to adopt, participate in, and contribute to the established Western narrative of the Holocaust. This requirement created anxiety and resentment in post-communist states: Holocaust memory replaced communist terror as the dominant narrative in Eastern Europe, focusing instead on predominantly Jewish suffering in World War II. Influencing the European Union's own memory politics and legislation in the process, post-communist states have attempted to reconcile these two memories by pursuing new strategies of Holocaust remembrance. The memory, symbols, and imagery of the Holocaust have been appropriated to represent crimes of communism. Yellow Star, Red Star presents in-depth accounts of Holocaust remembrance practices in Serbia, Croatia, and Lithuania, and extends the discussion to other East European states. The book demonstrates how countries of the region used Holocaust remembrance as a political strategy to resolve their contemporary "ontological insecurities"—insecurities about their identities, about their international status, and about their relationships with other international actors. As Subotić concludes, Holocaust memory in Eastern Europe has never been about the Holocaust or about the desire to remember the past, whether during communism or in its aftermath. Rather, it has been about managing national identities in a precarious and uncertain world.




Memory and Totalitarianism


Book Description

Understanding Europe's past became an urgent matter with the events of August 1991 in Moscow, in the former Soviet Union. The invasion of Moscow's streets by Russian people rejecting an attempted coup d'etat was the culmination of a process that had been initiated years before and raised crucial questions: To what extent can these events be considered the end of an era stretching from World War I to the 1980s, when Europe experienced many forms of dictatorship? To what extent can the various forms of dictatorship Europe experienced in the twentieth century be grouped together? Can any sort of affinity be established between them? The new introduction to the paperback edition of this volume in the Memory and Narrative series, Leydesdorff and Crownshaw underline the fundamental importance of the struggle for memory and its meaning. Memory and Totalitarianism explores the remembered experiences of individuals living under different totalitarian regimes, and examines the construction of memory in the aftermath of those regimes' collapse. It attempts to situate the findings of oral history in the context of contemporary memory. It wrestles with the most painful memories that Europeans have of this century at the end of the Cold War. These memories compare with oral history's research into such experiences as racist attitudes against blacks in the South, or the cultural and psychological effects of apartheid in South Africa, or the Aborigines' claim to their own history and to a new idea of history in Australia. Totalitarianisms are products of the twentieth century that go far beyond earlier manifestations of absolutism and autocracy in their effort to completely control political, social, and intellectual life. They were made possible by modern industrialism and technology. Therefore the theme of the book expands to include many other experiences that relate to totalitarian mentalities.




Interrogating Trauma


Book Description

Throughout the past century, traumatic experiences have been re-enacted frequently by evolving media and art forms. Now there is a significant body of theory across academic disciplines focused on the representation of cataclysmic European and US historical events. However, less critical attention has been devoted to the representation of havoc outside the West, even though depictions of Third-World disasters saturate contemporary media and art around the globe. This book considers traumatic histories internationally in a broad range of creative arts and visual media representations. Deploying diverse applications of the conventional theories of trauma, it examines the theoretical limitations at the same time as considering alternative methodologies. Interrogating Trauma is concerned with the examination of the concept of trauma, and how it is (often unproblematically) used to theorise the cultural representation of disaster and atrocity. It offers a theorisation of trauma, in order to reappraise the relationship between cultural representation and the socio-historical processes which are marked by violence, conflict and suffering. This book was published as a special issue of Continuum: Journal of Media and Cultural Studies.




Disciplining the Holocaust


Book Description

Disciplining the Holocaust examines critics' efforts to defend a rigorous and morally appropriate image of the Holocaust. Rather than limiting herself to polemics about the "proper" approach to traumatic history, Karyn Ball explores recent trends in intellectual history that govern a contemporary ethics of scholarship about the Holocaust. She examines the scholarly reception of Goldhagen's Hitler's Willing Executioners, the debates culminating in Eisenman's Memorial to the Murdered Jews of Europe in Berlin, Lyotard's response to negations of testimony about the gas chambers, psychoanalytically informed frameworks for the critical study of traumatic history, and a conference on feminist approaches to the Holocaust and genocide. Ball's book bridges the gap between psychoanalysis and Foucault's understanding of disciplinary power in order to highlight the social implications of traumatic history.




Approaches to Auschwitz


Book Description

Distinctively coauthored by a Christian scholar and a Jewish scholar, this monumental, interdisciplinary study explores the various ways in which the Holocaust has been studied and assesses its continuing significance. The authors develop an analysis of the Holocaust's historical roots, its shattering impact on human civilization, and its decisive importance in determining the fate of the world. This revised edition takes into account developments in Holocaust studies since the first edition was published.




Testimony from the Nazi Camps


Book Description

This book focuses on a little-known corpus of testimonial accounts published by French women deported to Nazi camps, and will be of interest to those studying modern French literature, women's studies and the Holocaust.