From Caligula to Constantine


Book Description

Catalog of an exhibition held at the Michael C. Carlos Museum, Emory University, Atlanta, Georgia from Sept. 16, 2000 to Jan. 7, 2001, and at the Yale University Art Gallery, New Haven, Connecticut from Jan. 31 to March 25, 2001.




From Caligula to Constantine


Book Description

Catalog of an exhibition held at the Michael C. Carlos Museum, Emory University, Atlanta, Georgia from Sept. 16, 2000 to Jan. 7, 2001, and at the Yale University Art Gallery, New Haven, Connecticut from Jan. 31 to March 25, 2001.




Ten Caesars


Book Description

Bestselling classical historian Barry Strauss delivers “an exceptionally accessible history of the Roman Empire…much of Ten Caesars reads like a script for Game of Thrones” (The Wall Street Journal)—a summation of three and a half centuries of the Roman Empire as seen through the lives of ten of the most important emperors, from Augustus to Constantine. In this essential and “enlightening” (The New York Times Book Review) work, Barry Strauss tells the story of the Roman Empire from rise to reinvention, from Augustus, who founded the empire, to Constantine, who made it Christian and moved the capital east to Constantinople. During these centuries Rome gained in splendor and territory, then lost both. By the fourth century, the time of Constantine, the Roman Empire had changed so dramatically in geography, ethnicity, religion, and culture that it would have been virtually unrecognizable to Augustus. Rome’s legacy remains today in so many ways, from language, law, and architecture to the seat of the Roman Catholic Church. Strauss examines this enduring heritage through the lives of the men who shaped it: Augustus, Tiberius, Nero, Vespasian, Trajan, Hadrian, Marcus Aurelius, Septimius Severus, Diocletian, and Constantine. Over the ages, they learned to maintain the family business—the government of an empire—by adapting when necessary and always persevering no matter the cost. Ten Caesars is a “captivating narrative that breathes new life into a host of transformative figures” (Publishers Weekly). This “superb summation of four centuries of Roman history, a masterpiece of compression, confirms Barry Strauss as the foremost academic classicist writing for the general reader today” (The Wall Street Journal).




Kill Caesar!


Book Description

“Why were Rome’s first emperors—the good, the bad, and the ugly—so vulnerable to conspiracies and assassination? . . . an expert analysis . . . compelling.” —Adrienne Mayor, author of The Poison King: The Life and Legend of Mithradates and Rome’s Deadliest Enemy Exploring the history of internal security under the first Roman dynasty, this groundbreaking book answers the enduring question: If there were 9,000 men guarding the emperor, how were three-quarters of Rome’s leaders assassinated? Rose Mary Sheldon traces the evolution of internal security mechanisms under the Julio-Claudians, evaluating the system that Augustus first developed to protect the imperial family and the stability of his dynasty. Yet in spite of the intensive precautions taken, there were multiple attempts on his life. Like all emperors, Augustus had a number of competing constituencies—the senate, the army, his extended family, the provincials, and the populace of Rome—but were they all equally threatening? Indeed, the biggest threat would come from those closest to the emperor—his family and the aristocracy. Even Roman imperial women were deeply involved in instigating regime change. By the fourth emperor, Caligula, the Praetorian Guards were already participating in assassinations, and the army too was becoming more politicized. Sheldon weighs the accuracy of ancient sources: Does the image of the emperor presented to us represent reality or what the people who killed him wanted us to think? Were Caligula and Nero really crazy, or did senatorial historians portray them that way to justify their murder? Was Claudius really the fool found drooling behind a curtain and made emperor, or was he in on the plot from the beginning? These and other fascinating questions are answered as Sheldon concludes that the repeated problem of “killing Caesar” reflected the empire’s larger dynamics and turmoil.




Caesar


Book Description

This “captivating biography” of the great Roman general “puts Caesar’s war exploits on full display, along with his literary genius” and more (The New York Times) Tracing the extraordinary trajectory of the Julius Caesar’s life, Adrian Goldsworthy not only chronicles his accomplishments as charismatic orator, conquering general, and powerful dictator but also lesser-known chapters during which he was high priest of an exotic cult and captive of pirates, and rebel condemned by his own country. Goldsworthy also reveals much about Caesar’s intimate life, as husband and father, and as seducer not only of Cleopatra but also of the wives of his two main political rivals. This landmark biography examines Caesar in all of these roles and places its subject firmly within the context of Roman society in the first century B.C. Goldsworthy realizes the full complexity of Caesar’s character and shows why his political and military leadership continues to resonate thousands of years later.




From Face to Face


Book Description

This book provides analyses of different recarving methods in Late Antiquity, and argues on the basis of 500 recarved portraits that the late antique portrait style, which was formerly considered an expression of a new era, was rather a technical consequence.




Monumenta Graeca et Romana: Mutilation and transformation : damnatio memoriae and Roman imperial portraiture


Book Description

The condemnation of memory inexorably altered the visual landscape of imperial Rome. This volume catalogues and interprets the sculptural, glyptic, numismatic and epigraphic evidence for "damnatio memoriae" and ultimately reveals its praxis to be at the core of Roman cultural identity.




Monuments and Memory, Made and Unmade


Book Description

Examining how monuments preserve memory, these essays demonstrate how phenomena as diverse as ancient drum towers in China and ritual whale killings in the Pacific Northwest serve to represent and negotiate time.







Iconoclasm from Antiquity to Modernity


Book Description

The phenomenon of iconoclasm, expressed through hostile actions towards images, has occurred in many different cultures throughout history. The destruction and mutilation of images is often motivated by a blend of political and religious ideas and beliefs, and the distinction between various kinds of ’iconoclasms’ is not absolute. In order to explore further the long and varied history of iconoclasm the contributors to this volume consider iconoclastic reactions to various types of objects, both in the very recent and distant past. The majority focus on historical periods but also on history as a backdrop for image troubles of our own day. Development over time is a central question in the volume, and cross-cultural influences are also taken into consideration. This broad approach provides a useful comparative perspective both on earlier controversies over images and relevant issues today. In the multimedia era increased awareness of the possible consequences of the use of images is of utmost importance. ’Iconoclasm from Antiquity to Modernity’ approaches some of the problems related to the display of particular kinds of images in conflicted societies and the power to decide on the use of visual means of expression. It provides a deeper understanding of the mechanisms of the phenomenon of iconoclasm. Of interest to a wide group of scholars the contributors draw upon various sources and disciplines, including art history, cultural history, religion and archaeology, as well as making use of recent research from within social and political sciences and contemporary events. Whilst the texts are addressed primarily to those researching the Western world, the volume contains material which will also be of interest to students of the Middle East.