Hid from Our Eyes


Book Description

THE USA TODAY BESTSELLER New York Times bestseller Julia Spencer-Fleming returns to her beloved Clare Fergusson/Russ Van Alstyne mystery series with new crimes that span decades in Hid from Our Eyes. "New parents Clare Fergusson and police chief Russ Van Alstyne tackle three copycat murders and one testy baby in this riveting addition to an acclaimed series" —People magazine 1952. Millers Kill Police Chief Harry McNeil is called to a crime scene where a woman in a party dress has been murdered with no obvious cause of death. 1972. Millers Kill Police Chief Jack Liddle is called to a murder scene of a woman that's very similar to one he worked as a trooper in the 50s. The only difference is this time, they have a suspect. Young Vietnam War veteran Russ van Alstyne found the body while riding his motorcycle and is quickly pegged as the prime focus of the investigation. Present-day. Millers Kill Police Chief Russ van Alstyne gets a 911 call that a young woman has been found dead in a party dress, the same MO as the crime he was accused of in the 70s. The pressure is on for Russ to solve the murder before he's removed from the case. Russ will enlist the help of his police squad and Reverend Clare Fergusson, who is already juggling the tasks of being a new mother to her and Russ's baby and running St. Alban's Church, to finally solve these crimes. Readers have waited years for this newest book and Julia Spencer-Fleming delivers with the exquisite skill and craftsmanship that have made her such a success.




The Eye Book


Book Description

Our eyes see flies. Our eyes see ants. Sometimes they see pink underpants. Oh, say can you see? Dr. Seuss’s hilarious ode to eyes gives little ones a whole new appreciation for all the wonderful things to be seen!




Fix Your Eyes


Book Description

We live in a polarized time. Christians are quick to conceive of themselves either as theologically-minded or worship-minded; either thinking Christians or feeling Christians. The results are damaging: theology without worship is muted, stifled, and cold, and worship without theology is ungrounded, unrooted, and uninformed. This is not the way it was meant to be. Theology (our study and knowledge of God) should always lead to doxology (our worship of Him). Worship should always be rooted in theology. When we study the nature and character of God as revealed in his Word, we are invited to respond in the affectionate, obedient discipleship of worship. How can we keep our theology from being mere head knowledge? How do we give our worship roots that will last? By fixing our eyes on God Himself—the object of our study and the object of our worship. Fix Your Eyes is an invitation to understand core doctrines of the Christian faith and apply them in our daily worship of God. It walks believers through key theological concepts and shows how each can be lived out in daily life.




In Your Eyes


Book Description

A gifted artist, Genevieve Monaghan expresses the wonder and beauty of life on canvas. When millionaire philanthropist Alex Miller asks her to create a painting for the new children’s wing of a major Boston hospital, she finds his high-handed ways exasperating and his stunning good looks distracting—but she cannot resist his proposal. She embraces the project, willing to suffer Alex’s presence for the sake of her art. Yet soon Gen finds herself falling for Alex and his virile charm. At the pinnacle of wealth and power, Alex Miller stands alone. Women flock to him, drawn by his standing and immense sex appeal. Nothing touches his heart—until he meets Gen. A natural beauty, she is a breath of fresh air in his life and has no interest in his riches or glamour. Although they couldn’t be more different, the growing attraction between them is palpable, sizzling with intensity. Even as they fight to deny their feelings, Alex and Gen are losing themselves to the one thing more awe-inspiring than beauty: love.




Through Our Eyes


Book Description

Taken from his personal war journal, the "leader of Second Platoon's First Squad gives us a memorable and poignant tale of innocence stripped away, of lives lost, of battle, bloodshed, camaraderie, laughter and grief. And finally-- a type of healing." -- Cover, p.4.




Smoke Gets in Your Eyes: And Other Lessons from the Crematory


Book Description

"Morbid and illuminating" (Entertainment Weekly)—a young mortician goes behind the scenes of her curious profession. Armed with a degree in medieval history and a flair for the macabre, Caitlin Doughty took a job at a crematory and turned morbid curiosity into her life’s work. She cared for bodies of every color, shape, and affliction, and became an intrepid explorer in the world of the dead. In this best-selling memoir, brimming with gallows humor and vivid characters, she marvels at the gruesome history of undertaking and relates her unique coming-of-age story with bold curiosity and mordant wit. By turns hilarious, dark, and uplifting, Smoke Gets in Your Eyes reveals how the fear of dying warps our society and "will make you reconsider how our culture treats the dead" (San Francisco Chronicle).




