From Seven to Seventy; Memories of a Painter and a Yankee


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From Seven to Seventy; Memories of a Painter and a Yankee - Primary Source Edition


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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.







From Seven to Seventy; Memoires of a Painter and a Yankee


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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.




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From Seven to Seventy


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Excerpt from From Seven to Seventy: Memoires of a Painter and a Yankee IF some curious reader, chancing upon this foreword to the narrative of the life of Edward Simmons, should require my reason for calling it an Interruption instead of an Introduction, I might reply with the Obvious evasion that so distinguished a painter as Edward Simmons needs no introduction. The recipient of medals innumerable, and the most flattering mention in every European capital, surely should need no introduction even in his own country, many of whose public buildings and galleries are enriched by examples of his work in decoration, portraiture, or genre. But this, as I have said, would be an evasion and not my true reason for calling my preface an interruption, and since the curiosity that can drive a reader to the perusal of matter that is essentially deterrent, wholly superfluous, and probably dull must be of a persistence that will brook no gainsay, I will make a virtue of com pulsion and narrate for that reader's private enlighten ment a story of a very personal nature concerning Mr. Simmons, the telling of which I had rather hoped to avoid. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.







Art Books, 1876-1949


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