From The Old Pueblo And Other Tales


Book Description

A collection of short stories set in the American Southwest, featuring characters from different cultural backgrounds and exploring themes of identity, tradition, and adaptation. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




American Fiction, 1901-1925


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A 1997 bibliography of American fiction from 1901-1925.




Monthly Bulletin


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Sun Journey


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A young Zuni boy learns from his grandfather the customs and ways of his people.




El Pueblo


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Founded in 1781 by pioneers from what is today northern Mexico, El Pueblo de Los Angeles mirrors the history and heritage of the city to which it gave birth. When the pueblo was the capital of Mexico’s Alta California, the region’s rancheros came here to celebrate mass or to attend fiestas in the historic Plaza. Following California’s statehood in 1850, the pueblo for a time ranked among the most lawless towns of the American West. American speculators, wealthy rancheros, and Italian wine merchants crowded its dusty streets. The town’s first barrio and the vibrant precincts of Old Chinatown soon grew up nearby. As Los Angeles burgeoned into a modern metropolis, its historic heart fell into ruin, to be revitalized by the creation in 1930 of the romantic Mexican marketplace at Olvera Street. Here, two years later, David Alfaro Siqueiros painted the landmark mural América Tropical, whose story is a fascinating tale of art, politics, and censorship. In the decades since, the pueblo has remained one of Southern California’s most enduring and most complex cultural symbols. El Pueblo vividly recounts the story of the birthplace of Los Angeles. An engaging historical narrative is complemented by abundant illustrations and a tour of the pueblo’s historic buildings. The book also describes initiatives to preserve the pueblo’s rich heritage and considers the significance of its multicultural legacy for Los Angeles today




A Heart Full of Turquoise


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In the Name of El Pueblo


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The term “el pueblo” is used throughout Latin America, referring alternately to small towns, to community, or to “the people” as a political entity. In this vivid anthropological and historical analysis of Mexico’s Yucatán peninsula, Paul K. Eiss explores the multiple meanings of el pueblo and the power of the concept to unite the diverse claims made in its name. Eiss focuses on working-class indigenous and mestizo populations, examining how those groups negotiated the meaning of el pueblo among themselves and in their interactions with outsiders, including landowners, activists, and government officials. Combining extensive archival and ethnographic research, he describes how residents of the region have laid claim to el pueblo in varied ways, as exemplified in communal narratives recorded in archival documents, in the performance of plays and religious processions, and in struggles over land, politics, and the built environment. Eiss demonstrates that while el pueblo is used throughout the hemisphere, the term is given meaning and power through the ways it is imagined and constructed in local contexts. Moreover, he reveals el pueblo to be a concept that is as historical as it is political. It is in the name of el pueblo—rather than class, race, or nation—that inhabitants of northwestern Yucatán stake their deepest claims not only to social or political rights, but over history itself.




Pueblo Indian Folk-stories


Book Description

Charles F. Lummis's profound understanding of Indian and Spanish culture in the American Southwest is reflected in this collection of thirty-two myths centering around the Pueblo of Isleta on the Rio Grande. In adapting these traditional oral tales, Lummis drew on his experience of living at Isleta and his familiarity with the native language. originally published in 1894, Pueblo Indian Folk-Stories is as enchanting as ever. Seven elders seated around a campfire take turns telling about Antelope Boy. the fabled coyote, the man who married the moon, the snake-girls, the sobbing pine, the feathered barbers, the hero twins, the revengeful fawns, and other natural and supernatural entities. Beautifully wrought, these wisdom and initiation stories speak to all who have not lost their sense of wonder.