When You Can't Believe Your Eyes


Book Description

This book was first projected in 2004, when Author Hannah Fairbairn was teaching interpersonal skills at the Carroll Center for the Blind in Newton, Massachusetts. The experiences of her adult students—and her own experience of sight lost—convinced her that everyone losing vision needs access to good information about the process of adjustment to losing sight and practical ways to use assertive speech. When You Can’t Believe Your Eyes is intended for anyone going through vision loss, their friends, and families. It will inform readers how to get expert professional help, face the trauma of loss, and navigate the world using speech more than sight. Each of the twelve chapters in the book contain many short sections and bullet-point lists, intended to facilitate access to the right information. It begins where you begin—at the doctor’s office or the hospital. Since vision loss takes many forms, there are suggestions for questions you might ask to get a clear diagnosis and the best treatment. Part One also has a description of legal blindness and possible prevention, advice about your job, and tips for life at home. Part Two is about believing in yourself as you deal with the loss, the anger, and the fear before you come up for air and consider training. Parts Three and Four describe using assertive speech and action in all kinds of settings as your independence and confidence increase. Part Five gives detailed information about everything from dating, and caring for babies to senior living, volunteering, and retaining your job. It is hoped that by reading and trying out the suggestions, the reader will recover full confidence, become a positive, assertive communicator, and lead a satisfying life. Because vision loss happens mostly in older years, the book is written with seniors particularly in mind. Professionals will also find it to be a useful resource for their patients.




Look at Your Eyes


Book Description

Describes the parts of the eye and how they work.




Lifting Our Eyes


Book Description

Virginia Tech’s soul is in the ministry of Campus Crusade for Christ, which in turn found one of its strong hearts in an effervescent Christian student named Lauren McCain. Then on an unforgettable April morning, Lauren lost her life with thirty-one others at the hands of a gunman in the largest mass murder in modern U.S. history. But one thing couldn’t be destroyed: an unyielding faith and spirit that lives on in Lauren’s memory, one which she so joyously championed. Yet the challenging and inevitable questions persist: How could God allow evil to shatter the lives of these good people? What’s to become of our trust in Him when it seems as if He’s not there to protect us? Through exclusive interviews with Lauren’s own parents and others, this book offers answers—found in a community joined in immeasurable sorrow, anger, and grief; in the healing and heartening words of survivors, clergy, and counsel. Most of all, it is Lauren’s own lasting legacy—a ray of light that illuminates the goodness above—that inspires now more than ever before. Foreword by Darrell Scott. Includes photographs and an appendix of resources for those coping with tragedy. “A person’s view of God determines the way they will respond in times of crises. Beth Lueders has done us a great service by finding God’s stories of grace and hope in an otherwise horrific event. I encourage you to read this book and find your faith strengthened by first-hand stories of God’s presence and peace.”—Vonette Z. Bright, cofounder, Campus Crusade for Christ “When tragedy strikes in such devastating proportions, it’s only natural for us to look heavenward and ask, ‘Why?’ And that’s exactly where this book turns—to God. From a very personal yet eternal perspective, this book offers real hope and healing in the aftermath of inexplicable suffering.” —Ed Young, author of Outrageous Joy and Senior Pastor, Fellowship Church, Grapevine, Texas




Feasting Our Eyes


Book Description

Big Night (1996), Ratatouille (2007), and Julie and Julia (2009) are more than films about food—they serve a political purpose. In the kitchen, around the table, and in the dining room, these films use cooking and eating to explore such themes as ideological pluralism, ethnic and racial acceptance, gender equality, and class flexibility—but not as progressively as you might think. Feasting Our Eyes takes a second look at these and other modern American food films to emphasize their conventional approaches to nation, gender, race, sexuality, and social status. Devoured visually and emotionally, these films are particularly effective defenders of the status quo. Feasting Our Eyes looks at Hollywood films and independent cinema, documentaries and docufictions, from the 1990s to today and frankly assesses their commitment to racial diversity, tolerance, and liberal political ideas. Laura Lindenfeld and Fabio Parasecoli find women and people of color continue to be treated as objects of consumption even in these modern works and, despite their progressive veneer, American food films often mask a conservative politics that makes commercial success more likely. A major force in mainstream entertainment, American food films shape our sense of who belongs, who has a voice, and who has opportunities in American society. They facilitate the virtual consumption of traditional notions of identity and citizenship, reworking and reinforcing ingrained ideas of power.