The A to Z of Postmodernist Literature and Theater


Book Description

"The A to Z of Postmodernist Literature and Theater examines the different areas of postmodernist literature and theater and the variety of forms that have been produced. It contains a list of acronyms, a chronology, an introductory essay, a bibliography, and several hundred cross-referenced dictionary entries on individual writers, important aesthetic practices, significant texts, and important movements and ideas that have created a variety of literary approaches within the form. By placing these concerns within the historical, philosophical, and cultural contexts of postmodernism, this reference explores the frameworks within which postmodernist literature of the late twentieth and early twenty-first centuries operates." --Book Jacket.




Historical Dictionary of Postmodernist Literature and Theater


Book Description

The main aim of the book has been to include writers, movements, forms of writing and textual strategies, critical ideas, and texts that are significant in relation to postmodernist literature. In addition, important scholars, journals, and cultural processes have been included where these are felt to be relevant to an understanding of postmodernist writing. This second edition of Historical Dictionary of Postmodernist Literature and Theater contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on postmodernist writers, the important postmodernist aesthetic practices, significant texts produced throughout the history of postmodernist writing, and important movements and ideas that have created a variety of literary approaches within the form. This book is an excellent access point for students, researchers, and anyone wanting to know more about the postmodernist literature and theater.




The Routledge Introduction to American Postmodernism


Book Description

The Routledge Introduction to American Postmodernism offers readers a fresh, insightful overview to all genres of postmodern writing. Drawing on a variety of works from not only mainstream authors but also those that are arguably unconventional, renowned scholar Linda Wagner-Martin gives the reader a solid framework and foundation to reading, understanding, and appreciating postmodern literature since its inception through the present day.




Handbook of Narratology


Book Description

This handbook in English provides a systematic overview of the present state of international research in narratology. Detailed individual studies by internationally renowned narratologists elucidate 34 central terms. The articles present original research contributions and are all structured in a similar manner. Each contains a concise definition and a detailed explanation of the term in question. In a main section they present a critical account of the major research positions and their historical development and indicate directions for future research; they conclude with selected bibliographical references.




Metacinema


Book Description

When a work of art shows an interest in its own status as a work of art--either by reference to itself or to other works--we have become accustomed to calling this move meta. While scholars and critics have, for decades, acknowledged reflexivity in films, it is only in Metacinema, for the first time, that a group of leading and emerging film theorists join to enthusiastically debate the meanings and implications of the meta for cinema. In new essays on generative films, including Rear Window, 8 1/2, Holy Motors, Funny Games, Fight Club, and Clouds of Sils Maria, contributors chart, explore, and advance the ways in which metacinema is at once a mode of filmmaking and a heuristic for studying cinematic attributes. What results is not just an engagement with certain practices and concepts in widespread use in the movies (from Hollywood to global cinema, from documentary to the experimental and avant-garde), but also the development of a veritable and vital new genre of film studies. With more and more films expressing reflexivity, recursion, reference to other films, mise-en-abîme, seriality, and exhibiting related intertextual and intermedial traits, the time is overdue for the kind of capacious yet nuanced critical study found in Metacinema.




Irony and the Poetry of the First World War


Book Description

How does irony affect the evaluation and perception of the First World War both then and now? Irony and the Poetry of the First World War traces one of the major features of war poetry from the author's application as a means of disguise, criticism or psychological therapy to its perception and interpretation by the reader.




Metafictional Aspects in Novels by Muriel Spark


Book Description

Examination Thesis from the year 2002 in the subject English Language and Literature Studies - Literature, grade: 1,0 (A), University of Leipzig (Institute for Anglistics), language: English, abstract: ANYTHING WRITTEN IN ENGLISH IS A LIE Anything written in English is a lie. This is by no means a new idea, with many people having given thought and expression to it (recently and rather extensively so, for instance, Jeanette Winterson). One way to handle this sentence is to relate it to the idea that something written can never be reality. That then, though, some things written (or only fictional texts?; or even fictional texts?; or anything produced?) might have a reality of their own, and that finally these realities might be part of another, larger and encompassing reality – they might. There need not be such a larger idea beyond things. All novelists have been faced with the question of how to deal with this multilayered reality, novels that deal with it explicitly being called metafictional novels. Metafictional literature has come up with innumerable ways of handling and playing with the notion of what is being real and what fictitious. Anything written in English is a lie. This sentence is also putting into other words the famous paradox of the Cretan stating that all Cretans are liars. For with both, as with many other paradoxes, the paradox is a result of the statement′s self-reference. Since the statement is written in English, it denies its own truth, which it actually does not if it is a lie – it would stop being a lie then, though. Any attempt to solve the paradox will end in moving in circles. The only way not to go insane when trying to find a solution is to accept that the sentence is made up and that it cannot be true in terms of our familiar logic. Once we view it as artificial, as something that has been made up to be not solvable (which need not be the case), we adopt another perspective and for instance allow ourselves to be entertained by contemplating paradoxes. Confronted with any paradoxical or otherwise inexplicable situation human beings still feel an urge to ascribe explanations and reasons to it and often turn to religion, commonplace theories or superstition to find them. Religions explain how the Earth came into existence. If we drop a cup or spill hot milk, it happened because our boss was being a strain. If we got an unjustified salary rise, the stars would have favoured us. A religious woman might regard it as God’s punishment when she falls in love with her husband’s lover. Seldom are we at a loss for an explanation which we may well believe in but which cannot be proved to be causative...




Terrifying Texts


Book Description

From Faust (1926) to The Babadook (2014), books have been featured in horror films as warnings, gateways, prisons and manifestations of the monstrous. Ancient grimoires such as the Necronomicon serve as timeless vessels of knowledge beyond human comprehension, while runes, summoning diaries, and spell books offer their readers access to the powers of the supernatural--but at what cost? This collection of new essays examines nearly a century of genre horror in which on-screen texts drive and shape their narratives, sometimes unnoticed. The contributors explore American films like The Evil Dead (1981), The Prophecy (1995) and It Follows (2014), as well as such international films as Eric Valette's Malefique (2002), Paco Cabeza's The Appeared (2007) and Lucio Fulci's The Beyond (1981).




Problems of Form


Book Description

"Thus the observer is part of the situation he or she observes. The essays in this volume use this idea to describe different social "forms" as consisting of action observed by further action."--BOOK JACKET.